Posted in: The Reel World by J C on February 28th, 2014
“I know it may seem scary, but flying really is quite fun.”
I respectfully disagree. Air travel is terrible. The seats are too small, the air is stale, there’s hardly any leg room, and the food stinks. (Assuming you even get food.) And I haven’t gotten to the part where you’re hurtling through the sky at hundreds of miles per hour at more than 30,000 feet. Ok, so maybe I enjoy air travel a lot little less than some of you out there, but I think we can all agree airliners provide an inherently tense setting for a variety of stories. We’re talking everything from Air Force One to Snakes on a Plane. So while flying may be awful in real life, it’s a reliably thrilling time at the movies.
Posted in: No Huddle Reviews by J C on February 27th, 2014
At first glance, Legit simply looks like an amalgamation of every successful (non-animated) comedy on FX. It’s got the bro-humor of The League along with the willingness to push the boundaries of good taste of It’s Always Sunny in Philadelphia, and it’s all centered around a comic playing a loosely-fictionalized version of himself (like Louie). So what does comedian Jim Jefferies bring to the table that’s new? I’d say it’s a refreshing amount of sloppy, unshowy heart. The show is nominally about the Aussie comic trying to make it big in Los Angeles, but it’s really about Jefferies and his inner circle becoming “legit” human beings.
“I just have a fondness for prostitutes and disabled people.”
Posted in: Disc Reviews by J C on February 27th, 2014
They say you can't choose your family, but apparently that well-known phrase never made its way to France. At the very least, no one bothered to tell Paul de Marseul, the legacy-obsessed vineyard owner at the center of You Will Be My Son (Tu Seras Mon Fils.) Cohen Media Group gave this tasty 2011 French offering a theatrical release last year, and now the film — which alternates between being a picturesque delight, a tense family drama, and a thriller — arrives on Blu-ray.
Niels Arestrup stars as Paul, who has a great nose (and palette) for winemaking. His adult son Martin (Lorant Deutsch) is a hard worker, but he didn't inherit his father's natural abilities. (Much to Martin's chagrin, Paul never misses a chance to cruelly remind his son of this fact.) Since the vineyard's longtime manager Francois (Patrick Chesnais) is terminally ill, Martin is eager to become a bigger part of the family business. Enter Francois's son Philippe (Nicolas Bridet), a charismatic, successful California winemaker who returns home to be with his ailing father. After Paul enlists Philippe's help with the upcoming harvest, he realizes he'd rather hand the family business over to someone else's son rather than his own flesh and blood.
Posted in: Disc Reviews by J C on February 20th, 2014
“If you think this has a happy ending, you haven’t been paying attention.”
Even if Game of Thrones had inexplicably wrapped its run after two stellar seasons, the HBO series would’ve gone down as a landmark in television history because of its unprecedented scale and audacious storytelling. But then fans wouldn’t have gotten season 3, an adaptation of (roughly) the first half of “A Storm of Swords”, the third novel in George R.R. Martin’s “A Song of Ice and Fire” series. “A Storm of Swords” is considered the “Empire Strikes Back” of Martin’s novels, which is a terrifying prospect considering the “Empire” in the world of Thrones has been “striking back” since the very first episode.
Posted in: Disc Reviews by J C on February 19th, 2014
“Zombies…killer robots…nice town you got here.”
If nothing else, filmmaker Christopher Hatton definitely thought outside the box in his attempt to spice up the lumbering zombie genre. The random appearance of killer robots about halfway through the film is such an out-of-leftfield move — assuming you started watching this movie without looking at its Blu-ray cover (and, no…Dolph Lundgren is *not* one of the robots) — that I actually found it to be inspired. It’s a good thing too because the rest of Battle of the Damned is essentially a low-budget, paint splatter-by-numbers survival flick.
Posted in: Disc Reviews by J C on February 17th, 2014
“…Super secret spies living next door. They look like us. They speak better English than we do. I mean, come on. Someone’s been reading too many spy novels.”
And now someone has expertly taken the cloak-and-dagger intrigue of a great spy novel, transplanted it onto our television screens, and called it The Americans. While the show is very clearly set during the Reagan era, its complex, multi-layered portrayal of the human beings on both sides of the Cold War makes it feel thrillingly alive today.
Posted in: The Reel World by J C on February 14th, 2014
“What are we fighting about now?”
About Last Night isn’t the first — and certainly won’t be the last — movie about adults taking clumsy, tentative steps toward commitment. Heck, it’s not even the first movie called “About Last Night” to tackle the subject. The film is one of a whopping *three* remakes of 1980s hits descending on screens this week. I could easily bemoan the general lack of imagination in Hollywood, but by now that sort of rant is almost as unoriginal as all these remakes. Besides, I’d rather spend my time talking about this engaging, formulaic, frequently funny movie.
Posted in: Disc Reviews by J C on February 13th, 2014
Paula Patton has managed to stand out on the big screen alongside Hollywood heavyweights like Denzel Washington (Déjà Vu, 2 Guns) and Tom Cruise (Mission Impossible: Ghost Protocol), but she’s still probably best known for being married to Beetle-douche. That’s why I was hoping Baggage Claim, her first big solo starring vehicle, would be so much better than it turned out to be. It’s tempting to dismiss it as just another corny, clichéd romantic comedy, and forget about it until it pops up on TBS two years from now. But the film squanders too much appealing talent — and insults the audience’s intelligence too often — to let it off the hook quite so easily.
"My relationships have never been cleared for takeoff."
Posted in: No Huddle Reviews by J C on February 11th, 2014
“I know many of you are probably wondering, ‘What the hell is Mike Tyson gonna do up here on stage tonight,’ right? Frankly, I’m wondering the same thing too.”
If you or I decided to get a face tattoo, it would almost definitely be the craziest thing that’s ever happened to either of us. On the other hand, I’m not sure Mike Tyson’s now-infamous facial ink even cracks the Top 5 list of most insane things he’s ever said or done. That very unpredictability is what makes him an ideal, endlessly compelling subject for a one-man show.
Posted in: Disc Reviews by J C on February 10th, 2014
“You have to interfere in what is wrong to make it right.”
When a movie is described as a “timeless classic,” the implication is the film contains a level of artistic merit and cross-generational appeal that has made it relevant decades after its release, and will make it watchable decades from now. The flip side is the type of film that is very much of the time it was created. Despite what ought to be a universal message about caring for one another, The Inn of the Sixth Happiness — making a welcome debut on Blu-ray as part of the Fox Studio Classics series — belongs in the latter category.
