DTS HD 5.1 MA (English)

“Extremely rich, very married, eminently corruptible, and a willing infidel.”

That description is used to describe the unwitting marks targeted by the titular con men in Dirty Rotten Scoundrels. But except for the “very married” part, it’s also a pretty accurate depiction of the Scoundrels themselves, played here by Steve Martin and Michael Caine in a pair of very different but equally winning performances. The movie was released a little more than 30 years ago — Christmastime 1988 — which makes this a fine time to revisit the breezy, sleazy con men comedy thanks to this Collector’s Edition from Shout Select.

Lawrence Jamieson (Caine) is a suave and sophisticated English con man who operates in the town of Beaumont sur Mer on the French Riviera. With the help of corrupt police official Andre (Anton Rodgers), Lawrence seduces and scams rich married women by posing as a prince in peril. It’s a very lucrative set-up until Lawrence bumps into Freddy Benson (Martin), an upstart American hustler making his way to Beaumont sur Mer. Lawrence has received word of a con artist known as “the Jackal” operating in the area, so he is on high alert when Freddy enters the picture.

John Travolta is one of those guys I like, but it seems like it has been ages since he’s done a great film.  Sure, he was great in The People vs. OJ Simpson where he played attorney Robert Shapiro, but apart from that role, it’s been a while since we’ve seen Travolta really make a splash at the box office. Personally I love seeing the guy on screen. Blow Out, Get Shorty and Pulp Fiction are just a few of my favorite films that he has been in, and I keep hoping his career will bounce back, but unfortunately it doesn’t look like it’ll be happening any time soon. Speed Kills is a film that has a story that is oozing with so much potential that if it were put in the hands of Brian De Palma or Michael Mann you could almost guarantee this film would be destined for greatness.  Unfortunately the result is a frustrating mess that manages to make boat racing and drug smuggling in the age of the “cocaine cowboys” seem boring.

“You know, the first time we met, I really didn’t like you that much.”

I didn’t become acquainted with When Harry Met Sally… until well after the Billy Crystal/Meg Ryan flick had established itself as a bona fide romantic comedy classic. (I was 7 when the film came out in 1989.) So when I finally got around to watching it in my late teens, the “I’ll have what she’s having”  punchlines and general set-up involving an unlikely romantic pairing felt overly familiar. I enjoyed it just fine, I definitely appreciated it, but I wouldn’t quite call what we had love. Shout Select, an imprint of Shout! Factory, has released a 30th anniversary Blu-ray of When Harry Met Sally… And after revisiting this film years later, I’m asking myself the same question that Harry and Sally ponder after being friendly for years: is this love?

The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin’s first starring role in a feature film and was also written by him. It's hard to watch the film and quite picture Martin as the unknown he really was at the time. Since then Steve Martin has come and pretty much gone from our collective experience. When this film was released, much of this kind of humor was somewhat unique and clever. Today that is not so much the case, and it looks and feels quite a bit dated.

Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn’t realize he’s not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his f…et to an easy listening tune on the radio, instead of a low-down blues.

“I'm sorry there is so much pain in this story. I'm sorry it's in fragments, like a body caught in crossfire, pulled apart by force, but there is nothing I can do to change it.”

To say there is pain in The Handmaid’s Tale might be the biggest understatement of 2018. The series is set in a dystopian near-future in which women — even the ones who are supposedly part of the ruling class — are enslaved and tortured in a variety of heinous ways. Handmaid’s Tale immediately became Hulu’s flagship show and picked up an Emmy for Best Drama Series last year. So expectations were high for this second season, which too often proves to be torturous for viewers as well.

“God send me an obedient woman.”

“I get it. You’re taking me back in time to show me my mother and father, and I’m supposed to get all goosey and blubbery. Well, forget it, pal…you got the wrong guy!”

Bill Murray was the absolute best at being a jerk on screen during the 1980s, which made him the right guy to step into the role of a modern-day Scrooge. Charles Dickens’ “A Christmas Carol” had been adapted countless times before Scrooged and there have been dozens of versions since the movie’s 1988 release. But while this sarcastic, intentionally gaudy update isn’t exactly the most faithful version of Dickens’ classic tale, it remains a personal childhood favorite.

“…I’ll show you how to be rich.”

HBO’s fantastic and fiercely funny Succession is about a group of people who are great at being rich…and not much else. The show’s fictional Roy family controls the powerful conglomerate Waystar Royco, which bears more than a passing resemblance to the late Rupert Murdoch’s media and entertainment empire. The show would be entertaining enough if it merely lampooned the spoiled brats who stumble into becoming masters of the universe. But Succession goes to another level by wringing legitimately powerful family drama out of an objectively absurd and despicable cast of characters.

“Not all heroes wear capes.”

To put things mildly, Warner Bros. still has a bit of ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (The Flash, Legends of Tomorrow) and with their animated, direct-to-video offerings. One of those small-screen flicks — 2015’s Justice League: Throne of Atlantis — has just been granted a nifty “Commemorative Edition” 4K release before Aquaman splashes onto the big screen next month.

"Some say that in life, there are no second chances. Experience tells me that this is true. But we can only look forward. We have to be torchbearers, casting the light so we may see our path to lasting peace. We will continue exploring, discovering new worlds, new civilizations. Yes - that is the United Federation of Planets. Yes, that is Starfleet. Yes, that is who we are.  And who we will always be." 

I should confess from the beginning that I am a very dedicated Star Trek fan.

Young love is a wonderful concept that I wish could be sold and bought by the ounce, because I would either be rich or horribly addicted. Two people hopelessly absorbed by each other in a raging pool of hormones, bliss, and social media. It is a beautiful sight even if most of the time it is fleeting and gone in the blink of an eye. But what if you could change those decisions that made love lost and make it blossom again? Then you might just have Fireworks, a new Japanese anime from the producer of Your Name. Let's take a look.