DTS HD 5.1 MA (English)

“I'm sorry there is so much pain in this story. I'm sorry it's in fragments, like a body caught in crossfire, pulled apart by force, but there is nothing I can do to change it.”

To say there is pain in The Handmaid’s Tale might be the biggest understatement of 2018. The series is set in a dystopian near-future in which women — even the ones who are supposedly part of the ruling class are enslaved and tortured in a variety of heinous ways. Handmaid’s Tale immediately became Hulu’s flagship show and picked up an Emmy for Best Drama Series last year. So expectations were high for this second season, which too often proves to be torturous for viewers as well.

“God send me an obedient woman.”

“I get it. You’re taking me back in time to show me my mother and father, and I’m supposed to get all goosey and blubbery. Well, forget it, pal…you got the wrong guy!”

Bill Murray was the absolute best at being a jerk on screen during the 1980s, which made him the right guy to step into the role of a modern-day Scrooge. Charles Dickens’ “A Christmas Carol” had been adapted countless times before Scrooged and there have been dozens of versions since the movie’s 1988 release. But while this sarcastic, intentionally gaudy update isn’t exactly the most faithful version of Dickens’ classic tale, it remains a personal childhood favorite.

“…I’ll show you how to be rich.”

HBO’s fantastic and fiercely funny Succession is about a group of people who are great at being rich…and not much else. The show’s fictional Roy family controls the powerful conglomerate Waystar Royco, which bears more than a passing resemblance to the late Rupert Murdoch’s media and entertainment empire. The show would be entertaining enough if it merely lampooned the spoiled brats who stumble into becoming masters of the universe. But Succession goes to another level by wringing legitimately powerful family drama out of an objectively absurd and despicable cast of characters.

“Not all heroes wear capes.”

To put things mildly, Warner Bros. still has a bit of ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (The Flash, Legends of Tomorrow) and with their animated, direct-to-video offerings. One of those small-screen flicks — 2015’s Justice League: Throne of Atlantis — has just been granted a nifty “Commemorative Edition” 4K release before Aquaman splashes onto the big screen next month.

"Some say that in life, there are no second chances. Experience tells me that this is true. But we can only look forward. We have to be torchbearers, casting the light so we may see our path to lasting peace. We will continue exploring, discovering new worlds, new civilizations. Yes - that is the United Federation of Planets. Yes, that is Starfleet. Yes, that is who we are.  And who we will always be." 

I should confess from the beginning that I am a very dedicated Star Trek fan.

Young love is a wonderful concept that I wish could be sold and bought by the ounce, because I would either be rich or horribly addicted. Two people hopelessly absorbed by each other in a raging pool of hormones, bliss, and social media. It is a beautiful sight even if most of the time it is fleeting and gone in the blink of an eye. But what if you could change those decisions that made love lost and make it blossom again? Then you might just have Fireworks, a new Japanese anime from the producer of Your Name. Let's take a look.

I was raised on the mean streets of Charlotte, North Carolina. Yes, that's meant to be a joke, since I was raised in the suburbs primarily. My Aunt Donna on my father's side was working in California (San Diego) most of my life, and that's where she lives to this day. I would always wonder what life in California was like and how my aunt did it. Like most non-California residents in that time period (80's), I dreamed that everybody was from the Valley and talked about being "So Sure". Fast forward 35 years later ,and we have a collector's edition of the movie simply known as Valley Girl. Let us take a look.

Ever since I was a kid, I’ve been fascinated by UFO stories. It’s a big part of what got me into watching The X-Files.  Whether you are a believer or not, there are groups all over the world where people get together and share their experiences about their abductions and how they attempt to cope with the trauma of the event.  Beyond the Sky is a film that is sort of a mockumentry about Chris Norton (Ryan Carnes) who has been attempting to find out what happened to his mother after she went missing on his seventh birthday.  Now years later, he takes his “documentary” to a UFO convention to meet with abductees and in the process comes across Emily (Jordan Hinson), who may help him on his journey to find the truth.

My first attempt at watching Mandy wasn’t a successful one. After fifteen minutes I was nodding off, so I stopped it and held off viewing it for another night.  This isn’t a movie you want to throw on too late at night. The first half is definitely a slow burn, but once this film picks up steam, you are in for one crazy, psychedelic, violent experience that will leave an impression on you.  It’s no surprise that Mandy has already developed a buzz through the internet and is well on its way to becoming a cult classic.  Is the hype for this film real?  Can Nicolas Cage still deliver a memorable performance as his career has seemed to have dissolved into constant direct-to-DVD content?  Well, the short answer to both these questions is yes, but this film is not for everyone, and to a degree I may be on the fence on the first half of this film.

So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original, and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot at the box office will be out of reach for it, though.