DTS HD 5.1 MA (English)

"I will be 100 percent committed to this half the time."

This offbeat, knowingly unromantic declaration between long-time friends Jason and Julie kicks the plot of Friends with Kids into motion. The platonic pair decide to have a child together after watching the soul-sucking effect parenthood has had on their married friends. The plan is for Jason and Julie to share parental responsibilities right down the middle while living separate romantic lives. Don't worry. I was thinking the exact same thing as you and all the other characters in the movie when they hear about this harebrained scheme: "Good luck with that!"

All funny ideas are not created equal. A concept that may have audiences laughing their heads off for a few minutes could wind up being absolutely torturous when stretched to feature film length. Few people know this better than Will Ferrell, one of the most popular and successful Saturday Night Live alumni of all time. He's cracked people up on the small-screen and in multiple comedic blockbusters. Ferrell's latest, Casa de mi Padre, seems like a classic example of an idea that would be extremely funny as a skit or a fake trailer, but becomes annoying over a prolonged period of time. The actor is surely savvy enough to realize this, and I kinda love that he decided to do it anyway.

Casa de mi Padre — directed by Matt Piedmont and written by Andrew Steele, a pair of Ferrell's SNL cohorts — is told in the overly dramatic style of Mexican soap operas (or "telenovelas") and westerns of the 1970s (with their choppy editing). It has more in common with Robert Rodriguez and Quentin Tarantino films than with Ferrell's own previous work...unless I missed any slo-mo bloodbaths in Elf. Did I mention the part where it's almost entirely in Spanish? The poker-faced movie plays it so straight with its inspiration that it's not entirely accurate to call it a spoof; it's more of an homage.

The “Patch of Heaven” farm is about to be seized by the bank, unless $750.00 can be raised, and raised quickly. By lucky coincidence, that is precisely the reward being offered for the capture of cattle rustler Alameda Slim. Three plucky cows (voiced by Roseanne Barr, Judi Dench and Jennifer Tilly) decide to capture Slim and win the reward, thus saving their home.

The opening moments, with a series of Tex Avery-style catastrophes befalling an unfortunate rabbit, are very promising. Here and there are other patches of inspiration, such as when Slim reveals that his foolproof secret for stealing cattle is to hypnotize them by yodeling (leading into one of the stronger musical numbers). Unfortunately, in between are long stretches of flat storytelling and dull jokes. Roseanne Barr is as annoying a presence as a voice artist as she is an actor, and Cuba Gooding Jr.’s horse character is a pale imitation of Eddie Murphy’s work on Mulan and Shrek. There aren’t enough bones tossed to adults, and the two kids I was screening this with were bored out of the room in five minutes flat.

Right before this movie hit theaters, I made a snarky joke about how I was already mentally preparing myself for American Funeral in about 20 years. (I imagined the gang reluctantly reuniting following the death of a 50-year-old Steve Stifler in a tragic, orgy-related accident involving high school girls...except it turns out Stifler faked his death to get the crew back together and shenanigans ensue.) It was an easy joke to make because I felt American Reunion came with a detectable whiff of desperation. Cast members who were missing from 2003's American Wedding were suddenly available now that they weren't quite as busy as they were nine years ago. Instead, I'm happy to say that the fourth film in the franchise — I'm willfully ignoring the straight-to-DVD American Pie Presents... titles — is mostly a love letter to fans and a pretty decent raunchy comedy on its own merits.

The film even acknowledges the odd timing for this particular reunion. I'm not even sure 13-year high school reunions are a real thing (it's not exactly a nice, round number), but that's what brings the American Pie gang back to East Great Falls, Michigan. We spend the first portion of the movie catching up with the characters' lives in their early 30's. Jim and Michelle (Jason Biggs and Alyson Hannigan) are still married, but in the kind of sexual rut that all married couples with children seem to suffer in movies and on TV. The amusing opening scene reminds us that there is no end to Jim's humiliation and the rest of the film confirms that Jason Biggs' penis is still a reliable source of comedy.

When Duran Duran's new concert film arrived at UpcomingDiscs headquarters, the staff was practically fighting over the Blu-ray. ("You take it!" "No, YOU take it!") Needless to say, no one was tripping over themselves to spend a significant amount of time with a band once dubbed "the prettiest boys in rock." When I expressed admiration for a few of their songs, I became this site's Duran Duran Fan (By Default). After watching this lively 2011 performance, I feel pretty good about removing the "By Default" portion of my title and simply calling myself a fan of the band.

Filmed in Manchester's MEN Arena in December 2011, A Diamond in the Mind capped a roller coaster year for the band. (More on that in the Special Features section.) Duran Duran was formed in Birmingham, England in 1978 and quickly achieved superstardom in the early 1980s. Though there have been several different groupings throughout the years, the "classic" Duran Duran lineup — singer Simon Le Bon, keyboardist Nick Rhodes, guitarist Andy Taylor, drummer Roger Taylor and bassist John Taylor (believe it or not all the Taylors are unrelated) — reunited in the early 2000s. That same lineup (except for Andy Taylor, who left in 2006 and was replaced by Dom Brown) is featured in A Diamond in the Mind.

“Come on Ryan! These are big existential questions, best left for boring Russian novelists and teenagers on acid. Real people don't think about this shit!”

As Wilfred: The Complete First Season begins, Ryan Newman (Elijah Wood), a miserably depressed out of work lawyer, just reached the end of his rope. One night, after meticulously composing the final draft of his suicide note, he downs a handful of pills, chugs them back with a bottle of NyQuil and heads off to bed. Nothing happens. He can’t even fall asleep. The following morning his hot next-door neighbor, Jenna (Fiona Gubelmann), shows up at his door asking if he would watch her dog Wilfred for the day. Thing is, where everyone else sees a big, shaggy mutt, Ryan sees a scruffy Australian man (Jason Gann) in a furry dog suit… a wisecracking, pot-smoking, frequently profane man who stands upright and seemingly has opposable thumbs under his costume.

An aimless slacker named Jeff shambles out of his mother's basement (where he lives, hence the movie title), tasked with a chore, but is sidetracked by a theory that he is being given signs. What are these “signs” meant to mean? Not even Jeff knows as he runs into his brother and mother along his seemingly random path. The films asks, is said path truly random? Or is he finally on a journey to find true meaning in his life?

This film is essentially about people who are dissatisfied about their placement in life and are in need of something drastic to shake them out of it. Jeff, played by Jason Segal, seems to focused on fruitless theories and journeys to ever make something of himself. His brother, played by Ed Helms, suspects his wife of infidelity after she blows up at him over buying a new Porsche without consulting her. Their mother, played by Susan Sarandon, is a widow who has not had excitement in her life since her husband passed on. When an anonymous love note arrives, she takes the chance of discovery who her “admirer” is.

It’s a little hard for me to realize it really has been 20 years since Stone Temple Pilots emerged out of the grunge scene with their album Core.  I remember hanging out at my friends house playing Sega Genesis while listening to this tape (yes, cassette tape) over and over with some Pearl Jam and Nirvana thrown in as well.  For me these guys are like moments of time from my past that I’ll always look fondly upon.  Whether it was my first mosh pit or first house party, this was the music that surrounded me.  I feel the need to divulge this simply because no matter how impartial I may try to be, it’s hard to be critical and removed with every review that comes along.

With that being said, I’m going to come out and say I love this performance.  Once I put this in my player, I cranked up the volume and just allowed my ears to ingest this musical delight.  Sure my neighbors may not have been happy after all the sound hits like a punch, but this is what I’ve come to expect from STP.

Even though by many standards, I am probably considered old, I would like to think I can still experience new music, especially when it comes to me for review. Of course, you are also reading the guy who loves to annoy others driving down the street with Whitesnake and Motley Crue. Anyway, I was definitely interested to take a gander at this blu-ray that showcased the talents of a band called Kasabian who performed in late 2011 at the O2 Arena in London. Let's take a look.

In 1997, Tom Meighan (vocalist), Sergio Pizzorno (guitarist), Chris Edwards (bassist), and Christopher Karloff (lead guitarist) formed the band Saracuse. They all resided from England (Countesthorpe and Blaby) and put out their first demo EP in 1998. It only had three songs: "What's Going On", "Life of Luxury" and "Shine On" and they were recorded live. However, it helped to launch a band who was struggling to finds its mark.

Mirror mirror on the wall, which is the fairest Snow White movie of them all? (Or at least 2012.) Well, if we're going by box office receipts and critical reception, the winner is Snow White and the Huntsman, the gothic, snarlier twist on the classic tale starring Kristen Stewart (everything starring Stewart is automatically snarlier), Charlize Theron and Chris Hemsworth. However, if we're going by costumes, production design and general shiny-ness, Mirror Mirror easily wins. I realize that sounds like faint praise, but this family-friendly take on Snow White has its quirky charms.

Julia Roberts headlines this version as a wicked Queen who is fond of lavish parties and elaborate gowns, but rules over a frigid, destitute kingdom following the disappearance of the popular king she married. Snow White (Lily Collins), on the cusp of her 18th birthday, is the king's daughter and the rightful heir to the throne. After the jealous Queen tries to have Snow White murdered, the exiled princess enlists the help of a noble prince (Armie Hammer) and seven outcast dwarves to take back her kingdom.