Posted in: Disc Reviews by Gino Sassani on July 8th, 2018
"You can tell a lot about a person's character by how they treat people they don't have to treat well."
It had been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise, and added ‘action hero’ to Tom Cruise’s resume, and six years since John Woo’s highly stylized follow-up raised the franchise to new box office heights. In 2006 the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics. It was feared that the happenings of Cruise’s personal life would somehow bring down this movie; the previous two films did set the bar pretty high. Mission: Impossible 3's U.S. box office take did appear to suffer from the public backlash to its headliner’s wacky rants and questionable actions. J. J. Abrams’ top-notch action flick likely deserved better. But the third film could have put a halt to any future missions by posting the worst box office of the franchise to date. The $134 million box office was down considerably from the expected $200 million that was reached by all of the other films. As it was there would be another nearly six-year gap before the next outing.
Posted in: Disc Reviews by Gino Sassani on July 5th, 2018
"This is not Mission: Difficult, Mr. Hunt. It's Mission: Impossible. Difficult should be a walk in the park for you."
After four years and nearly $200 million at the box office, it was only a matter of time before Paramount and Tom Cruise would partner again for a new Mission Impossible film. This time the move would be completely toward the action and stunts and farther away from the television series. The hiring of John Woo to direct the second film put quite a punctuation mark on that move. This time there would be no mistake. Mission: Impossible 2 would be a no-holds-barred action adventure across the globe, and with Tom Cruise once again doing the majority of these hair-raising stunts himself, much to the concern of the new director and crew. The stakes had to be higher, and Woo was the perfect choice for that kind of film.
Posted in: Disc Reviews by J C on June 20th, 2018
Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn,” then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.
“People rely on the police to keep them safe. That’s the problem.”
Posted in: Disc Reviews by Brent Lorentson on June 14th, 2018
For some reason, adapting video games into good films has been the nut Hollywood just can’t seem to crack. The Resident Evil series has been successful, but I wouldn’t say it really holds up to the game. Personally, Silent Hill has been the only adaption I’ve really enjoyed, and that film has divided fans as well. As for the Tomb Raider franchise that kicked off in 2001, sure, it had some fun sequences. And with Angelina Jolie becoming a hot commodity at the time, it’s not too much of a surprise that it did well at the box office. Now 17 years later, the time has come for Tomb Raider to get a makeover and work its way through the reboot machine. This is a reboot, though, I don’t mind; after all, the video game gave its featured character a makeover and decided to tell the story of a much younger Lara Croft. As for the film, how did it do as it followed the game’s footsteps by casting a younger actress to fill the role?
Tomb Raider is kind of a big deal for Warner Bros. Sure, they kicked in a lot of money for this film, but, more importantly, this was obviously a potential tentpole franchise that they hoped to squeeze several sequels out of. Because of the franchise potential, it is no surprise that they would cast a younger talent for the role of Lara Croft, and for me Alicia Vikander is great choice. For those unfamiliar with Vikander, I simply can’t recommend Ex Machina enough. Is she Angelina Jolie? No, but that’s okay; times have changed, and, instead of sexualizing the role, we get a more grounded and relatable take on the character.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2018
"Just another American who saw too many movies as a child? Another orphan of a bankrupt culture who thinks he's John Wayne? Rambo? Marshall Dillon?"
So the great debate rages on. Is Die Hard a Christmas movie or just a movie that happens to be set at Christmastime? Recently Stephen Amell from Arrow told a press group that his favorite Christmas movie was indeed Die Hard. He's not alone there. I've had the debate a few times myself. Unfortunately, I come down on the side that Die Hard is not a Christmas movie. Here's my criteria. Does Christmas play a vital part in the plot of the movie? The truth is that Die Hard could have happened at any time, as the many sequels have demonstrated over the years. Fox obviously doesn't think of it as a Christmas film. Why? Because they've waited until summer to release the film on UHD Blu-ray in glorious 4K. They could have released it for the shopping season or even held it for next shopping season. Either way, be glad it's not a Christmas movie, because it's May, and the film is out now in 4K. Grab it up and enjoy Christmas in May, if that's your thing.
Posted in: Disc Reviews by Michael Durr on April 26th, 2018
Like probably most folk out there in the real world, I learned everything I know about foreign diplomats from television and film. They dress in expensive suits, usually have a drinking or smoking problem, and harbor some immense secret that could bring about the fall of a whole country or even the world. They don't have friends or associates, instead they have pawns that they move around a theoretical chess board for influence and money. Finally, they would sell out their own grandmother if it meant a little more information at the bargaining table. Today, I review Backstabbing for Beginners, a movie that deals with UN Diplomats and the country of Iraq. Somehow, I don't think my opinion is going to change.
The New York skyline, September 2003. We are at the Wall Street Journal building and Michael Sullivan (played by Theo James) has a story to tell. We fade to black and then see an Iraqi propaganda piece before arriving at the United Nations Building in October of 2002. Michael has been called in for an interview, actually the fourth time he's tried to find work as a diplomat.
Posted in: Disc Reviews by Gino Sassani on March 15th, 2018
“We have to be ready. You, me, the others… there’s an attack coming from far away.”
The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman v Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn’t quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it’s not a bad film, either. Superman actually smiles and has begun to return to the “golly” innocence of his best comic years. This film may not be everything we fans of both brands were hoping for, but it’s actually a good start.
Posted in: Disc Reviews by Brent Lorentson on February 24th, 2018
With the success of The Revenant, it shouldn’t be a surprise that other survival films would follow in its wake. At first glance when I came across Walking Out, I didn’t expect much and figured it would be nothing more than a halfhearted attempt to capitalize on the success of The Revenant. I couldn’t have been more wrong. What Walking Out brings to the table is a heartfelt tale of survival for a father and son, yet instead of focusing on the bleak conditions in the mountains of Montana, the focus is rather on the bond the two are attempting to develop. With a beautiful landscape as the backdrop of the film, it’s easy to see how Cal (Matt Bomer) could fall in love with his home and want to share it with his son. David (Josh Wiggins) lives in Texas and is only able to make the trip out to see his father once a year, and it’s when David is fourteen that Cal has a special hunting trip planned out. From the start it’s obvious the two don’t share much of a bond, though Cal is trying the best he can to show his son that there is more to life than his cell phone. Cal has fond memories of going out hunting with his father (Bill Pullman), and we see many of these memories in flashbacks.
The relationship between Cal and David is touching, and for some I can see where this film can possibly hit close to home as we begin to see that Cal’s fear and frustration is that his son really doesn’t know him. And just as we are seeing a bond growing between the two, this is when disaster strikes, and David is put into the position of having to save himself and his father. As an audience member we go from not thinking much of this teenager to rooting for him to manage to pull off the impossible and get the two to safety.
Posted in: Disc Reviews by J C on February 9th, 2018
“There was a guy on TV the other night. Had a theory that nearly a quarter of all so-called fatal accidents were actually murders. That's ridiculous...it's only about 10 percent.”
It's one of the more familiar action/thriller tropes: an apparent suicide or accidental death that actually turns out to be an elaborate murder. Usually that story is told from the perspective of the murder victim's loved one, who will stop at nothing to uncover the truth. What's cool about Accident Man — a stylish and rollicking action romp — is that it gives us an irreverent look at the cold-blooded killers who craftily carry out these cinematic crimes.
Posted in: Disc Reviews by J C on January 29th, 2018
“Everyone was warned, but no one listened.”
These words — which are about as subtle as a tsunami — are heard in voiceover at the start of Geostorm, the latest effort from master of disaster (films) Dean Devlin. Yes, I realize no one should venture into a big budget flick produced by Dean Devlin (Independence Day, 1998's Godzilla) looking for subtlety. But no matter what side of the climate change issue you fall on, Geostorm is equally offensive to all parties. And it's not because of its politics or its shoddy writing, which gives that opening monologue to a character who ends up being completely inconsequential. It's because this would-be blockbuster is shockingly short on both fun and spectacle.
