Posted in: Disc Reviews by Brent Lorentson on November 16th, 2017
John Wick was an action film that seemed to sneak up on everyone. Sure, it had a great trailer, but I don’t think anyone expected just how great it actually was. What made it so effective weren’t just the well-choreographed fights and the stylish look of the film, but it was the characters who while over the top, were also ones the audience could relate to. Atomic Blonde is helmed by half the directing team that gave us the first John Wick, and from what the trailers first teased us with, I came into it with hopes we’d get something special. While on the surface I can’t say that this film surpasses John Wick, what it does is stand alone for being a culturally and socially important film as it delivers not just the ultimate badass female in an action film, but I believe the first that belongs in the LBGT community. It’s a big deal what this character represents, but how does the rest of the film fare throughout the fistfights and shootouts?
It’s the fall of 1989 in Berlin when we are introduced to Lorraine Broughton (Charlize Theron). She’s bruised and battered as she enjoys an ice bath. The Cold War is coming to a close as the Berlin Wall is closer than ever to coming down. She is an agent with MI:6 and is being debriefed by her superior, Eric Gray (Toby Jones), and a member of the CIA, played by John Goodman. The debriefing is a combative one. Obviously we can tell she’s been through hell, and she begins to tell her story from the previous days as she attempted to complete her mission.
Posted in: Disc Reviews by J C on October 24th, 2017
For a gritty historical epic to get the green light these days, it has to have some sort of easy-to-understand hook. (“Hey, it's sexy King Arthur!”) And it seems like enough people complained about the prevalence of PG-13 action movies that it led to the current boom of R-rated sensations — like Deadpool and the John Wick flicks — that gleefully go to extremes. There is absolutely nothing gleeful about Pilgrimage, and the movie doesn't seem all that interested in hooking the masses (significant portions of the film are in French, Irish, and Latin). In other words, the most striking and impressive thing about Pilgrimage is also what can make it feel like somewhat of a slog: this movie is dead serious.
Pilgrimage opens with a brief, violent prologue in Cappadocia, 55 A.D., where an unnamed man is brutally stoned to death. It's a startling, disorienting cold open...and not just because I have no idea where Cappadocia is without the help of Dr. Google. The movie doesn't bother to explain either, but we eventually learn how this opening sequence crucially ties into the main story, which takes place in 1209 A.D. in Ireland. The nation has been torn apart by centuries of tribal warfare and currently faces the growing influence of Norman invaders.
Posted in: Disc Reviews by J C on October 4th, 2017
“This may seem a peculiar request...but could someone explain why I'm here?”
That question is posed slurred by Jack Sparrow, Johnny Depp's perpetually sloshed swashbuckler, during his very first appearance in Pirates of the Caribbean: Dead Men Tell No Tales. Given that this is the fifth film in a faded franchise — and that Depp probably needs the money — the answer for why any of this is happening appears to be painfully obvious. Which is why I was delighted (and frankly a little shocked) by how much fun I had watching this latest entry, which manages to entertain while openly plundering the original movie's winning formula.
Posted in: Disc Reviews by J C on September 20th, 2017
“You have been my greatest love. Be careful, Diana...they do not deserve you.”
Ever since Richard Donner made us believe that a man can fly with 1978's Superman — considered by many to be the first modern superhero film — we've gotten three different Men of Steel, along with five different versions of Batman (if you don't count Will Arnett's voiceover work). Heck, in the last 15 years alone we've had three Spider-Men and (incredibly) gone through three Hulks! Yet in all that time, a movie starring Wonder Woman — a superhero just as iconic as all the ones I just mentioned — could never get off the ground...until now. I'm happy to report it was worth the wait.
Posted in: Disc Reviews by J C on August 30th, 2017
“We need Harley Quinn.”
Warner Bros. still has a bit of a ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (Smallville, Arrow, The Flash) and with their animated, direct-to-video offerings. Before Wonder Woman saved the day earlier this summer, one of DC's recent big-screen highlights was the way Margot Robbie's Harley Quinn enlivened the supervillain mash-up Suicide Squad. And while I'm fully aware that Harley's appeal lies in being a strong, sexy, wisecracking nutjob, I wish the makers of this well-deserved small-screen showcase had taken her a bit more seriously.
Posted in: Disc Reviews by Brent Lorentson on August 4th, 2017
An action film with a running time of 89 minutes should mean that it’s going to be lean on the story and keep things moving at a fast pace. S.W.A.T: Under Siege delivers just that, but unfortunately in the process delivers something that we’ve seen many times before. The film is being branded as a sequel (by name only) to S.W.A.T (2003), the film with Colin Farrell which was an adaptation from the TV series from the 70’s. S.W.A.T: Under Siege has nothing to do with any of the previous incarnations, and has relocated from sunny California to Seattle Washington. But is the film worth checking out? Well I’m not a fan of sequels that go straight to DVD, but this film does dangle a wild card for the audience that convinced me to give this a shot, Michael Jai White (Spawn, Black Dynamite).
It’s the 4th of July and the S.W.A.T unit is ready to have a short and easy day so they can get home and enjoy the holiday with their families. But what kind of an action movie would it be if the holiday didn’t take a turn for the worse with terrorists and a lot of gun fire? The team gets a call about a big shipment that’s being made at a shipping yard, with the DEA taking lead they head to the warehouse that turns out to be something more dangerous than it seems. After an intense firefight, instead of finding drugs or guns in a shipping container, they find a man The Scorpion (Jai White).
Posted in: Disc Reviews by Jeremy Butler on July 12th, 2017
Family is everything to Dominic Toretto. He has said as much in Furious 7, “I don’t have friends, I have family.” Over the course of seven films, we have seen him undertake impossible tasks including driving a car off a plane or through a building in order to rescue or avenge a member of said family. So what would make him make him betray that very family? In The Fate of the Furious, the team will face the biggest challenge they have ever faced when they find themselves working against their very leader. The long-running film franchise continues to up the ante with the action, producing its most action-packed film to date. Every time I think that there is no way the series can top itself, they add a tank or drive off a plane. This time, they got a submarine, y’all.
When we pick up with the team, Dominic and Letty are enjoying their honeymoon in Havana, Cuba. Their bliss is cut short when Luke Hobbs (Dwayne Johnson) has to call on Dom and his team to help him recover a stolen WMD. The heist is a success, and the team is on their way back to the rendezvous when Dom throws a curveball, stealing the weapon and disappearing. This betrayal hits everyone hard, especially Letty, who finds it impossible to believe. Adding to the shock is the return of Mr. Nobody (Kurt Russell) with a junior associate (Scott Eastwood) in tow, or Lil’ Nobody as Roman and Tej like to call him. Nobody informs the team that Dom stole the weapon at the request of Cipher (Charlize Theron) and that the two are working together.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2017
"You wanted me back. I'm back."
Keanu Reeves has enjoyed somewhat of a career renaissance thanks in no small part to the success of John Wick in 2014. There he teamed up with some stunt friends of his going back to The Matrix, and together they brought a new action hero to the screen that was as much graphic novel as it was action film. It would become the directing debut of the stunt team of Stahelski and David Leitch. Along with their action star, everyone stuck to what they knew and refused to overcomplicate the whole thing. That led to a box office haul of $86 million worldwide and a respectful enough budget to make a sequel seem like a good possibility. It took three years, but that possibility has turned into John Wick: Chapter 2.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2017
"I got this..."
When Sly Stallone delivered his homage to the 1980's action film in The Expendables he hit a lot of the action film requisites. It was old-school fun with a new-school level of effects and production design. But with all of his efforts to bring back the 1980's action star hero, there was one beat he couldn't have connected with until a couple of years later. You see, action films are like potato chips. You can't have just one. Films like First Blood, Die Hard, Terminator, and all of the others always had one final thing in common...the sequels. In case you thought that The Expendables was a one-off, the sequel was inevitable. And this is one case where the second film might be a little better than the first. Sure, it's somewhat of a two-hour cliché, but who says there's anything wrong with that?
Posted in: Disc Reviews by Gino Sassani on May 2nd, 2017
"Man, we'll die with you. Just don't ask us to do it twice."
Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. These were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letter to the action movie fans. It's called The Expendables, and it's out right now on UHD Blu-ray in 4K from Lionsgate.
