Posted in: Disc Reviews by Michael Durr on October 26th, 2019
Bakugan was originally a toy first envisioned by an inventor named Aldric Saucier, who thought he could fit a small action figure inside a marble. He then presented the idea to Spin Masters, who accepted it eagerly, as they were in search of a marble for the 21st century. Ultimately they sent the idea to Sega Toys in Japan, who came up with the concept to turn it into a game complete with cards and miniatures. From there it was only a matter of time before Bakugan became a cartoon show as well. Today, we are reviewing Bakugan: Battle Planet, the newest series to feature these bio-mechanical creations in their animated form.
There are strange events going on on Earth. A Bakugan battle is about to start, and it could change the fate of the world. Dan, of the Awesome Ones, has been challenged by the dastardly Magnus, who has unveiled his Bakugan, a two headed dragon named Nillious. It's now or never, and will Dan and his Dragonoid stand up to the threat?
Posted in: Disc Reviews by Jeremy Butler on October 25th, 2019
"I was really hoping the whole "maze" thing was just a metaphor."
Following Superman’s most recent run of animated movies, the DC Animated Universe (DCAU) is turning to Wonder Woman for its next installment, which acts as an origin story for the Amazon princess. In Bloodlines, Princess Diana (Rosario Dawson) leaves Themyscira to become a guardian of peace in what is coequally called man’s world. Joined by Air Force Captain Steve Trevor (Jeffrey Donovan of Burn Notice fame), Diana faces enemies both superhuman as well as mythical in this welcomed addition to the DCAU. In my humble opinion, the animated realm is the main place that DC is having success over Marvel, as they maintain a steady stream of content. This is not a jab against the original series dominating the CW network, which are also good (some better than others. Arrow < The Flash). Though it does take a second to pick up in the beginning, once it does, Wonder Woman: Bloodlines delivers an engaging and action-packed story, which will undoubtedly help further DC animated universe.
Posted in: Disc Reviews by Michael Durr on October 22nd, 2019
As a kid growing up in the 70's and 80's, I quickly grasped the concept of a good short. Whether it was a tiny piece before the movie started at my local cinema or a Looney Tunes cartoon on my 13-inch television, I saw how hard it was to capture the audience in the span of such a small frame of time. However, when those directors are able to capture that lightening in a bottle, it can produce some amazing results. Today, we are taking a look at Genius Party and Genius Party Beyond and see if a few of these fantastic directors can create a memorable slice of anime.
Genius Party and Genius Party Beyond are two collections of shorts released in 2007 and 2008 respectively. It is twelve pieces by twelve different directors with different animation styles. In the following bylines, I'll try to piece together what each of these takes are about and then have some broad comments after.
Posted in: Disc Reviews by Gino Sassani on October 17th, 2019
"You know me, always saving the day."
After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of the Man of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off" the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours. Eventually the lines were reunited, and Superman has been alive and well ever since. But this was a huge event in the world of comics. The Justice League and Batman vs. Superman films used aspects of the story in the recent film, but this animated feature goes back to its comic roots and more faithfully brings that comic series to life. The Reign of the Supermen would follow and would tie up the story started in the first film. Now things would drift away from the comics somewhat, but it's an epic story when viewed together, and that's what Warner Brothers does with this release. It's called The Death and Return of Superman and it combines both animated features into one near-three-hour event, and it's out in 4K.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2019
"You know, kids lose their toys every day. Sometimes they get put in the wrong box, and that box gets taken away."
In 1995 Pixar didn't just put themselves on the computer animated feature film map. They completely created a new map. Yes, there were works before Toy Story, but that was the film that changed everything in an entire industry. It also began a push-and-pull relationship between the independent studio and its distribution partner, Walt Disney Studios. It was a disagreement over Toy Story sequels that found Pixar shopping for a new partner for their future output, and before you know it, Disney wrote a check and Pixar was a part of Disney. The small studio's chief, John Lassiter, ended up in charge of the Mouse House animation department, and those disputed Toy Story sequels became box office gold and examples of the right way to continue a film franchise. Now, a lot's changed in that 25 year interval. John Lassiter is gone because of his penchant for "full body hugs", and Disney has perfected the model of writing a check and turning it into a virtual printing press printing out hundred-dollar bills like they were prom flyers. Marvel, Lucasfilm, and now Fox have fallen like dominoes in the Disney march to global domination of the entertainment industry. It's actually amazing how many times they've gotten it right. The Marvel films represent one of the strongest collections of franchise films in movie history. The Star Wars films might have been hit-or-miss, but even the misses printed out money. It's gotten to the point where, in the Disney Empire, a worldwide haul of a half a billion bucks is considered a failure. And now we come to the fourth installment in the beloved Toy Story journey, and I have to say the film packs as much heart as the original did 25 years ago.
Posted in: Disc Reviews by Brent Lorentson on August 13th, 2019
I’ll go ahead and get this out of the way, Batman: Hush is my favorite DC graphic novel; it’s one I’ve read multiple times and one I’ve dreamed to see done as a live action film. The story is just one that offers up so much for the fans to enjoy, and considering it features just about all of the core characters in the Batman rogues gallery, it’s simply a graphic novel that I’m surprised it’s taken this long to tackle. When it comes to DC, though, they’ve been pretty hit-or-miss when it comes to their properties being adapted for the big screen, but for television and their animated films they’ve been successful. Basically when I heard Hush was going to be an animated film, it’s one I got excited about, but in the back of my mind I was worried this could end up being like The Killing Joke, great material that just didn’t connect. So how was this adventure with the caped crusader?
The story for Hush was originally done by writer Jeph Loeb and was a whopping 300 pages of beautifully crafted panels. For the most part the whole story is here, but there have been a few liberties taken (mostly with fleshing out the Batman and Catwoman relationship). The trimming is expected, considering this was only an 82-minute feature. In a perfect world I would have loved to have seen this get the kind of treatment we saw with Spider-Man: Into the Spider-verse. It’s a story certainly geared more towards adults, but with the large assortment of villains is a huge attraction to the project, and going the animated route would save on having to shell out the big bucks for big-name actors to fill these roles.
Posted in: Disc Reviews by Michael Durr on August 5th, 2019
I think most men as they take on the journey from boys to men usually encounter a fascination with an older woman. Usually it's nothing more than an infatuation, an impossible ideal that even the woman herself can't live up to. But the ideal of what we think of her is important to our growth and vital to exploring our feelings. In our film, Penguin Highway, we meet a boy who becomes fascinated with an older woman named Onee-San. However, the mysteries surrounding this lady are numerous and turn this common coming-of-age story into something extraordinary. Let us take a look.
It is June 29th; the temperature outside is a breezy 25 degrees Celsius (77 degrees Fahrenheit). Aoyama is in the fourth grade. He is smart, and he studies hard. The student has a very bright future ahead of him. Importantly, Aoyama is high on himself, but he is not conceited, and that's what makes him great. On the way to school, he stops by a bunch of children his age who are looking out into the field. There appears to be a gathering of something, but nobody can make it out.
Posted in: Disc Reviews by Jeremy Butler on July 30th, 2019
I thought Nalyce would be all about this animated movie, but it only managed to hold her interest for about forty minutes. After that, she was off playing with her toys without a care in the world. So that obviously means that Missing Link does not get the Nalyce stamp of approval. I remained more discerning than my daughter and continued to do my due diligence of sticking it out to the end. I’m glad I did; Missing Link does get my seal of approval. From the creators of Kubo and the Two Strings comes this new family-friendly film full of adventure and friendship. The story does drag a bit in the beginning, but it gets more interesting as things go on. Though there a couple of adult themes that I was not expecting at first, I would style characterize this as a film that the family can enjoy together, just not my family.
Sir Lionel Frost (Hugh Jackman) is an adventurer determined to take his place amongst a society of distinguished gentlemen. However, given his adventures to discover mythical creatures usually yield no irrefutable proof, he is considered a mockery and not granted access to the level of status he desperately seeks. After his latest adventure proves as fruitless as the others, he receives a letter revealing the existence of another fabled creature known as Sasquatch. His peers immediately disregard his claims as false, especially Lord Piggot-Dunceby (Stephen Fry), Sir Frost’s biggest detractor. A wager between the two men is struck: if Sir Frost can bring back proof of the creature’s existence, he will be granted access into the society of “great men.” As Sir Frost begins his journey, Lord Piggot Dunceby plots to rid himself of Sir Frost altogether.
Posted in: Disc Reviews by Gino Sassani on July 12th, 2019
"Once upon a time in a faraway land, there was a tiny kingdom: peaceful, prosperous, and rich in romance and tradition. Here, in a stately chateau, there lived a widowed gentleman, and his little daughter, Cinderella. Although he was a kind and devoted father, and gave his beloved child every luxury and comfort, still, he felt she needed a mother's care. And so he married again, choosing for his second wife, a woman of good family, with two daughters just Cinderella's age, by name, Anastasia and Drizella. It was upon the untimely death of this good man, however, that the stepmother's true nature was revealed: cold, cruel, and bitterly jealous of Cinderella's charm and beauty, she was grimly determined to forward the interests of her own two awkward daughters. Thus, as time went by, the chateau fell into disrepair, for the family fortunes were squandered upon the vain and selfish stepsisters while Cinderella was abused, humiliated, and finally forced to become a servant in her own house. And yet, through it all, Cinderella remained ever gentle and kind, for with each dawn she found new hope that someday her dreams of happiness would come true."
Snow White And The Seven Dwarfs put the Walt Disney Studios on the map. It's a literal truth. Walk had mortgaged his entire worth to make the film and used the incredible box office return to create what we today call Walt Disney Studios. But it wasn't quite the happily-ever-after fairy tale ending that Walt and his new studio might have hoped for. The studio churned out a couple of films that are classics today but didn't pull in the kind of money they needed to stay afloat. Both Pinocchio and Fantasia were masterpieces greatly appreciated today, but the years of WWII found little extra money for extravagances like going to the movies. The studio was in danger of closing, and they had pretty much one more shot to turn it around. Could lightning hit the same place twice? Cinderella proved that it could, and put the studio firmly back on solid ground.
Posted in: Disc Reviews by Michael Durr on June 30th, 2019
My wife has been a part-time travel agent for roughly the last year or so. In that time, I have learned much about airlines, cruise ships, and of course hotels. I have also thanks to her guidance and knowledge been able to stay at a few nice hotels in the past year which were much more comfortable than I could have ever expected. However, despite my travels with my lovely better half, I seriously doubt I will ever come upon a hotel quite like the one depicted in Okko's Inn anytime soon. Let us spend the next few minutes looking at an anime where your lodging is the best part of your trip.
We open to a festival of sorts, called a spa by the locals. Music is playing; it is time for a show. We see a couple of people perform traditional dance numbers, while Okko, our main character, watches. Her father and mother are also on hand to explain the traditions to our young heroine and how they wish they could be part of the show. The show speaks to the theme and the spirit of "Welcoming Everyone".
