Posted in: Disc Reviews by J C on May 7th, 2012
When people think of super-producer J.J. Abrams and his television projects, images from Alias, Fringe and a little show called Lost probably spring to mind. On the other hand, a significantly smaller portion of weirdos the TV-watching population may think of the relationship dramedies Abrams has produced, such as What About Brian, Six Degrees and Felicity, by far the best of this latter group. (Then again, Felicity — co-created by Abrams and Matt Reeves — resorted to time travel towards the end of its run, so it probably has more in common with the producer's genre shows than you think.)
Anyway, we're here to talk about season 1. Felicity Porter (Keri Russell, in her star-making performance) is a smart, responsible California teen who suddenly decides to follow high school crush Ben Covington (Scott Speedman) to college at the fictional University of New York, despite the fact that Ben barely seemed to be aware of her existence prior to a brief exchange at their graduation. Season 1 follows Felicity throughout her freshman year as she tries to establish her independence.
Posted in: Disc Reviews by J C on May 3rd, 2012
In terms of major conflicts involving the United States, the Korean War has sort of gotten the short end of the cinematic stick with American audiences. Most people can easily rattle off their favorite movies dealing with World War II, the Vietnam War or the U.S. Civil War, but when it comes to the Korean War the options are comparatively more limited. Off the top of my head, there's M*A*S*H, the original Manchurian Candidate, and Don Draper suffering one of the most famous cases of identity theft. (I realize Mad Men is a TV show, so forgive me for reaching.)
The Front Line — a fine, Korean-produced drama — attempts to present the final days (and hours) of the war on both an epic and personal level, and mostly succeeds.
Posted in: Disc Reviews by Michael Durr on May 3rd, 2012
As of late, I have found myself picking up some classic albums by Madonna. Her early stuff mostly, but I have even picked up Truth or Dare on Blu-Ray within the last week or so. Why? I honestly can not explain. Maybe I miss her voice, her sex appeal and the music that has made her a legend. What I did not expect was that I was going to be reviewing a movie directed by her. So let us sit back and see how the movie W./E. plays out.
A faint radio plays out. It talks about the greatest love story of the 20th century or the king who gave up his throne for the woman he loved. Wallis Simpson was her name and she started a constitutional crisis when the King of England, Edward VIII decided to leave the throne to marry this woman. They became the Duke and Duchess of Windsor. The legend lives on today. An answering machine clicks after Walli is told that she is loved but will be alone that night.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Meet the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly. He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling life-style. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread. I think they need to lay it to rest going into season 2.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Say goodbye to the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly .He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling lifestyle. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread.
Posted in: Disc Reviews by J C on April 25th, 2012
"One must never let the public behind the scenes for they are easily disillusioned, and then they're angry with you for it is the illusion they love."
Sure, this quote is spoken by a very minor character and awkwardly shoehorned into the story, but it still makes its point. I realize it's almost impossible to imagine now, but there was a time we didn't have to capitalize the words "Real Housewives" and people were actually ashamed if they came off badly in front of a camera. HBO's Cinema Verite tells the behind-the-scenes story of the creation of An American Family, the PBS documentary widely considered to be the first reality television show.
Posted in: Disc Reviews by J C on April 24th, 2012
At the very least, London River deserves credit for exposing audiences to a different side of English life beyond "upstairs, downstairs" period drama (Gosford Park, Downton Abbey), twee stories in a small-town setting (Waking Ned Devine, Calendar Girls) or the rich white people problems of Woody Allen's contemporary London (Match Point, Scoop).
Set against the backdrop of the 7/7 terrorist bombings that rocked London in 2005, London River follows the parallel stories of Elisabeth (Oscar nominee Brenda Blethyn) and Ousmane (the late Sotigui Kouyate) as they travel to the English capital and search for their respective children in the wake of the attacks. The two parents eventually meet and try to put aside their cultural differences and prejudices — though one of them clearly had more prejudices to put aside — so they can support each other in their journey.
Posted in: Disc Reviews by M. W. Phillips on April 17th, 2012
“Won't bow, don't know how.”
More than any other show, Treme captures the very soul of the city it is set in. Where The Wire may have presented the city of Baltimore as one of the supporting players in the series, Treme is New Orleans. The haunting percussion and brass of the musicians, the lyrical shorthand of its citizens, the quiet desperation of pride after destruction, rampant political corruption and unchecked crime mix together to form an eclectic jazz tempo that makes up the heartbeat of the Crescent City.
Posted in: Disc Reviews by J C on April 15th, 2012
I was flipping through the latest issue of Sad Trombone magazine the other day, and it contained an article revealing — through entirely unscientific research — that the general consensus appears to be, "People suck." As a result, I was already in the proper mindset when I sat down to watch The Divide, probably the most pessimistic movie of the past year.
After a nuclear attack, a group of nine survivors huddle in the basement of their apartment building. They are initially led by Mickey (Michael Biehn, looking like his Aliens co-star Lance Henriksen these days), the building's profane, racist, anti-social superintendent. With absolutely zero communication with the outside world, the days go by and the secluded group — which is afraid to go outside because of the potential for radiation poisoning — gets hungrier, crankier and more desperate. (Oddly enough, that's exactly how I got the last time I went camping overnight in a tiny tent.)
Posted in: Disc Reviews by J C on April 12th, 2012
- "I have a question for you. You're some random guy from the city, no one in the zoo community has ever heard of you. You know nothing about animals and you moved into a dump...why did you buy this place?"
- "Why not?"
Following the death of his beloved wife, Benjamin Mee does what any reasonable man would do under the same circumstances: he quits his job and moves his family into a zoo. I suspect you'll enjoy this movie a lot more if you simply shrug your shoulders and say, "Why not?" We Bought a Zoo certainly can't be accused of running away from its ridiculous-sounding title and premise, even though it's based on the true story chronicled in Mee's memoir of the same name.
