Posted in: Disc Reviews by Gino Sassani on September 9th, 2015
For most of our characters, the season begins pretty much in real time from the season 5 finale. There is a spell keeping magic out of the city limits of Mystic Falls, and that means no vampires or supernatural beings can cross into town. Elena is taking pre-med courses at college, mostly because it gives her access to the hospital's blood bank. Stefan is supposed to be out looking for a witch powerful enough to bring back Bonnie and Damon after they were trapped destroying "the other side". It's an act that brought some others over from the dead, including now-vampire Alaric and Enzo. In reality, however, Stefan has given up and is working as an auto mechanic for 200 bucks a week. Jeremy is hitting the bottle because Bonnie told him she was going to die over the phone. Tyler is trying hard tot to reignite his curse that will once again make him a werewolf. It's been a busy summer in Mystic Falls and its outskirts. And that's just the beginning.
What is Mystic Falls? Who the heck are Damon and Elena, you ask? Bonnie? You've got questions. We've got answers, but not here. You've heard me say this before, and it's become more and more true of television shows these days. If you don't know what I'm talking about, you're just not ready for season 6 of The Vampire Diaries. But you are in luck. You can check out my reviews for the four previous seasons here: Vampire Diaries Reviews. Then you can pick them up and start a mega-marathon session. Once you're up to speed, join us back here for the next thrilling installment.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2015
"Once upon a time, there was a majestic king, who lived with his noble brother in a colorful kingdom where music and art were celebrated. The king did not foresee having a child, but he lived in an enchanted land where all things were possible. In time, he was blessed with a beautiful baby daughter for whom he wished only peace and happiness. Still, the king had demons who pursued him."
If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.
Posted in: Disc Reviews by J C on August 31st, 2015
“And you thought the '80s were dead.”
The tongue-in-cheek tagline for this film is the first of many signs that this throwback slasher flick doesn't take itself too seriously. I've always thought the best parodies are the ones that show genuine affection, rather than superiority, toward the genre they're mocking. Lost After Dark sometimes wobbles as it walks the tricky tightrope between homage and legit horror movie, but there's no doubt the filmmakers enjoyed their many sleepless nights with the likes of Michael Myers, Jason Vorhees, Leatherface, and more.
Posted in: Disc Reviews by Gino Sassani on August 28th, 2015
So what will you be doing when the zombie apocalypse finally hits? Will you be fighting endlessly to survive? Will you be hoarding food and supplies? Will you be seeking out other survivors and band together? Maybe you'll just hole up somewhere and try and wait it out. Me? I'm going to find a solid generator, a high-definition television, an Oppo Blu-ray player, and all of The Walking Dead season sets I can get my hands on. You could consider it survival training, but I'm going to binge-watch one of the most unique shows in television history. Come to think about it, that's not all that different from what I'm doing now. I'm not going to let a little thing like the end of civilization keep me from catching the latest episodes. Now that's what I call must-see TV.
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
Posted in: Disc Reviews by J C on August 4th, 2015
Feel like your girlfriend can be a little clingy? You've got nothing on Max, the slacker at the center of Burying the Ex. The movie operates in a genre — mixing broad comedy and horror — that has been largely (and sadly) missing from the big screen for the better part of two decades. That's why I was delighted to see that the man at the helm here is none other than Joe Dante (1978's Piranha, Gremlins 1 and 2), who has made some of the best horror comedies of all time. Burying the Ex isn't near that level, but it's still a fun and welcome diversion.
Max (Anton Yelchin) is a 20-something underachiever who works as a clerk in a horror-themed shop. His big goal in life is...to open up *his own* horror-themed shop! Max's live-in girlfriend is Evelyn (Ashley Greene), a hardcore environmentalist with a type-A personality. Everyone's in Max's life — especially his boorish half brother Travis (Oliver Cooper) — can see Evelyn isn't the girl for him. The only person who can't see this is Evelyn herself, who seizes on Max's promise that they'll be together forever. The good news for Max is that he doesn't have to go through the awkwardness of a breakup. The bad news is Max dodges that bullet because Evelyn is killed in a freak accident right before he can dump her. The worst news is his promise that they would be together forever was made shortly after a satanic genie arrived in the shop where Max works.
Posted in: Disc Reviews by Gino Sassani on July 30th, 2015
Shout Factory has brought yet another 1980's Empire Pictures horror film to high definition on Blu-ray. This is another one of those Schlock-O-Rama films that are best viewed with a group of friends. While it's certainly a step ahead of some recent entries on this list, there's plenty of fun to be had in a gathering. This release also has the advantage of just one film on the disc. Of course, I'm talking about Ghost Town, directed by Richard Governor, but did you know that Mac Ahlberg of Ghoulies and Re-Animator fame was an uncredited assistant director on the film? The man's a pretty good cinematographer, and his eye lends itself to a better-looking shoot with more atmosphere than you might ordinarily find on these things.
Kate (Hickland) is driving through the desert in her red Mercedes Benz convertible, having the time of her life. A veil discarded to the winds tells us she's just left some poor sap waiting at the altar, and she's making her escape. Her flight of freedom is short-lived, as she finds herself in the middle of a terrible sandstorm that carries her away. Her car's found by the local sheriff with terrible damage.
Posted in: Disc Reviews by Gino Sassani on July 17th, 2015
"The devil can touch you and leave his mark. Just so he doesn't steal your soul."
You might say that the devil made them do it. Shout Factory utilizes their Scream Factory moniker to deliver another doubleheader horror-fest from the 1980's. Many of us love to be touched by a little evil, so long as it's some harmless fun from a horror movie. While I'm not a huge fan of having two or more films on one disc, this pretty much amounts to the same as the standard four episodes on a disc that you'll find in many television releases in high definition. So, for the sake of a little nostalgia and the fact that these prints aren't what you would call pristine or high-budget, I'm going to get on board another Scream Factory ride.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2015
At the end of 2013 Shout Factory released a horror marathon on DVD called Scream Factory All Night Marathon. OK, so it only had four films averaging about 90 minutes each, hardly all night. But it was a nice collection of more obscure 1980's horror that made a rather nice night in with the boys...or the girls. Two of those films have now found their way to a single Blu-ray disc and released by...you guessed it, Shout's Scream Factory division. While I'm not a huge fan of having two or more films on one disc, this pretty much amounts to the same as the standard four episodes on a disc that you'll find in many television releases in high definition. So, for the sake of a little nostalgia and the fact that these prints aren't what you would call pristine or high budget, I'm going to get on board this ride.
"Why don't you rub it?"
Posted in: Disc Reviews by Gino Sassani on June 29th, 2015
"There's always a consequence for breaking the rules."
Maybe that's why the crew from The Lazarus Effect decided to use all of the rules and conventions in the book without daring to really break any new ground of its own. By the time I was finished with the film, I felt like I had watched several horror movies at the same time. It's most intentionally Frankenstein meets Flatliners meets insert-your-favorite-ghost/possession-movie meets every-Stephen-King-film-ever-made. With all of that at its fingertips and a pretty bright cast, all The Lazarus Effect could do was raise itself to mediocrity.
Posted in: Disc Reviews by J C on May 19th, 2015
If nothing else, The Pyramid has an intriguing premise. A father-daughter archaeologist team discovers an unusual, three-sided pyramid buried 600 feet underground that might even predate the ancient Egyptians. Essentially, this is Ancient Aliens as a found-footage horror film. Yes…unfortunately, I said “found footage,” a cinematic device that now feels even more decrepit than your garden variety mummy. So while the film’s opening act probably got people like this guy extremely excited, the movie falls apart the deeper the characters descend into the titular pyramid.
Miles Holden (Denis O’Hare) is a patient, old-school archaeologist, while his daughter Nora (Ashley Hinshaw) is more excitable and has been quicker to embrace new tools like satellite technology in her work. Together, they have made what is potentially the find of the century: an ancient pyramid buried deep beneath the desert in Egypt. A documentary film crew — journalist Sunni (Crista Nicola) and camera guy Fitzie (James Buckley) — arrives to capture the Holdens’ discovery.
