Posted in: Disc Reviews by Archive Authors on April 13th, 2016
“Witches live among us. Their magic passed from an ancient race, diluted, half-forgotten, but dangerously powerful. After centuries of conflict, a truce was forged. Witches would be allowed to live and govern themselves if they followed one strict rule: that magic never be used against humans. But a truce is a fragile thing…”
Vin Diesel has made the Fast and Furious franchise into a massive global behemoth, but Diesel is not a global behemoth on his own. He has had successes and failures. He is someone who seems to be an unlikely star. He tried to make Riddick (Pitch Black, The Chronicles of Riddick, Riddick) into a multi-film franchise and accomplished it through sheer force of will
Posted in: Disc Reviews by Brent Lorentson on March 2nd, 2016
When certain stories become public domain, you just have to expect that there will be a lot of people creating their own “unique” versions of the same tale all in the name of making a few bucks. When it comes to adaptations of Mary Shelly’s Frankenstein, I think we can all agree every attempt to tell the story has not been in the name of preserving the art. What I do find surprising: despite all the attempts to bring the story to the screen, there still isn’t a version that I can say is a perfect retelling of the tale, though each may have its pros, for the most part it just never seems to translate well.
Posted in: Disc Reviews by J C on February 11th, 2016
A detective appears to be trapped between heaven and hell in Convergence, which is not all that different from the way I felt watching this supernatural thriller. On one hand, I was impressed by some of the mood and unsettling imagery established by writer/director Drew Hall; the film is mostly set in an abandoned hospital, which inspires even more dread than spending time in a fully functional one. Then again, there are also a lot of nonsense characters and story elements here that don't get a satisfying payoff, making Convergence an occasionally confounding and hellacious slog.
Posted in: Disc Reviews by Brent Lorentson on February 9th, 2016
Season one of From Dusk Till Dawn gave us a ten-episode remake of the hit original movie while setting up a mythology to stretch its story over numerous seasons. Season two wastes no time in blazing its new path as it continues the blood-soaked adventure that departs from the famed Titty Twister and takes us deeper into the vampire syndicate. How does season two fare? After making it through the 10-episode season, I can say I survived this bloody, testosterone-laced thrill ride, but it does have a few missteps along the way.
Posted in: Disc Reviews by Brent Lorentson on February 4th, 2016
Edgar Allen Poe is on a short list of writers that has long been deceased that just about everyone has heard of. At some point in school we all had are chance to read about the taunting of The Raven or a number of Poe’s other famous works. With Extraordinary Tales we get an animated treat in the form of 5 animated tales written by the master of the macabre. This is more than just a simple animated retelling of the stories as each tale is given its own unique narration and animated style. Is it worth the time to sit back and watch these classic tales or did they belong on the shelf to collect dust? Come along with me and I’ll tell you about my journey if you dare.
Posted in: No Huddle Reviews by J C on February 1st, 2016
My first All Hallows' Eve experience was an unexpected fright delight. The 2013 horror film featured a trio of stories tied together by a creepy clown and a familiar “babysitter-in-peril” plot line; it was a fun, unsettling, and grungy throwback to low-budget scares. So you can't blame me for actually being pretty excited when I found out they'd made another one. Unfortunately, this sequel is a disappointing, thoroughly unsatisfying mish-mash that undoes practically everything that was good about its predecessor.
Posted in: Disc Reviews by Gino Sassani on January 30th, 2016
Shout Factory is churning out the 1980's horror films to provide us with a steady diet of schlock-o-rama. Through their Scream Factory series we've been getting many double-header collections along with the occasional horror film that stands alone, if not standing out. The films are the kind of thing you gather a bunch of friends together and have yourself a marathon of films that make you laugh as much as make you scream. The latest in this series is the 1987 Zombie High.
Posted in: Disc Reviews by Gino Sassani on January 21st, 2016
"Did you ever have a dream but didn't know where it started?"
Some dreams did indeed start with the box office flop Nomads. It was the first starring role in a feature film for future James Bond Pierce Brosnan. It was also the first film directed by John McTiernan and his only screenwriting credit to date. Both would go on to have quite flourishing careers, and I suspect neither spends much time looking back at Nomads, and with good enough reason. And those careers did not take long. For McTiernan his next three films would be, in order: Predator, Die Hard, and The Hunt For Red October. The film also sports a score by legendary Bill Conti
Posted in: Disc Reviews by Brent Lorentson on January 13th, 2016
In 2012 Sinister had its release and horror fans seemed to be divided on the film. For me, I dug the mythology of Bughuul, an evil spirit who appears in 8mm family films that seem to always end in some new gruesome way. He’s a character the horror genre needs, as I see him as a silent hybrid of Jigsaw (from the Saw franchise) and Freddy Krueger (from the Nightmare on Elm Street franchise), where he’s a killer who gives us unique kills in some unsettling locations. Now with the release of Sinister 2, do the filmmakers step up their game and deliver us more from the possible new icon of horror? Sort of; just not how I would have expected it.
Posted in: No Huddle Reviews by J C on January 8th, 2016
“I just have this sick feeling that something awful is going to happen.”
I pride myself on being able to keep a reasonably open mind when I pick up a new title to review. But sometimes I can’t help but judge a crappy movie book by its cover. That was actually the case with Kill Game, featuring an androgynous Michael Myers-lookalike brandishing a bloody knife on its cover. I was fully prepared to roll my eyes through this movie, which also nods to Saw, I Know What You Did Last Summer, and The Big Chill (a little). Much to my surprise, I found myself kinda-sorta getting into this twisty, nasty, low-budget slasher.
