Posted in: No Huddle Reviews by Michael Durr on December 30th, 2012
In my youth, I watched a healthy dose of A-Team. Four men who branded as war criminals for a crime they did not commit doing odd jobs for money. Perhaps that is over simplifying things, but it did provide me with tons of fun hours cheering for explosions and witnessing the genius known as Murdoch for my viewing pleasure. Today, we take a look at a film which might be in the vein of what the four guys of A-Team might have been like if they were transported to Africa during the turbulent 60's. We have today, the film called: The Wild Geese.
A plane flies into London and we find ourselves seated at an airport. Colonel Allen Faulkner (played by Richard Burton) sits at the airport lounge and drinks his whiskey until he is picked up by a driver and transported to a giant white house where a merchant banker Sir Edward Matherson (played by Stewart Granger) lives. Faulkner is met at the door by Matherson's assistant, Thomas Balfour (played by Barry Foster) and immediately led to the den where the banker is waiting for him.
Posted in: Disc Reviews by J C on December 30th, 2012
As The Walking Dead continues to smash ratings records (while compulsively changing showrunners, no less) and Summit Entertainment — the studio behind The Twilight Saga — prepares to throw its considerable marketing muscle behind February’s zombie rom-com Warm Bodies, it’s fair to say the shambling undead are having a major pop culture moment. Yes, zombies are hot right now, but a curious subgenre has already endured for many decades: I’m talking about the zombie Nazi movie.
From Shock Waves and Zombie Lake in the 1970s and 80s to recent examples like Dead Snow and this year's Outpost: Black Sun, filmmakers have delighted in mashing up one of history’s most infamous real-life group of monsters with one of cinema’s most popular terrors for decades. Though they’ve been enjoyable to varying degrees, the subgenre is yet to produce a classic film in the vein of George A. Romero’s work or even something that made a notable pop culture impact like Zombieland or Shaun of the Dead. I’m sorry to say War of the Dead won’t be the first.
Posted in: Disc Reviews by William O'Donnell on December 27th, 2012
An African American high school student fights against her school's longstanding decision to host racially segregated proms. This film is based on true events that occurred at a school in Butler, Georgia. Originally debuting on the Lifetime network in 2006, this is the film's first DVD release.
A couple of the actors seemed a little out of place in their roles. Jason Lewis' beauty is a bit of a curse as he is seems only suited to play male models. As a high school teacher, his hair is just a bit too gelled and his chin seems a bit too molded. This may seem like an unfair evaluation but sometimes I think the casting director needs to be more aware of whether or not an actor looks right for the part and Mr. Lewis just didn't have the mien of “small Southern town.” I don't even recall if he had the correct accent come to think of it...
Posted in: Disc Reviews by J C on December 27th, 2012
“Amidst the chaos of an unforgiving planet, most species will fail. But for one, all the pieces will fall into place and a set of keys will unlock a path for mankind to triumph. This is our story.”
The only thing missing from that bit of grandiose narration — which opens each episode of this 12-part series — is a Law & Order-style *chung, chung.* Mankind: The Story of All of Us starts with a bang (as in the “Big” one) and proceeds to give us a lively, surprisingly cinematic history lesson.
Posted in: Disc Reviews by Michael Durr on December 23rd, 2012
No matter how bad video game adaptations into movies are, I enjoy the grand majority of them. From the really good ones like Silent Hill and Mortal Kombat (minus the sequels) to the dismal ones like Double Dragon and Super Mario Bros. Each of them has their subtle charm and some thoughtful fan service (unless it is a game film directed by Uwe Boll). Today, we have something a little different, a game film that its sole purpose is to promote the upcoming game. Enter the film : Halo 4 - Foreword Unto Dawn.
As the film opens, we are introduced to the officer cadets at the prestigious Corbulo Academy of Military Sciences. We have the main character, Thomas Lasky (played by Tom Green) who is finding it hard to live up to his family's military history. Cadet Michael "Sully" Sullivan (played by Masam Holden) likes to crack into places where he does not belong. Cadet Walter Vickers (played by Iain Belcher) was born for this as his father produces military weapons.
Posted in: Disc Reviews by William O'Donnell on December 19th, 2012
The debut season of this Comedy Central program was entitled "Hoodies" on it's DVD and Blu Ray release. Season 2 is called "Deep V's" in honour of the garment Daniel Tosh, the host, wears in each episode. Very little is different as far as format or new segments are concernced since the last time I wrote about this show (https://upcomingdiscs.com/2012/06/05/tosh-o-hoodies-blu-ray/. To avoid redundancy I shall simply add to that review with a couple new relevant points for this season.
YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.
Posted in: Disc Reviews by Gino Sassani on December 18th, 2012
I'm a Minnesota Vikings football fan. Yes, I accept the condolences. However, I didn't say that to get sympathy, and I'm not yet in need of the services of the suicide hotline. With two games to go, I will keep the number on speed dial, just in case. A thousand years ago we had a star player who made the by now infamous statement that he plays when he wants to play. For a young athlete with an already troubled past, it didn't go over too well. But over the last decade or so Clint Eastwood appears to be in that same mindset. He acts when he wants to. He's only appeared in three films in the last ten years. The difference is that Clint has earned the right to be picky about when he works. He isn't taking a paycheck when he isn't working, and when others depend on him to hit it out of the park, he rarely misses the ball. Trouble With The Curve won't ever rival Eastwood's other roles for action, intensity, or even one-liners, but it's a solid performance in every way. For all of those Eastwood critics in the glory days who said he couldn't pull off a performance without the trappings of Dirty Harry or The Man With No Name, I suspect you're having a hearty meal eating those words after seeing Trouble With The Curve. It's perhaps his simplest role yet. It also happens to be a home run.
Gus (Eastwood) has been a scout for baseball's Atlanta Braves for 40 years. He's responsible for the team's greatest talents going back to Dusty Baker. Now he's in his 80's. New, younger blood has invaded the world of scouting, and they've brought along all of their latest computer toys to do the job. Gus won't adapt to that new technological world. He can tell a hitter's talent by the sound of the ball leaving the bat or the sound of the batter's hands as he gets ready to swing. That's a good thing, because Gus is losing his eyesight. He trips over tables and chairs (enter your own RNC joke here) and isn't the safest person behind the wheel of his car. His old friend and head of scouting for the team is Pete (Goodman). He's still behind Gus, but the pressure is on. There are only three months left on Gus's contract, and the draft is approaching. Gus has one scouting trip to prove he's still got it, or he's going to be put out to pasture by owner Vince (Patrick).
Posted in: Disc Reviews by Michael Durr on December 17th, 2012
Most Disney live-action kid’s films do not have a kind memory in my heart. They feel contrived, full of soft characters and contain tons of bad comedy. They also proceed to force upon the audience some kind of weak message about morals and attempt to make us feel better about ourselves. This never works. However, today I have a shining light in the sea of bad Disney live-efforts and that film is the 1995 cult classic, Heavyweights.
The clock counts away the seconds until 3:00pm. The bell rings, it is the last day of school. Gerry Garner (played by Aaron Schwartz) misses his school bus and tries to run after it to no avail. He eventually gets home through some mishaps and his parents (played by Jeffery Tambor and Nancy Ringham) call him into the living room. There Gerry runs into a gentleman named Roger Johnson (played by Tim Blake Nelson).
Posted in: Disc Reviews by J C on December 13th, 2012
At the turn of the millennium, we seemed to collectively decide that we wanted our heroes to be dark and gritty. The X-Men traded in their yellow spandex for black leather in their first big-screen adventure. Batman went from exchanging quips and painful puns with Mr. Freeze to brooding magnificently for director Christopher Nolan. And Hollywood almost completely stopped making candy-colored spectacles like Dick Tracy.
It’s not difficult to understand why this happened. Though I have a soft spot for pulpy ‘90s period pieces like The Rocketeer, The Shadow and even The Phantom, they didn’t exactly set the box office on fire. The star-studded Dick Tracy was actually the most successful film from this group, grossing over $100 million, earning seven(!) Oscar nominations and winning three of those trophies. However, the fact that Dick Tracy’s closest doppelganger is probably the ultra-violent Sin City — another tale with tough-talking cops and crooks that looks like it was ripped directly from the pages of its source material for the big screen — tells you where moviemaking has gone from then to now.
Posted in: Disc Reviews by William O'Donnell on December 13th, 2012
A small mining community in Western Australia get visited by a vagabond dog. This Red Dog (named after the fact that the red dust of that desert region stained his fur that colour) has a deeply significant effect on every worker's life yet not one of them can truly claim to own him until an American bus driver begins working there. Red Dog was a big fan of hitchhiking across the country and seems to be attracted to riding great distances on a bus with his new best (human) friend.
I should have known what I was getting into when I saw that this was a dog story. All the best dog films are incredibly sad. This film was based on true events and its saddest portions include heavy references to the saddest (true) dog story of all time (nope, not Old Yeller), Hachi-ko, the story of a dog that waits for his master after they have died (was adapted twice onto film, as well as laid out the groundwork for the most depressing episode of Futurama “Jurassic Bark”). The story begins with miners resolving that they cannot shoot Red Dog after he ate poison, but this is not the saddest part. Over half way through the audience gets an emotional kick to the throat that I, for one, was not prepared for. By no means is this a criticism of their storytelling, more a warning to those that may think they're in for a family-ready delight (ok...they ARE but certainly not without a box of tissues as a prerequisite).
