Genre

Any movie that features one man flying through the air before slicing another guy's face clean off within the first three minutes and concludes with a swordsman using his female companion as a bow to launch himself in the air like a human arrow so he can rip straight through a bad guy's body pretty much defies criticism. (And I didn't even mention the part where the bad guy comes back a few minutes later, despite the fact that he'd also been decapitated.) Believe me when I say I haven't even scratched the surface of the insanity that is Butterfly Swords.

I mean, this 1993 movie can't even decide if it wants to be called Butterfly and Sword (the title that appears during the opening credits and on the film's IMDb page) or Butterfly Swords (which is what's plastered on the latest DVD release, out July 10), not to mention the fact that the confusing description on the back of the new DVD case gives away the entire movie!

It’s a little hard for me to realize it really has been 20 years since Stone Temple Pilots emerged out of the grunge scene with their album Core.  I remember hanging out at my friends house playing Sega Genesis while listening to this tape (yes, cassette tape) over and over with some Pearl Jam and Nirvana thrown in as well.  For me these guys are like moments of time from my past that I’ll always look fondly upon.  Whether it was my first mosh pit or first house party, this was the music that surrounded me.  I feel the need to divulge this simply because no matter how impartial I may try to be, it’s hard to be critical and removed with every review that comes along.

With that being said, I’m going to come out and say I love this performance.  Once I put this in my player, I cranked up the volume and just allowed my ears to ingest this musical delight.  Sure my neighbors may not have been happy after all the sound hits like a punch, but this is what I’ve come to expect from STP.

Even though by many standards, I am probably considered old, I would like to think I can still experience new music, especially when it comes to me for review. Of course, you are also reading the guy who loves to annoy others driving down the street with Whitesnake and Motley Crue. Anyway, I was definitely interested to take a gander at this blu-ray that showcased the talents of a band called Kasabian who performed in late 2011 at the O2 Arena in London. Let's take a look.

In 1997, Tom Meighan (vocalist), Sergio Pizzorno (guitarist), Chris Edwards (bassist), and Christopher Karloff (lead guitarist) formed the band Saracuse. They all resided from England (Countesthorpe and Blaby) and put out their first demo EP in 1998. It only had three songs: "What's Going On", "Life of Luxury" and "Shine On" and they were recorded live. However, it helped to launch a band who was struggling to finds its mark.

Have found footage films jumped the shark? (If the answer is yes, someone's going to have to hunt down the beast that ate the shark-jumping cameraman so we can retrieve the tape and see exactly what happened.) Though the genre dates all the way back to 1980's Cannibal Holocaust, it saw a spike with 1999's Blair Witch Project and has become the horror delivery vehicle du jour thanks to recent hits like The Devil Inside and the Paranormal Activity films. To be fair, The American Dream doesn't completely qualify as a found footage film — as far as I can tell, no one finds the protagonist's camera — but the movie is a sign that the genre may have already seen its best days.

Like Cloverfield, Chronicle and Project X, The American Dream proves that horror films haven't completely cornered the found footage market. Luis (Jamil Walker Smith) and Ronald (Malcolm Goodwin) are lifelong friends and newly-enlisted Marines who are about to ship off to Afghanistan. Luis is an aspiring filmmaker who idolizes Spike Lee (Smith also directed the film under the moniker J. Smith), so he decides to document his and Ronald's last few days with their families and friends before they leave.

Mirror mirror on the wall, which is the fairest Snow White movie of them all? (Or at least 2012.) Well, if we're going by box office receipts and critical reception, the winner is Snow White and the Huntsman, the gothic, snarlier twist on the classic tale starring Kristen Stewart (everything starring Stewart is automatically snarlier), Charlize Theron and Chris Hemsworth. However, if we're going by costumes, production design and general shiny-ness, Mirror Mirror easily wins. I realize that sounds like faint praise, but this family-friendly take on Snow White has its quirky charms.

Julia Roberts headlines this version as a wicked Queen who is fond of lavish parties and elaborate gowns, but rules over a frigid, destitute kingdom following the disappearance of the popular king she married. Snow White (Lily Collins), on the cusp of her 18th birthday, is the king's daughter and the rightful heir to the throne. After the jealous Queen tries to have Snow White murdered, the exiled princess enlists the help of a noble prince (Armie Hammer) and seven outcast dwarves to take back her kingdom.

"Squeal like a pig..."

It's one of those lines that you know even if you've never seen Deliverance. The line and film have entered our pop culture and have been referenced in hundreds of films that followed. Along with the iconic rendition of Dueling Banjos, taken from the traditional piece Feuding Banjos, well... you might feel like you've seen the film even if you haven't. Deliverance is a film about Americana that has itself become a large part of Americana. Most of us have found ourselves in a situation where we start hearing those familiar notes in the back of our heads. The truth is, they just don't make them like this anymore.

"Now, if you're unfortunate right now and don't have any weed, I'm sorry. But please stop this movie right now — it just won't work if you can't watch this without no weed."

Did I mention that this disclaimer at the start of Mac & Devin Go to High School comes from a profane talking joint named Slow Burn (voiced by rapper Mystikal)? Anyway, I can't say I wasn't warned.

“Sometimes things happen in life that turn everybody silent. So silent that nobody dares to talk about it anymore. To no one. Not even themselves.”

Who knew there was a hormone mafia in Flanders (not Homer Simpson’s neighbor, but Flanders is part of Belgium, but unique with its own dialect and culture)? Evidently, shady criminals sell illegal experimental hormones to farmers so they can fatten up their livestock. In Bullhead these are brooding crooks that sit and talk about their problems a lot and seem to resent cows a great deal. The one with the biggest problems happens to be the biggest man among them, Jacky Vanmarsenille (Matthias Schoenaerts) Jacky is a mess of steroids and muscles. He internalizes and represses is anger so much that you can practically hear the time bomb counting down when he breathes.

 "The law was made by rich white people. Our job isn't to follow the law. Our job is to make the law."

TNT brings us a different kind of legal drama with the first season of Franklin & Bash. These are a couple of young lawyers who don't let the courtroom rules get in the way of helping out their client. They've gotten themselves quite a reputation, and it's finally paying off.

The notion that nice guys finish last — or that girls tend to gravitate toward bad boys — isn't exactly the most original idea in the world. There have been many cinematic examples that both support (The Last American Virgin) and debunk (Bridget Jones's Diary) this theory. The Jerk Theory — a totally formulaic, surprisingly watchable "teen" comedy where most of the actors are pushing 30 — wants to be the movie that proves not every girl in the world wants a bad boy. Instead, the movie inadvertently makes the point that every girl in the world (except maybe one) wants a bad boy.

It's no more Mr. Nice Guy for Adam (Josh Henderson) after his girlfriend dumps him in favor of their school's resident jerky jock. We meet Adam after he's already re-invented himself as the kind of popular lothario who will barely stop his car to allow his date to get in and puts on impromptu rock concerts at his high school.  Adam successfully counsels fellow nice guys in the ways of jackassery, but begins to reconsider his philosophy when his charms fail to work on Molly (Jenna Dewan-Tatum), who has sworn off jerks after recently breaking up with one. Will Adam's jerky veneer give way in time for Molly to see what a genuinely nice guy he is? Will there be contrived misunderstandings before a final-act declaration of love? (This is a romantic comedy — what do you think?!)