Posted in: Disc Reviews by Gino Sassani on December 11th, 2017
When I was a young boy I loved playing with my toys. We didn't have Transformers in those days, but we did have Major Matt Mason, plastic dinosaurs, Hot Wheels and Creepy Crawlers Thingmaker sets. Yeah, in those days a toy could cause third-degree burns and no one really worried about getting sued. Kind of takes the fun out of being a kid today. You know who else, I bet, loved to play with his toys? Michael Bay. I bet he had the coolest toys in his neighborhood. He probably wasn't the best guy to be friends with, however. He didn't invite the kids over to play with his toys. He likely charged you a nickel to watch him play with them. It's many decades later, and Michael still has the coolest toys on the block. Only now you have to cough up twenty bucks if you want to watch him playing with them. Sadly, that is what the Transformers film franchise has been reduced to. We're all watching the rich kid playing with really cool toys.
That's not to say that Transformers isn't at all entertaining and maybe, just maybe worth the twenty bucks to check out. It's an amusement park ride from beginning to end, and when you see how much Disney or Universal are charging for those these days, it might just be a bargain at that. Just as long as you enter the gates with the understanding that Transformers: Age Of Extinction is going to take you on a thrill ride. Nothing less, and certainly nothing more.
Posted in: Disc Reviews by Archive Authors on December 8th, 2017
"In any war, there are calms between the storms. There will be days when we lose faith, days when our allies turn against us. But the day will never come, that we forsake this planet and its people."
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a savior of the planet.
Posted in: Disc Reviews by Gino Sassani on December 8th, 2017
"Art is a lie. Art gives the chaos of the world an order that doesn't exist."
The X-Files will soon return for a second revival season with 10 episodes that will likely finish the franchise. But if you're a Gillian Anderson fan, you won't have to wait until next year to get your Anderson fix. Acorn has a release that you really have to discover. Gillian Anderson has served three seasons (or series, as the Brits call them) in Belfast for the BBC series The Fall. With the broadcast of that third and final season, Acorn is releasing a nice complete set of all three seasons on both DVD and Blu-ray. If you want to win a copy of the DVD set, you have to stay tuned here and be sure to check out our 12 Days of Christmas Giveaways. In the meantime, I'm going to tell you about the Blu-ray set that I've just had the pleasure to consume for review.
Posted in: Disc Reviews by Brent Lorentson on December 7th, 2017
There is a sense of dread that unintentionally comes along with an independent science fiction film. Despite how far technology has come, it seems that for a science fiction film to really be impressive they need a reasonably decent VFX budget or suffer with a look that often times appears cartoonish by comparison of the larger-budget films. The Osiris Child somehow manages to not just create a grounded realistic futuristic world, but even manages to use practical effects to create some nasty-looking monsters and not pull its punches with the scope of its story. In a film that seems to be parts Elysium and parts Pitch Black; this might be the most ambitious effort I’ve seen in the genre that manages to succeed in many ways.
Kane (Daniel MacPherson) is an officer who works in a space station over a planet and discovers that the planet is about to be wiped out. Unfortunately his daughter is visiting him from Earth, has travelled through space to visit him, and is staying at the planet her father is looking over. Kane goes against orders to rescue his daughter and get her to a bunker to protect her, but in the process his ship is shot down and he crash-lands miles away from where he needs to be. As luck would have it, Kane is rescued by a mysterious figure, Sy (Kellan Lutz) who happens to be an escaped prisoner who reluctantly helps Kane get him to the city where his daughter is supposed to be.
Posted in: Disc Reviews by Gino Sassani on December 7th, 2017
"Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. Searching every star, every world. And just when all hope seemed lost, message of a new discovery drew us to an unknown planet called... Earth."
In this version of Transformers, Earth is caught up in an age-old conflict between two factions of an Autobot society. These sentient mechanical beings ravaged their own planet with war and now threaten to continue their struggle on a new battlefield: Earth. The bad guys are the evil robots called Decepticons. They see Earth as a new place to sow their seeds of destruction and humans as a minor infestation to be eliminated. The leader, Megatron, has been secretly kept in suspended animation by the government since the 1930’s. The good guys are a guardian group of robots called Autobots, led by a bot named Optimus Prime. Both groups are in search of a cube structure that is more than a little reminiscent of a Borg cube, called The Spark. This cube contains the power of life that can be spread to any technological device to create new Decepticons. So our evil friends envision an Earth overrun by newly created bots from Earth’s own machines.
Posted in: Disc Reviews by J C on December 7th, 2017
“Sounds like you don't have a lot of faith in faith.”
You know how sports teams retire the jerseys of their most beloved, outstanding players so that no one can ever wear their number again? Well, we are well past the point where movies about exorcisms need to be hanging from Hollywood's rafters. Simply put, no one has ever come close to doing it as well as William Friedkin did almost 45(!) years ago with his adaptation of The Exorcist. If anything, The Crucifixion is an even more egregious misfire than other head-spinning stabs at the genre because this movie is actually based on an intriguing, horific real-life case.
Posted in: Disc Reviews by John Delia on December 6th, 2017
The Despicable Me series that includes Minions never seems to get tiring as they extend their comedy one more time with Despicable Me 3, opening this weekend. The key to the filmmaker’s success is the handling of the characters and inserting them into the animated movie with a plan in mind. That plan consists of starting with a little comedy involving the Minions, then working into some intense action that leads to a champion who either succeeds or fails. In the meantime there are multiple stories going on with each one targeting certain audience members. Sounds complicated? Well, the best comedy adventure is intricate, and Illumination Studios does that very well.
The lovable characters are back again with a new twist on Gru’s (Steve Carell) employment. It seems that the government has hired him as a partner for Lucy (Kristen Wiig) in the Secret Service following their marriage. Gru, now an agent looking for the bad guys instead of being one himself, seems to have found his goal in life.
Posted in: Disc Reviews by Brent Lorentson on December 4th, 2017
Coming along the heels of Straight Outta Compton, the new HBO documentary series The Defiant Ones takes a more in depth at the life and career of Dr. Dre as well as famed musical producer Jimmy Iovine. The 4-part series comes out to over four hours of interviews and stock footage that spans over the course of both of their careers, and as a result we get a comprehensive look at the music industry like we’ve never seen before. Whether you are a fan of hip-hop or rock, there is something here for everyone, but for those who seem to have zero tolerance for rap, it’s the story about these two and where they came from to their joint venture in a 3.2 billion-dollar deal with Apple that transcends all taste in music. This is a rags-to-riches story about a Brooklyn boy and a kid straight out of Compton who had a passion to create music, and in the process they changed the industry forever.
Part 1 is our introduction to Jimmy Iovine and Dr. Dre, where we get their birth stories and how they were as kids. What stands out the most here is seeing how much this pulls back the curtain to the myth about gangster rappers, and we see how Dre was simply a kid with a passion for music and how he had a unique ear to create something different. As for Iovine, we see how he did all he could to not have to work the boat docks and went from creating a failed band to eventually getting a job working at a recording studio. Personally, the highlights of this part were seeing old studio footage of Jimmy being an engineer for the Bruce Springsteen album “Born to Run” and how he got a song Springsteen decided not to use and Jimmy ends up giving it to Patti Smith to create the son “Because the Night”. Follow this by seeing old footage of Dr. Dre working with Easy E for the song “Boys N the Hood”, well, it is incredible that someone thought to bring a VHS camcorder to document these moments that would become part of music history.
Posted in: Disc Reviews by Brent Lorentson on November 29th, 2017
“Cauliflower.”
When Steven Soderbergh announced his retirement from directing films in 2013, it was an announcement that was followed by shock and disappointment for fans and others in the industry. He was a workhorse who managed to deliver a variety of art house titles (The Girlfriend Experience) and then numerous successful blockbusters (Ocean’s 11, 12 & 13) that seemed to always allow him to make films by his own rules. Soderbergh makes his return to film with a heist film that uses West Virginia as its backdrop and NASCAR as its target. It’s familiar subject matter, but it’s the characters that separate this film from the rest of the pack.
Posted in: Disc Reviews by Archive Authors on November 29th, 2017
Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real. Directed by Rob Reiner (A Few Good Men), who first visited King territory with his 1986 film Stand By Me, Misery tells the story of romance writer Paul Sheldon (James Caan, Elf) and the fan who rescues him after a car accident.
Paul wakes to find himself in the care of Annie Wilkes (Kathy Bates, About Schmidt), who’s obsessed with his “Misery” romance series. At first she seems caring, nursing him while he recovers from the accident, which left him with two broken legs and a dislocated shoulder. Soon, though, it becomes apparent that Annie is quite disturbed, and Paul realizes he’s in captivity. When his latest book in the Misery series comes out, Annie is outraged to discover that Paul, who wants to do more serious work, has ended the romance series and killed off the protagonist. She forces Paul to begin writing a new Misery book to fix things, and in his crippled state he has little choice – he’s at Annie’s mercy, until he can escape or be rescued. But is anyone out looking for him?
