Posted in: Disc Reviews by J C on June 5th, 2013
“Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.”
It’s easy to see why 26 talented filmmakers from across the world leapt at the chance to show audiences 26 different ways to die. Obviously, you can’t exactly be squeamish when you sit down to watch an anthology called The ABCs of Death. But I still wish fewer directors had interpreted “complete artistic freedom” as “make the most ridiculous and disgusting movie you possibly can.”
Posted in: Disc Reviews by Jonathan Foster on May 29th, 2013
When someone tries to break in and take something from the building you’re in, what do you do? Well, according to “The Official Good Guy Handbook”, you must immediately lock down the building, retreat to a secure room, and try to get help from the outside. Of course, you must do all this while repelling the bad guys, ignoring their threats and bribes, and (of course) watching out for the double cross.
Posted in: Disc Reviews by J C on May 24th, 2013
“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”
Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.
Posted in: Disc Reviews by Michael Durr on May 20th, 2013
Well, it is that time of the year when we must see what the blood suckers, shape shifters, wolves and the faeries are up to. No, I am not talking about the State of the Union address; I’m talking about the latest season of True Blood. Season Five to be exact. In these twelve episodes, we again travel to the land of Bon Temps, Louisiana and see exactly what delicious trouble and dastardly deeds our characters can get themselves tied up in.
Posted in: Disc Reviews by J C on May 20th, 2013
The problem with casting Ben Kingsley in this film’s title role is that the Oscar-winning actor is anything but common. He’s been a commanding screen presence for four solid decades, starting with his award-winning work in 1982’s Gandhi and continuing through his surprising performance in Iron Man 3. When Kingsley first appears in A Common Man, he immediately stands out in the crowded streets of Colombo, Sri Lanka thanks to a sharp goatee and his signature shorn dome. Turns out Kingsley’s inherent star power is the least of this movie’s problems.
Posted in: No Huddle Reviews by J C on May 16th, 2013
“We are your Family. We come before anything, even your own family.”
Everything about Once Upon a Time in Brooklyn — the setting, the storyline, the cast, the title — brings to mind vastly superior crime dramas. To be fair, it’s incredibly difficult to say something in this genre that hasn’t already been said brilliantly by the likes of Francis Ford Coppola, Martin Scorsese or David Chase. So instead of trying to carve out its own turf, this low-budget effort seems to almost revel in how derivative it is. At the very least, the people who made this movie seem to love gangster flicks as much as we do.
Posted in: Disc Reviews by Brent Lorentson on May 15th, 2013
In 1363, the Black Plague had done its damage, leaving most infected areas uninhabitable. Escape — known in Norway as Flukt — is the story of a family that sets out into the countryside to get away from the plague and hopefully find a new place to rebuild their lives. But just as I’m thinking this is going to be a movie about sticking together and fighting to survive the elements, it shifts gears to something far darker but not all that original.
Posted in: Disc Reviews by J C on May 13th, 2013
We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.
Posted in: Disc Reviews by J C on April 22nd, 2013
“Whose move is it?”
To be honest, I’m not much of a chess player. I know how all the pieces move and I enjoy the mental challenge, but I never really committed to becoming proficient at the game. (Now, if we’re talking Connect Four, you don’t want to run into me in a dark alley.) Pawn establishes its intriguing chess motif early on, before almost completely abandoning it in favor of becoming more of a generically twisty thriller.
Posted in: Disc Reviews by Jonathan Foster on April 16th, 2013
“When I get a crush, it’s really bad.”
Everyone has experienced it before: you meet that special someone, and a crush sidelines you. They fill your head when you’re not with them. When they’re near, you act like an idiot. The downside comes when your crush is not reciprocated; or worse, they don’t even know you exist. Most people can move past the disappointment and heartbreak to get over a crush. But for an unlucky few, their crush can turn into a dangerous obsession.
