Suspense / Thriller

“The border between the United States and Mexico spans 2,000 miles. It’s also the most frequently crossed land border in the entire world. And that just refers to legal crossings…”

Hundreds of thousands of people — we’re told at the start of Border Run — try to cross that boundary every year, and each of them has a unique story. Unfortunately, the filmmakers botched a great opportunity to explore the thorny issue of illegal immigration in a thoughtful and stimulating way by choosing to tell the most ridiculous and off-putting story they could possibly think of.

And you thought Thanksgiving dinner with your family was tense. For most of us, it doesn’t get much worse than critical parents, competitive siblings or that weird side dish no one really wants to try. (There always seems to be about a gallon of that stuff too.) Consider yourself lucky: unlike the poor souls in Deadfall, you’ve probably never been chained to the dinner table — not literally, at least — nor had a psychotic Eric Bana point a gun at your face.

“We never found a single body. Now they’re just missing girls that nobody missed.”

Fictional serial killers have to work extra hard these days if they want to stand out or shock us. Network shows like Criminal Minds bring us a different sicko every week, and a certain popular pay cable hit actually has viewers rooting for the killer. So the best thing I can say about The Factory is that it gives us an exceptionally sick premise. Unfortunately, the straight-to-DVD thriller is ultimately derailed by a sloppy screenplay and a truly preposterous final act.

When I first received Love Me, I thought it was going to be just another angsty teen drama. (Something along the lines of Dawson’s Creek.) That notion was quickly disabused, however, when a young girl is stalked and attacked in the opening scene. From there, the film jumps ahead three months, with the town still reeling from her disappearance. While discussing how eerie the case is with her friends, Sylvia Potter (Lindsay Shaw, TV’s Pretty Little Liars) quite literally bumps into rich pretty boy Lucas Green (Jamie Johnston, TV’s Degrassi: The Next Generation) and falls for him instantly.

If it were possible to buy stock in any under-25 actress today, I’d pick Jennifer Lawrence first, Emma Stone would be a close second, and Kristen Stewart would be last. Lawrence has a pair of blockbuster movie franchises in her back pocket (The Hunger Games, X-Men) and is already a two-time Oscar nominee, thanks to her recent nod for Silver Linings Playbook. So if a studio were to have a Jennifer Lawrence film on its bench, September 2012 would probably look like some prime real estate.

When I started to review this film, I thought I would come up with a hokey beginning to celebrate the 31 Nights of Terror. That might have worked if I had reviewed It’s the Great Pumpkin Charlie Brown or a Lindsey Lohan movie, but to be truthful there is not much humor in this movie to be had. So let us skip the theatrics for at least one review and go straight into reviewing Bedevilled.

I've said before that they just don't make action movies like they used to. I'd like to slightly amend that statement: they still make action movies like they used to, it's just a heck of a lot harder to find them. As production costs continue to rise, studios seem to be playing it safer than ever in terms of which movies get the widest releases. As a result, bloodless PG-13 flicks designed to hit as many quadrants as possible tend to grab the most screens. Put it this way: I haven't seen the new Total Recall, but I'm fairly confident there's no scene where Colin Farrell yells, "See you at the party, sweetheart!" while holding the bloody stumps of Kate Beckinsale's arms.

Like a lot of people in general, I strive to get more bang for my buck. Whether it is in grocery shopping, video games or a pizza buffet, I always want to pay the bare minimum and reap the maximum benefit. Another area this holds true is movies. In my collection, there are double packs, triple features and quadruple showings. Today, it just so happens that we have a triple feature from Mill Creek Entertainment that brings us three thrillers: D.O.A, Playing God and Color of Night. This might be a long night.

Most people who read my reviews can realize that me and prison films just do not mix. Far too many of them are incredibly hokey and if I hear one more cliché about dropping the soap, I swear I might just go watch about a 12 hour Golden Girls marathon. However, our film today deals with a psychiatric hospital for criminals. It sounds a lot like a prison to me, but perhaps today’s review will take on a much gentler tone and provide us with something just a little different.

After a family moves into a new home, they are taken hostage by a group of hitmen who are searching for money that has been stolen from a crime-boss. The film's title, “Aggression Scale,” refers to a psychological evaluation that measures the tendency for an individual to act in aggressive ways that may harm others. This applies to our hero Owen, the son of the family, whose violent/survivalist tendencies are worrisome and detrimental in all situations except this one, where he may be the savior of the family.