Disc Reviews

"A long time ago in a galaxy far far away..."

It was exactly 40 years ago that we first saw those words flash across the screen. Star Wars was born, and it has become one of the most enduring franchises in film history. The franchise survived a long drought when it didn't seem likely we would ever see those words again. The franchise survived the throes of George Lucas, who created it all and then went a little rogue when he finally did follow up his iconic trilogy. If The Last Jedi and the two previous films are any measurement at all, the best thing George Lucas ever did for the universe he created was to give it up. Of course, I wouldn't necessarily call $4 billion quite giving it up. Since then he's been a bit critical of the path Disney has taken and feeling somewhat left out of the decision process and has openly shown concern for his child under the Disney flag. And after the soap opera that has become the Han Solo film, the fans were getting a little worried as well. It's still too early to know what will become of that particular journey, but that's next year's concern. For now just sit back and revel in Star Wars: The Last Jedi.

I respect that you love your group, but it’s time for you to move on.”

The first Pitch Perfect movie arrived in Fall 2012 as a goofy, energetic, underdog surprise that charmed audiences with its funny jabs at (and genuine affection for) a capella music. But as the trilogy (allegedly) comes to a close a little more than five years later, the only quality that this popular, profitable franchise managed to retain from that previous sentence was “goofy.” The saucy tagline for this movie is “Last Call Pitches,” and everyone involved seems ready to hang up their pitch pipes.

After six seasons I don't really think of Major Crimes as a spinoff from The Closer. It has gone on to establish itself as a much better show than its former version ever was. We have become very comfortable with most of these characters, and the series isn't really looking over its shoulder anymore, if it ever did. This is one of those shows that's just easy to watch. There might not be anything groundbreaking going on here, but it feels like that old worn shirt that you love to wear because it just feels good having it on. That's the kind of thing that can go on for many years, and it did. But Major Crimes is shutting its doors with this sixth and final season now available on DVD from Warner Brothers.

Pretty much the rest of The Closer’s cast remained intact for its six years. The senior officer on the team is Lt. Provenza (Bailey), and he's become the field commander of the team over the years. There's Lt. Andy Flynn (Denison) finally getting married to Commander Sharon Raydor, who originally came from Internal Affairs and was not instantly beloved. But Mary McDonnell gave the role some life, and she became a bit of the show's emotional center. Lt. Tao (Chan) is still one of the tech experts, along with Buzz (Keene), who also serves as the videographer of the unit. Buzz gets a promotion to reserve officer, but he’s still pretty much the guy with the camera. Detective Sanchez (Cruz) is back after suffering a death in the family. He still loses his cool a little, but I found him an awkward character this season. The delivery has changed to an almost deliberate tight, calm cadence. He's obviously struggling to keep his temper under control. Dr. Morales (Del Arco) has a bit of a testy relationship with the police unit this season. It's nice to see some strain here. The unit also includes Kearran Giovanni as Detective Amy Sykes. Last season the show added the rather dry Detective Wes Nolan, played by Daniel di Tomasso. He fits in rather quickly as far as chemistry goes with the unit. Of course, as an undercover cop he was used to being pretty much on his own, so he's still learning the whole teamwork thing. This season we see the arrival of a new and interesting character. Detective Camille Page is brought over from Missing Persons because of her expertise in dealing with missing children cases. (More on that later.) She's played by Jessica Meraz and is a fiery detective not used to being a part of a team. She likes to finish other people's sentences and was mentored years ago by Provenza. The standout character has to be Lt. Provenza, played by M*A*S*H’s G.W.Bailey. The character is actually a lot like that show’s Rizzo. Just pretend that he finally got out of the Army and got into law enforcement. He’s always complaining and getting into trouble, but he’s smart, and his instincts are often dead-on.

When Calls the Heart is already five seasons in and has been a fan favorite of the Hallmark Channel.  It’s no surprise that the channel would take a chance with the show and develop a movie from the material that author Janette Oke has created. As a show that plays on the Hallmark Channel, it should come as no surprise that it is wholesome and filled with values that you don’t often find on the cable networks.  In this day and age a little bit of wholesome television can be a nice change of pace; after all, for many all they see is the sex and violence that flood the airwaves. It’s hard to find entertainment that is safe for the whole family to watch. But just because it’s something for the whole family to watch, is it any good?

I’ll admit I never heard of the show when I picked up the film to review it.  I’m all for mixing things up and giving all genres a fair shake, though I have to admit I was a bit leery of this title. On the bright side, despite the series already being five seasons in, there is no need to have any prior knowledge of the show to appreciate the film.  The small town of Hope Valley and its residents is well drawn out for first time viewers and understanding the town dynamic is easy to follow as we are introduced to  each of the members of the town.

“Now I’m awake to the world. I was asleep before. That’s how we let it happen...nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.” 

The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing.   

I can’t think of a real life cop who is more famous than Frank Serpico. Ever since the film Serpico was released in 1973, people around the world knew the name of the cop who singlehandedly attempted to end corruption in the NYPD. Al Pacino made the character famous, and the name continues to live on in pop culture, but now we have the documentary Frank Serpico to tell the story from the man himself.  The film that follows is not just about the man and his crusade against the NYPD, but it also serves as a reflection with the man 45 years following his time in the department. Back then he took a bullet for speaking out about the corruption. Have the man or ideals changed over the years?  That is what the documentary sets out to find out.

The film opens up with Frank discussing how his daily ritual before work was to act as though he were about to put on a performance.  Well, it’s been 45 years, and the man continues to perform; that is the first thing that stands out to me about this production. He has no problem admitting that he is a bit eccentric, but what you can’t miss is that he seems to be playing the role of Frank Serpico rather than simply being himself. In interviews with friends and fellow officers, this is brought up as they discuss how Frank seems to feel obligated to live up to certain expectations that the film and his celebrity has created.  Personally this was something I wish was explored more so we could truly have a chance to understand the man, because everything else that follows in the film just seems like an act. I don’t fault Frank for this, but rather the director Antonino D’ Ambrosio for not wrangling his subject in.  Is Frank’s story any less interesting because of this? Not a chance, because Frank carries this documentary along from start to finish.

"If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to destroy it all." 

A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated, and that would be a bit of a shame no matter what it looked like. Andy Serkis has changed my mind a bit over the years, but along came Guillermo del Toro to restore my faith in the idea of a man in a costume once again. Del Toro is a self-avowed fan of the Universal horror films and has thrown his hat into the Creature ring in the past. Universal didn't quite see it then. They had their own Dark Universe plans. Now I've had the chance to see The Mummy as part of the Dark Universe and was instantly underwhelmed. But after seeing del Toro's The Shape Of Water, I think it's time Universal took another look at their Creature From The Black Lagoon plans. Bang it here to listen to that Joe Dante chat: Joe Dante Interview.

"We have to be ready. You, me, the others... there's an attack coming from far away."

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however, DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman vs. Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn't quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it's not a bad film, either. Superman actually smiles and has begun to return to the "golly" innocent of his best comic years. This film may not be everything we fans of both brands were hoping for, but it's actually a good start.

The yesteryears of Disney were full of classic movies, from Aladdin to 101 Dalmatians. Each of those films holds a special place in my heart due to its warmth and very colorful, cute story. Having never seen Lady and the Tramp before picking up this early copy, I didn’t know what to expect of the film. Many declare it to be one of Disney’s best, which is certainly a remark that is quite distinguished. Would Lady and the Tramp capture my emotions and heart like so many old, classic Disney films did years ago? Read on to find out.

The basic story to Lady and the Tramp is as follows. A man named Jim Dear gives his wife Darling a mysterious box for Christmas. Inside that box is the ever-so-cute little cocker spaniel puppy, which Darling decides to name Lady. Lady spends most of her period growing up with two neighborhood dogs, Trusty and Jock. One day a dog named Tramp walks over the railroad tracks. When Darling has a child, we are introduced to two super ugly and vicious cats, Si and Am, courtesy of Aunt Sarah. Due to these evil cats and the new baby, Lady winds up in the doghouse. What happens next is cinematic history: the spaghetti scene and the start of a romance between Lady and Tramp.

I was just trying not to offend you and yet I wound up offending you, which is quite ironic.”

Six long years passed between the last Curb Your Enthusiasm episode in 2011 and the show's season 9 premiere last fall. And yet it only takes about two minutes for Larry David — the curmudgeonly comic genius who stars as an exaggerated(?) version of himself on the long-running HBO sitcom — to utter the words above after inadvertently offending his latest unsuspecting victim. In other words, even though portions of this season feel creakier than past years, it is absolutely great to have Curb back!