Posted in: Disc Reviews by J C on September 8th, 2015
The Star Wars universe is famously vast, and that's before the Force even Awakens this Christmas and kicks off a new series of feature films. (And let's not even go down the Expanded Universe rabbit hole.) My point is that it's been almost 40 years since Star Wars premiered, and the army of artists who have taken on George Lucas' iconic creations haven't even come close to running out of material to explore. Disney XD's Star Wars Rebels is an engaging, thoroughly zippy entry that is likely to entertain its intended young target audience along with those who have been obsessed with the Force since a long time ago.
Posted in: No Huddle Reviews by Jeremy Butler on September 8th, 2015
Good Kill is a term used by drone operators to signify whether ordinance have successfully hit the intended target however the term takes on some much more meaning. Ethan Hawke portrays a former jet pilot now transitioning into a position as a drone operator. Day in and day out, he surveillances areas from thousands of miles away periodically eliminating targets that would look to destroy American lives. However when his section is loaned out to the Central Intelligence Agency, the clear cut targets become less clear cut and both his personal and professional life begin to suffer as he struggles with the morality of what he does.
Posted in: No Huddle Reviews by Gino Sassani on September 8th, 2015
"Let's Be Careful Out There!"
Hill Street Blues turned television on its head. It featured an incredible-sized ensemble cast. The use of so many characters was a considerable risk. Would the writers be able to provide us with enough meat for each to care what happens to them? The answer was a resounding yes. We cared. We cared so much that Hill Street Blues broke the standing record for Emmy nominations and wins before its seven-year journey ended. Bochco used stories that carefully intertwined each character in a tapestry that never quite ended.
Posted in: Disc Reviews by Gino Sassani on September 5th, 2015
"1836, Republic of Texas. The Mexican territory is home to thousands of US settlers. Tensions rise as Comanche and Kawakawa fight to keep their lands. Outlaws roam free, and slaves are caught in the crossfire. Mexican General Santa Anna battles to reclaim the land. US President Andrew Jackson is hesitant to intervene, and Texas has no choice but to declare itself an independent nation... The Alamo in ashes, pioneers, Tejanos, Indians and soldiers have no choice: fight or die."
Houston, we have a problem.
Posted in: No Huddle Reviews by Jeremy Butler on September 5th, 2015
Not really sure the title matches the film, but then perhaps there is a hidden significance that I’m not getting. Well, here is a real gritty tale about addiction told within the context of a love story. Animals follows a young couple that appears to be so deeply in love that they are willing to do anything for one another. In fact the only thing that seems to have the capacity to tear them apart is their shared drug addiction. This film really emphasizes the ideal that couples must have a shared interest. Sorry, that was my attempt at humor.
Posted in: Disc Reviews by J C on September 4th, 2015
If nothing else, The Curse of Downers Grove lives up (or rather down) to its morose title. It’s too bad because this (non-)thriller actually has a promising premise: every year, a supposed curse in the titular suburban Illinois town kills a senior at the local high school. The movie could’ve gone for darkly comic thrills or tried to construct a mystery around who the latest victim might be, to name just a couple of examples. Instead, this shoddy, inert flick squanders a variety of opportunities on the way to its preposterous conclusion.
Posted in: Disc Reviews by J C on September 4th, 2015
The D Train was not what I expected...and thank goodness for that. The film boasts that it's from the “comedic geniuses who brought you Nacho Libre and Wayne's World,” although the only thing those two movies have in common is that they're both comedies with, um, people in them. Meanwhile, the glossy poster makes it look like an inspirational drama, which doesn't exactly mesh with the phallic-sounding title. In other words, there's nothing about The D Train that hints at the intriguing dramedy lurking underneath.
Posted in: No Huddle Reviews by Archive Authors on September 4th, 2015
by Dustin P. Anderson
Our story follows Primo as he leads the son of a fallen comrade, John, through the life of a Blood. John is trying to follow in the footsteps of his recently departed father by running “packages” for the gang. His mother tries to keep him on the law-abiding path, but John’s ties to the gang are deep. John soon figures out the burdens of this lifestyle and must make a choice on whether he will stay the course of his father, or adhere to the wishes of his mother. Primo’s words serve as both advice and caution as John makes this decision. Primo warns that there are no favorites in this life, only business.
Posted in: Disc Reviews by Jeremy Butler on September 3rd, 2015
It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?
Posted in: No Huddle Reviews by Archive Authors on September 3rd, 2015
Low Down has a fantastic cast for a low-budget film including John Hawkes, Elle Fanning, Glenn Close, Flea, Taryn Manning, Tim Daly, Billy Drago, Rain Pheonix, Lena Headey, Peter Dinklage, and Burn Gorman (the last three are alumni of Game of Thrones, which couldn't be farther in tone and content from this movie). It is the true life story of jazz pianist Joe Albany from a book by his daughter, Amy-Jo. The only thing that clearly marks the time period that the film takes place is a brief excerpt of the Watergate hearings in 1974 but has the feel of a time maybe a decade before. That is part of the beauty of a film like this. It is so subtly clued into detail.
