Disc Reviews

So do depravity and nobility go hand in hand? Well, that is how it seems to be in the Royals, the EW channel’s faux depiction of the English ruling family. The show does not gain any points for characters, as many of them are cliché archetypes: the unsure heir to the throne, the drug-addicted socialite daughter, the self-absorbed and media-obsessed mother, the depraved and jealous brother of the king, and the noble albeit naïve king. As I say none of these character types are new; but their depiction in this series did manage to pique my interest as well as push the boundaries of what is permitted on network cable. (Let’s face it, eventually all those censors will be done away with completely.) The Royals is a series that will probably have you wondering: is this really how the class really behaves?

The series begins on a somber note as the family is just informed that the eldest son and heir to the throne has died in a mysterious military accident. As expected, this revelation brings about the immediate realization that the second-born son, Liam, is now the heir apparent to the British monarchy. Liam, who never expected to succeed to the throne, now finds his world turned upside down as he must now step up and become the embodiment of what is expected for a king. It is also worth mentioning that the news of his ascension comes the night after engaging in drunken one-night stand with the daughter of the head of his father’s security detail. See, drama already, as not only is Liam’s life changed, but also the life of Ophelia, who found herself drawn to Liam but is unsure now how to fit into his new world. Let’s take a brief pause; this is not new either, so in terms of breaking new ground, there is not a whole lot of that happening in this series. That said, like it all things, it is more about the journey, and it is worth noting that this relationship is one of the biggest influences of the show as well as the purest relationship of the series. Trust me, that will become abundantly clear after you get a load of the other relationships.

by Dustin P. Anderson

Meet Hutch, the once-great golfer, now mediocre golf course owner. Hutch has been down on his luck ever since failing to impress at the Pro Tour and now owns a mediocre golf course (or really bad golf course, depending on who you ask). Hutch has also been hitting the bottle since his life started on a downward spiral, and this drinking leads him to put a golf club into someone’s car window. The golf club incident leads him to serving time on community service, where he will try to teach a team of underprivileged children how to play golf. Some kids don’t have the means to golf in the areas where they live; some of the kids don’t have parents that understand their craving to play it. Whatever their reason, they are now stuck in Hutch’s hands…. for better or worse.

Today, the term “blue collar comedy” is likely to conjure images of rednecks and Larry the Cable Guy. However, this new double feature from Shout! Factory reminds us that wasn't always the case. The heroes of Easy Money and Men at Work are, respectively, a sleazy children's photographer and a pair of rebellious garbage men, so the label certainly applies. Let's see how these two blue collar comedies hold up in their Blu-ray debuts.

Rodney Dangerfield stars as Monty Capuletti, a charismatic slob of a children's photographer who loves to drink, smoke, and gamble. This puts him at odds with his rich, domineering mother-in-law Mrs. Monahan (Geraldine Fitzgerald), who never approved of Monty marrying her daughter Rose (Candy Azzara). When Monty and Rose are notified that Mrs. Monahan has died in a plane crash, they get an extra shock. The old lady has left Rose her $10 million fortune on one condition: Monty has to whip himself into shape and abstain from all his bad habits for an entire year. With support (sort of) from his best friend Nicky (Joe Pesci), Monty begrudgingly embarks on a healthier lifestyle. But is all that money really worth giving up who Monty really is?

"Let's do it!"

NCIS has become the number-one-rated television show in the world. It might stand alone in that distinction, but it certainly doesn't stand alone. Last season saw a new spin-off that took us to New Orleans. It's hard to believe that it was six years ago now that NCIS: Los Angeles took to the West Coast streets and developed its own brand of Naval criminal justice. It's a franchise that rivals Law & Order or CSI in its ability to stretch out and continue to build a fan base. It's part of a powerhouse lineup at CBS that has plenty of shows going double digits in seasons. I suspect that this one will be around long enough to join that group, if this season is any indication.

by Dustin P. Anderson

This is a biopic of Marilyn Monroe, and there is not much more to it than that; regardless, here is a quick synopsis. This mini-series follows the life of the famous (and sometimes infamous) Marilyn Monroe.  It goes through her battle with mental illness as well as the history of mental illness in her family. It leads us into what caused her drug/alcohol abuse and frequent lovers/husbands and how the world came to know her as Marilyn Monroe.

"And then there's Maude."

In football there's always a lot of talk about coaching trees. You know the idea. Some great mastermind who saw his assistants go on to have success of their own and who passed that lucky charm down to others for, perhaps, generations. All In The Family would be the television equivalent to a coach with a long tree. There were an incredible number of spinoffs that lead to other spinoffs. Archie's neighbors The Jeffersons moved on up to the East Side and had their own several years of success. That show saw maid Florence had her spinoff from that show called Checking In. Meanwhile Archie's daughter had her Gloria series, and after Edith's death Archie settled into Archie Bunker's Place. Even the Bunker home had a spinoff called 704 Houser Street when a new family moved in.

“You have the skills of a cop, and the constitution of a cold-blooded killer. What better combination can there be.”

There are clearly no heroes in this revenge tale, making it kind of hard to decide who to root for. If anything, it is bad versus slightly less bad. Dean Cain stars as Mason Danvers, a once-honest cop who gets himself locked up on to seek revenge against the criminal who murdered his wife. Revenge, now there is a subject that never gets old; however, in the case of Vendetta it is likely it will get old very fast. I had high hopes, as the premise had my interest, but the overall presentation was a lot less cerebral than I had hoped, coming off more cause-and-effect rather than cat-and-mouse.

“We like to believe that it’s false reporting because we just, in general, don’t want to believe that rape happens at the level that it does.”

These words are spoken by Diane Rosenfeld, and are probably some of the most poignant words spoken in this documentary. Lisa Jackson’s film It Happened Here tells the story of young women who have been raped during their stay at college. Each one of the girls recount their traumatic experiences and each one do everything in their power to make this horrifying reality known to the public. Having been active in some of America’s universities over the past seven years (both as student and faculty), the message being conveyed in this film is one that hits close to home.

In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. When the Checks Stop Coming In is easily the best out of the recent trio of Moguldom offerings I’ve gotten a chance to review. The film understands that going broke is not a problem unique to the African American community, but is insightful enough to show some of the factors that uniquely affect that segment of the population.

When the Checks Stop Coming In focuses on black celebrities while conceding that plenty of rich famous white people (Gary Busey, Tori Spelling, The Osbournes) squander their fortunes. We get some quick clips and a rundown of athletes (Dennis Rodman, Warren Sapp, Allen Iverson) and entertainers (50 Cent, Lionel Ritchie, MC Hammer) whose financial troubles have been well documented. The doc spends a little extra time on a few of those more famous names, including soundbites from singer Toni Braxton (apparently the various people who tended to her were better compensated) former NBA star Antoine Walker (he advises active athletes to wait until they’re retired or not as busy to invest money), and Mike Tyson (if he ever shares the same space with Don King again, I don’t imagine it would end well for Don King).

In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Knifed Up is one of two largely superficial plastic surgery docs released by the production company this week. The film’s subtitle is The Evolution of Cosmetic Surgery, so it operates from the premise that women have gone from wanting to look like Barbie to wanting to look like Nicki Minaj or a Kardashian.

Of course, what that really means is that physical features more closely associated with African American women — fuller hips, bigger busts/butts — have become more desirable in recent years. Knifed Up reveals that white people still account for 70 percent of plastic surgeries, but the number of black people opting to get cosmetic work is absolutely on the rise.