Posted in: Disc Reviews by Archive Authors on November 25th, 2013
It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.
The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2013
"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
Quality shows only get better with time, and by the time Star Trek: The Next Generation entered its 5th season it was already beating out most network shows in the ratings. First-run syndication was still quite new, and it was almost unheard of to expect to go up against the networks and survive...let alone win. The Next Generation went where no series had gone before, and it was just getting better all the time.
Posted in: No Huddle Reviews by Archive Authors on November 22nd, 2013
Roger William Corman was born on April 5, 1926. If he ever dies, his funeral will be legendary. It is always possible that he will re-enact some scene from one of his Poe classics and emerge from his crypt. The fact is that many famous people in Hollywood owe an enormous debt to Corman. Some of the people I am talking about are Jack Nicholson, Robert DeNiro, Sylvester Stallone, Charles Bronson, Ron Howard, James Cameron, Dennis Hopper, Sandra Bullock, Martin Scorsese, David Carradine, Johnathan Demme, Curtis Hanson, Robert Towne, Francis Ford Coppola, Gale Ann Hurd, Nicolas Roeg, John Sayles, Peter Bogdanovich, Richard Matheson, Peter Fonda, Bruce Dern, William Shatner and others too numerous to mention. It should also be noted that Ingmar Bergman, Federico Fellini, Akira Kurasowa, Francois Truffaut and other greats reached much wider audiences under the guidance of his distribution company, New World. Not everyone has outlived him, but he has never stopped working, so each new generation has their chance to bask in the glow of the great mentor. Corman has produced nearly 400 movies and directed close to 60. His latest directorial effort is in production (Sharktopus Vs Mermantula, one of many SyFy channel epics). He was the youngest director honored by the Cinematheque Francaise and has received honors from many institutions including an honorary Academy Award in 2009.
Roger Corman's Horror Classics Vol. 1 is a collection of three of his better known productions; The Terror, Dementia 13 (directed by Coppola), and Buckets of Blood. This collection is touted as being restored editions, which is good because many versions of these films have appeared on countless discs in shabby condition. Fans have definitely complained about faded copies full of scratches.
Posted in: Disc Reviews by William O'Donnell on November 21st, 2013
Nickelodeon has released a Holiday compilation DVD before(https://upcomingdiscs.com/2011/11/15/nickelodeon-favorites-merry-christmas/ which makes this particular release a sort of sequel to that. This time around only two shows are featured, and there is half the episodes featured than in the previous release.
The Bubble Guppies episode “Happy Holidays, Mr. Grumpfish” is the main features advertised on this release. The episode is all about making the grumpiest citizen of their underwater community feel the Christmas spirit. There are moments where the characters do lessons aimed at pre-schoolers (things like counting to 10 and such) and there is a ton of pop style songs. The latter of which I find 100x more grating on my nerves than the former. This may be an acceptable episode of the show, but it doesn't stand out as a memorable holiday special.
Posted in: Disc Reviews by William O'Donnell on November 21st, 2013
It was inevitable. Spongebob Squarepants gets its own Christmas Special. Usually television shows take the lazy route and inject their own characters into a familiar Christmas story and make a parody or adaptation (how many times have we seen Charles Dickens A Christmas Carol redone?). Thankfully this special offers a unique tale of the malevolent Plankton creating a special fruitcake that turns any eater into a totally jerk. Will Spongebob's demeanour make him immune? Of course...but what of the rest of Bikini Bottom?
This episode/special takes up a full half hour time slot, which separates it from many of the other Spongebob stories that range closer to 10 or 15 minutes in length. That is not its most notable characteristic though. This episode adopts the Rankin/Bass style stop-motion of animation that has become synonymous with Christmas specials. Though the movements are far smoother and more frantic than the classics it is honouring, the animation is well coordinated and looks very nice.
Posted in: Disc Reviews by Brent Lorentson on November 21st, 2013
Creator David Simon (The Wire and Generation Kill) has never been a show runner concerned about cliffhangers or plot twists; instead he thrusts his viewers into the day-to-day life of the everyday Joe and shows that real life generates more conflict than most fiction can ever deliver. Ever since I first watched The Wire I’ve considered myself a fan of Simon’s work, and I feel it could be argued that what Simon did with The Wire is a large factor in why we have the quality of television that we do today. With Treme he has given us an array of fleshed-out characters; whether they be real or fictional, they all come together to present this allegory of greed and corruption upon the backdrop of a city that is arguably the heart and soul of music.
In the show it has been 25 months since Katrina has torn through New Orleans, and the residents of Treme who have survived the storm are treading their way through the aftermath. The new season kicks off with trombonist, Antoine Batiste (Wendell Pierce) showing up for a Second Line memorial that is soon broken up by NOPD. There has always been a disconnect between the police/government and the people of Treme, but post-Katrina seems to have opened the floodgates for more corruption among the members of the NOPD and the city officials. This corruption introduces L.P. Everett (Chris Coy), a young journalist who is trying to uncover the truth behind suspicious deaths that have happened after Katrina that may or may not be connected to the police. L.P.’s investigation seems to have a connection to a case Toni (Melissa Leo) has been working since season 2 which already uncovered enough dirty cops in the NOPD.
Posted in: No Huddle Reviews by Jeremy Butler on November 21st, 2013
Now here’s a game I never had a desire to play: the Ouija board. I not sure what it is about this game that has made me have a natural aversion to ever being in the same room with it; perhaps it is the knowledge that by playing this game, I may be contacting the dead. Never having been an overly superstitious person, I recognize the extremeness of this act; however, after watching I am Zozo, I believe my aversion is now justified. “Based on a true story,” providing me with yet another reason to avoid Ouija board. I am Zozo starts off in the usual way, a group of friends reunite for the first time in years for a Halloween weekend away at a member of the group’s family getaway that hasn’t been occupied in years. (How come the criteria for this type of film is an abandoned getaway where no one will hear you scream? Next time I want a ghost story in a heavily populated suburban area.) So the group starts off with the usual routine: They catch up, they have a couple of drinks, and then given that it is Halloween someone suggests pulling out the old Ouija board and seeing who they can contact on the other side.
It begins normally, or at least for the standard for such a game; they manage to contact a few harmless spirits (if there is such a thing), but of course naturally there are a few members of the group who are skeptical about the validity of the entire thing, thinking that one of two holding the scroll may be pushing it to simply play a prank on the others, but things suddenly take a turn for the sinister as the group is contacted by a spirit that speaks of their demise.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2013
"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
What a difference a couple of years makes. Rick Berman was pretty stubborn about wanting The Next Generation to live on its own without connecting to the original show, perhaps as much as the fans would have liked. There was, of course, the cameo by DeForest Kelley in the pilot, but he was never called McCoy, only Admiral. Yes, we knew who he was, and his interplay with Data was intended to remind us of his relationship with a certain Vulcan. The original Enterprise would be referenced in The Naked Now that first season. It was the only direct sequel of an original episode to air. When season 3 brought the return of Mark Lenard as Sarek, Berman was insistent that no mention of Spock or the original show be made. After a barrage of pleadings from the writers he relented... slightly. He decreed that Spock's name could only be mentioned once and no other connections be in the script.
Posted in: No Huddle Reviews by Gino Sassani on November 20th, 2013
They’ve been called The Greatest Generation, and who are we to argue the point? Sitting here writing reviews from my comfortable seat in a state-of-the-art home theater, I’m in no position to lay claim to the title. They fought in the bloodiest conflict in modern human history. Over 20 million were killed. That’s a staggering number. If you’re like me, it’s not even real. I can honestly say that those facts have never really reached home.
World War II has been a favorite topic for Hollywood films since before the war itself ended. There have been some truly remarkable efforts and some equally remarkable disasters. Many of these films have been long forgotten. Heck, many of them deserve to be forgotten. There have also been television shows set in or around the war as well. Hogan's Heroes was able to find humor in a German POW camp. But it was the exploits of Company K from the series Combat that led the television charge when it came to gritty realism and compelling World War II drama.
Posted in: Disc Reviews by Jeremy Butler on November 20th, 2013
The line between hilarious raunchy comedy and over-the-top raunchy comedy is very fine, and We’re the Millers tends to dance on both sides of it. In time such action will be revealed to be both a blessing and a curse, I suspect. With the young crowd, I believe the film will fall right into place with such movies as Horrible Bosses (a comedy which coincidently starred Aniston and Sudeikis) and to be more recent, This is the End. With more mature audiences, the raunchiness may prove to be slightly more than they were expecting to see. With me, I find myself on the side of the young.
David (Jason Sudeikis) is a small town pot dealer in Denver, an occupation he has held since college without moving forward or backward. Hesitant to admit it, he has grown stagnant with the life he’s leading and wants more out of life. Those desires are put on hold after he is robbed, with both his stash and all of his cash including the money intended for his supplier Brad (Ed Helms, The Hangover). Deep in debt with no prospect of paying it back, Brad offers David one opportunity to erase his debt: smuggle a smidge and a half (inside joke, have to see the movie to understand) of marijuana from Mexico across the border back to Denver.
