Posted in: Disc Reviews by J C on October 29th, 2013
The world of Bounty Killer is a barren wasteland that has been decimated by the unchecked greed of nefarious corporations. In other words, I can’t believe this movie is only set 20 years in the future! I’m not the kind of guy who uses exclamation points very often, so the fact that I threw one at the end of the previous sentence wasn’t an accident. This silly, stylish, thoroughly enjoyable revenge fantasy/satiric action flick is basically one giant exclamation point in movie form.
“The bounty killers compete for body count, fame, and a fat stack of cash.”
Posted in: Disc Reviews by Gino Sassani on October 29th, 2013
The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they've created over the last couple of decades, but I have to question someone's marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it's all about Monsters, Inc. I hadn't fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.
Who are "the boys", you might ask. If you're serious, then you might actually be reading the wrong piece. For the rest of you, "the boys" are Mike Wazowski (Crystal) and James P. "Sulley" Sullivan (Goodman). And it's been a dozen years since we last saw them in Monsters, Inc. A sequel to that film might be a bit problematic. We learn that laughs provide far more power than screams, and we leave the power structure of Monsteropolis on its head. Pixar's imaginative team took the best route available to them and decided to go the prequel pathway, and we get to see Mike and Sully as college students. Both have their sights on becoming master scarers. For Sulley, it's in the blood. He comes from a long line of successful scarers, and he's not really taking the college scene very seriously. For Sulley it's about fun. Mike, on the other hand, has stars in his eyes and works harder than anyone else on campus. But he might have to come to grips with the fact that he just might not have what it takes.
Posted in: Disc Reviews by Jeremy Butler on October 29th, 2013
Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way, Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.
Duncan (Liam James, The Killing) is an introverted, slightly awkward fourteen-year-old. After his parents’ divorce, his mother Pam (Toni Collette, United States of Tara) starts dating Trent (Steve Carrell, The Incredible Burt Wonderstone), a single father who masks his disdain for Duncan with thinly veiled accusations and comments. For the summer, Duncan is dragged along with the couple and Trent’s daughter Steph (who treats him like a pariah) to Trent’s family beach house.
Posted in: No Huddle Reviews by Archive Authors on October 29th, 2013
Independent films can be about just about anything. Usually if it's about something you have never seen before, that can be a good thing. In this case, I'm not so sure. Free Samples is a movie that takes place almost entirely in and around a crappy little van giving away a cup of either chocolate or vanilla ice cream or at least something that resembles ice cream as far as we know. Free Samples is an existential comedy about the search for meaning when you step away from a future that looked very bright in search of who knows what.
Jesse Weixler plays Jillian, who is a law student taking time off to paint, think and drink excessively. After a night of too much booze in which various people wind up in an apartment not knowing how they got there, Jillian's girlfriend begs her to do her a huge favor and fill in for her on the free ice cream truck for just a few hours. Jillian is bitter, angry, hung over, and not very amenable to this unpalatable idea but gets bullied into it anyway, but she's not going to do the visor. It's bad enough she's forced into a t-shirt that displays how unendowed she is in the bosom department.
Posted in: No Huddle Reviews by J C on October 28th, 2013
Those of us who love horror movies can remember the first great scare we ever got. (To be fair, those of you who hate horror movies probably remember the first scare you ever got too, since it’s probably why you stopped watching them.) Stephen King’s It wasn’t my first scary flick, but the image of Tim Curry’s Pennywise coaxing poor Georgie into the storm drain seared itself into my brain and became my original childhood freak-out. What I enjoyed most about All Hallows’ Eve is that it tapped into the unique impact a genuinely scary clown movie can have.
The film quickly introduces us to babysitter Sarah (Katie Maguire) and her two bickering young charges, Timmy (Cole Mathewson) and Tia (Sydney Freihofer), on Halloween night. As they go through their trick or treat haul, Timmy discovers an unmarked VHS tape in his bag. The kids convince a hesitant Sarah to let them see what’s on the tape. What follows is a trio of unsettling, woman-in-peril horror tales. Each segment also features appearances by the mute, diabolical Art the Clown (Mike Giannelli). As if that weren’t scary enough, Sarah and the kids start noticing strange happenings in their own house. Is it their active imaginations playing tricks on them or something far more sinister?
Posted in: No Huddle Reviews by Brent Lorentson on October 27th, 2013
With Kung Fu Panda: Legends of Awesomeness and Dragons: Riders of Berk, it would seem only fitting that Monsters vs. Aliens would get an animated series of its own as well. Nickelodeon seems to know what they are doing by mass producing these hit DreamWorks animated films and bringing them to the small screen. The biggest shock is that in doing so they’ve managed to maintain the quality on a story level as well as animation level while under the budget constraints of having to produce multiple episodes as compared to one feature film.
Cloning Around picks up right where the film left off, as Team Monster takes up residence on the secret military testing base, Area Fifty-something. Before the team can kick back and relax, a new alien threat comes to Earth and makes its stop at the government base, while everyone is scared, with the previous attack fresh in their minds, everyone is ready to attack. This alien claims to be here as an ambassador to the galaxy to apologize for the recent actions of the aliens that had attacked our planet. Coverton claims to be our extraterrestrial friend, but can he be trusted?
Posted in: Disc Reviews by Michael Durr on October 26th, 2013
Welcome kids to another 31 Nights of Terror spectacular. This time, the legendary (in his own mind) Michael Durr has descended from the rafters to bring you another cult classic blu-ray presentation. This time we explore 1982 Wes Craven adaption of Swamp Thing. Shout Factory has produced an excellent blu-ray for us to watch. As with most of the Scream Factory work that Shout does, this should be quite the treat. Let us continue and go forth with one wicked green monster.
Not Long Ago in the Unexplored Reaches of an Unmapped Swamp, the Creative Genius of One Man Collided with an Other's Evil Dream and a Monster was Born. Too Powerful to be Destroyed, Too Intelligent to be Captured. This Being Still Pursues its Single Dream.
Posted in: Disc Reviews by Brent Lorentson on October 25th, 2013
Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time. With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence. It was the film Drive, though, that most people know him for. I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits. I know the film has its viewers who find it dull; it’s a film that doesn’t attempt to please anyone but simply tells a brilliant tale of love and violence for those looking for more than a brainless romp.
I mention all this because from the moment I first saw the trailer for Only God Forgives, it wasn’t just a film I wanted to see; it was a film that I HAD to see. The trailer teased more of the same that I loved about Drive, and the images in the promotional materials of Ryan Gosling beaten to a pulp struck a nerve. But then it had its premiere at Cannes, and the reaction surprised me; people actually seemed to be hating this new film. This didn’t make any sense to me, but it caused me to rein in my expectations, and I believe that is what saved my experience with viewing this film. This film is nothing like Drive, but feels much closer to Valhalla Rising, not just for its lack of dialog but for its tone and its spiritual nature.
Posted in: Disc Reviews by J C on October 25th, 2013
Hugh Laurie is not the first — and he certainly won’t be the last — actor who decided he wanted a career in music too. The move might come as a surprise to people who primarily know Laurie from his sterling eight-year run as the misanthropic title character on House M.D. (Though not if you watched the show carefully.) In the past, Laurie has rocked out with some of his small-screen comrades for charity. But it turns out that after eight years of playing one of the crankiest characters in television history, Laurie was ready to sing the blues.
Hugh Laurie: Live on the Queen Mary aired on PBS in August. The concert finds the actor and the first-rate Copper Bottom Band performing aboard the legendary luxury liner, which is permanently moored in California. For Laurie, dressed for the occasion with a captain’s hat as he took the stage, the show was the realization of a lifelong dream. You wouldn’t necessarily expect an Oxford-born Englishman to be obsessed with New Orleans jazz/blues, but Laurie acquired a passion for that music as a teenager. Laurie was especially dazzled by blues legend Professor Longhair, who had recorded his own “Live on the Queen Mary” album in 1975.
Posted in: No Huddle Reviews by Jeremy Butler on October 25th, 2013
Well, this is a new one for me; usually when I see a movie about a couple being abducted it generally involves a couple backpacking their way through Europe, but in this case, a good old-fashioned trip to Hollywood has become hazardous. No complaints about the change of locale, however, because it actually makes for great contrast from films with similar premises. Abducted does a good job building suspense towards a conclusion that I would have never guessed.
On what is supposed to be a romantic trip to Los Angeles, couple Dave (Trevor Morgan, The Sixth Sense) and Jessica (Tessa Ferrer, Grey’s Anatomy) find themselves taken by masked abductors from their romantic perch on Mount Hollywood. Sedated, the two wake up in a mysterious room that they have no hope of escaping from. Continuously drugged and constantly watched, the two try to put the pieces together behind who has taken them and for what purpose, all the while receiving cryptic orders from their kidnappers via their cellphones.
