Disc Reviews

When it comes to writer/director Spike Lee, he seems to have a very polarizing effect on the people who watch his films.  I’d like to consider myself a fan of most of his work.  For me  Clockers, Summer of Sam, and The 25 Hour rank at the top of my list of favorites.  He’s a director with a very distinct style and voice that sets him apart from most filmmakers.  But it’s that voice of his that often times gets him in trouble, whether it is in the message of his films or oftentimes comments he makes (most notably his comments on Tarantino and Django Unchained).

The following sentence is taken directly from the back of the Blu-ray case for Charlie Sheen’s latest small-screen vehicle: “Charlie thrives on the chaos in his life while still battling his own anger issues.” So it’s fair to say FX’s Anger Management isn’t afraid to blur the line between reality and fiction. It’s actually a good move because the latest TV show tailored specifically to Sheen’s talents doesn’t have much else going for it.

One of the things that HBO does best is to tackle an issue-orientated hot button topic in an adult and in-depth manner. It does this better than big-screen movies, because Hollywood is afraid to do it because it doesn't pay. Hollywood likes to win awards and get Oscars, but it's money first. HBO can do intelligent programs with modest budgets that appeal to their subscribers and fit their format. They know they are the best at a certain type of programing, and they know what they're doing.

Enlightened is a new HBO series that tries to find a place in the storied and award-winning shelf of great shows from the cable giant. Many HBO series have had a strong hook to hang on like the gangster epics The Sopranos or Boardwalk Empire. Enlightened is a far more elusive concept. At the center of this series is Laura Dern's character, who is a source of constant angst and confusion. Dern has already won a Golden Globe for her performance. The character is full of contradictions and internal conflicts.

In the financial world, the term “arbitrage” refers to the possibility of risk-free profit at zero cost. This seems to be the goal for Robert Miller (Richard Gere), a hedge fund manager desperate to sell his business and retire. The reason for his desperation is that his business is completely broke due to a bad investment. This goal has completely consumed Robert, and it affects everything he does. Robert treats his employees like slaves, is nervous around his family, and regards his mistress as little more than a plaything. One night after the sale suffers yet another setback, he convinces his mistress to come with him to his country cabin.

The Hippocratic Oath all doctors take is simple: “First, do no harm.” Dr. Martin Blake (Orlando Bloom) throws that ideal out the window when a young woman named Diane Nixon (Riley Keough) comes under his care. After getting treated like a nobody by his fellow doctors and disrespected by nurses he feels are beneath him, Diane is the first person who appreciates what Martin does and makes him feel special. As he treats her, Martin becomes obsessed with Diane, going so far as to alter her medication to keep her sick. As Martin’s obsession grows, his actions become more and more drastic.

“For every dark, a light. For every foe, a friend. For every question, an answer. For every key, a lock.”

And for every kid-centric animated program, a lucrative line of tie-in toys. Monsuno borrows liberally — the nicest way I know of saying “rips off” — from previous phenomena like Beyblade, Pokemon and Yu-Gi-Oh! Though it primarily exists to help sell derivative trading cards and action figures, the show establishes a surprisingly intriguing world in its first handful of episodes.

It’s hard to not appreciate a film that wastes no time jumping into the action, and with a title like Kill’em All you go in expecting the action to be piled on and non-stop.  I have to say I’m a little surprised this little film lived up to the title; after all most straight-to-DVD titles seem to be lackluster if not simply awful.  I’m also not saying this is a film that’ll be remembered too long either, but it is a B movie that delivers on the action and has Gordon Liu doing what he does best.

“Have you ever thought for maybe a second that -- that this is it? I mean people that sit at the same desk every day for eight to ten hours a day and then they sleep for nine hours day, and then they truly live their life for maybe I don’t know, five hours at the most. I bet those people would love being here.”

This movie caught me off guard like a right hook to the face, which coincidently is something the main character experiences himself. A directorial debut for Ryan O’Nan (he also wrote and starred), Brooklyn Brothers is an indie film that I had reservations about the moment I picked it up, and yet there was still something that intrigued me about it.

“I like to remind you all what this competition is about. It is about excellence in butter.”

It’s trophy wife vs. Little Orphan Annie in this dysfunctional dark comedy about America’s leading cause of high cholesterol. Equipped with an impressive cast of Hollywood’s elite, Butter does it’s best to entertain; however, the collaborative efforts of Jennifer Garner, Hugh Jackman, Olivia Wilde, and Ty Burrell may not be enough to boost a lot of the more subtle comedy of the film; I know it wasn’t enough for me.