Disc Reviews

It’s hard to imagine where horror would be right now if George A. Romero never directed Night of the Living Dead.  Just look at the past decade and the slew of zombie releases…if not for Night of the Living Dead none of those movies would have ever been made.  For those of you who can’t miss a single episode of The Walking Dead, yet another thing that never would have been if not for Romero.  It’s not that he created the zombie; he simply created the zombie that we know and relate to today.  He’s the man who set the rules for the zombie and paved the way for the onslaught of gore-filled colloid that splashed across the screen.

For me if asked what my favorite horror film is, without hesitation I would say Dawn of the Dead.  When I first saw this nothing could have been scarier or more awesome than having to be holed up inside a shopping mall while surrounded by the undead.  And since I grew up living across the street from a graveyard, following the movie I was always cautiously on the lookout for any movement around the graves.  To this day one of my favorite pictures is of me with Romero at the premiere for Survival of the Dead.  I just wanted to say this to explain my affection for the Dead series and that when doing this review it’s about a topic a have a deep-rooted respect for.

If it was within your power to heal others’ sickness and injuries, would you? Most people’s answer to that question would undoubtedly be yes, but what if the price of healing someone else was to take their sickness on yourself? What would your answer be then? In Heaven’s Door, twelve-year-old Riley Taylor’s life is in shambles. After her mother suffered a miscarriage, her mother lost her faith and has filed for divorce from her father. Her little brother has been diagnosed with asthma, and she witness her grandfather suffer a heart attack and die before her very eyes (wow, that’s a lot to take; I’d crawl up in the fetal position).

Events in her life change after an accident where she slips out of a tree in her back yard while trying to retrieve her soccer ball. The fall from the tree should have killed her; however, on her way down Riley slipped through a portal (that’s right, I said portal); a portal to heaven. As if that wasn’t enough, Riley’s trip through the portal has bestowed her with extraordinary healing powers. Being a girl with a pure and caring heart, Riley decides that the best avenue for her powers is to help the suffering. She starts off small, healing neighborhood animals, and before long she heals her brother’s asthma. It doesn’t take long before she is the talk of the town of Vineyard. Her mother struggles the most with her daughter’s newfound reputation, given her choice to renounce anything to do with angels or Heaven since the loss of her unborn child.

Stemming from a backdoor pilot episode within the series Girlfriends, The Game is a comedy series about a woman (played by Tia Mowry Hardict) who gave up her career as a doctor in light of the success of her boyfriend's being a star athlete (this is the first pang of misogyny, with more to come). This is the show's fifth season, which is its second after being canceled by CW and revived by BET.

Most of the male, lead characters in this show are current or former members of a fictional professional football team called the San Diego Sabers. In fact, most of them seem to have been cut from the team for one reason or another but coast day to day on their fame and burn through their riches. The first few episodes do siphon some comedy from this situation when the character Derwin Davis (played by Pooch Hall, which is a perfect name for a baseball player...but that has nothing to do with anything) has to sell off his cars, home and learns the true cost of all things he used to buy while abiding with the “baller's code.” Suddenly a $900 bottle of champagne is no longer casually sent to friend's tables at the bar.

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Help me out here. I know the traditional gift for a couple’s 25th wedding anniversary is silver and that gold is supposed to mark 50 years. But what do you get a spouse to commemorate your considerably less ceremonial 31-year wedding anniversary? I’m not sure what the answer is, but I don’t think one week of intensive marriage counseling is the conventional way to go.

Kay (Meryl Streep) is desperate to reconnect with her husband, Arnold (Tommy Lee Jones). Kay and Arnold are unquestionably devoted to each other, but their love life is mired in a years-long rut. (They sleep in separate bedrooms and we eventually learn they haven’t had sex in nearly five years.) To help reignite the spark in their marriage, Kay signs the couple up for a weeklong series of sessions with renowned couples’ specialist Dr. Bernard Feld (Steve Carell) in the quaint town of Great Hope Springs, Maine.

There was some real enjoyment when I took on the reviewing reigns for the first season of Transformers Prime. It was the best thing since the infamous Generation 1 cartoons and showed great sound, dazzling video and fantastic character development. Now, we enter season two and if we watched the teasers, we learned that Optimus Prime was branded with the Decepticon logo possibly meaning the impossible. How could this be? Well tune in true believers, we shall find out all this and more.

In light of Unicron’s awakening, drastic measures needed to be taken (such as Optimus Prime and Megatron uniting as a team). The Matrix of Leadership had kept Earth safe, for now. But when Optimus lost the matrix, he lost himself too and reverted to his form before he assumed life as a Prime. That life he was simply known as Orion Pax, librarian and researcher. Doing what Megatron does best, he deceives Orion into joining him on his ship and branding him under the image of a Decepticon.

Jimi Hendrix. Carlos Santana. Jimmy Paige. Eddie Van Halen. Slash. These are arguably some of the greatest guitar gods to ever rock the stage. Yet somehow this pantheon feels incomplete. I humbly submit Peter Frampton’s name for inclusion with these mighty warriors of rock. In 1976, the singer released his most successful album — Frampton Comes Alive! — and, according to this Blu-ray’s box, “the best-selling live album in the world.” In 2011-2012, Frampton went on tour in celebration of its 35th anniversary. This concert Blu-ray was filmed over two shows on this tour and features 26 songs. The first 14 are the entirety of Frampton Comes Alive! played front to back, with the remainder of the songs being highlights from his long career all the way through his most recent album, Thank You Mr. Churchill.

At 62, Frampton hasn’t mellowed at all. His vocals and guitar-playing prowess haven’t diminished one bit and blend smoothly with the backing vocals and guitars of Rob Arthur and Adam Lester. Arthur pulls triple-duty, playing keyboards as well. Stanley Sheldon and Dan Wojciechowski anchor the concert on the bass and drums, respectively. An especially cool moment occurs when Frampton invites his son, Julian, to come on stage and sing with him. Julian Frampton performs “Road to the Sun” and “I Don’t Need No Doctor”. I wish he had sung some more, because his energetic voice pairs well with his dad’s epic guitar playing.

In 1975, Gerald Ford was President of the United States, Wheel of Fortune made its debut, disco was groovy, and Patti Smith burst onto the music scene with her debut album, Horses. She would go on to become known as the “Godmother of Punk” and greatly influence the New Wave genre of music. I admit, before watching this concert, I had only heard one of Smith’s songs — her #1 single, “Because the Night” — so I was curious to hear more of her material. The fact that my aunt says she still owns an LP of Horses she bought as a teenager intrigued me more.

This concert was filmed during the 2005 Montreux Jazz Festival in Switzerland. Smith and her band spend 83 minutes playing 12 songs, including 11 from Smith’s records and a cover of Bob Dylan’s “Like a Rolling Stone.” The entire group performs with the ease and familiarity that only comes with years and years of playing together. Lenny Kaye and Tom Verlaine’s guitar work anchors each song and blends very well with Tony Shanahan’s bass and Jay Dee Daugherty’s drums. Smith herself even jumps on guitar for a song or two, but someone needs to keep her away from the clarinet. I’m no expert, but I’m pretty sure the clarinet shouldn’t sound like someone strangling a sick goose. I actually ended up muting my TV whenever she got to wailing on the clarinet.

So you say Shipping Wars was not enough Waring for you? Are you back for more? Alright, let us dig through the review pile and get some more action for you reality show freaks. How about Hamster Wars? Okay, okay perhaps Paper Airplane Wars? Never mind, I can not stand paper cuts. Ah I have the perfect one here, a spinoff of one of the most popular reality shows out there. Its name is Storage Wars: Texas. Well yee-haw and get me my cowboy hat. This might be a hootenanny after all.

This season one of Storage Wars: Texas is actually something of a misnomer. It contains sixteen episodes and actually it is comprised of the first two seasons of the show. There is a distinction between the seasons which I will explain in just a little bit. As with any reality show, there are usual lists of players who need some introduction.

This is the eighth and final season of this slightly offbeat crime drama. Nothing has brought me more joy than seeing that instantly recognizable CBS packaging that is used for older programs being revived onto DVD releases such as Perry Mason or Barnaby Jones. Now Mannix has the opportunity to wow me as I have been before. Will this be a pleasant experience or surprisingly disappointing?

This show is pleasant enough to behold and was certainly surprised by the strange, almost comedic attributes that are injected. To draw this comparison again, I'm not talking about the endearing way that Barnaby Jones always drinks milk in his own series. I'm talking about Mannix getting hired by a politician to while riding a carousal, or surprising a musician at home who is walking on his hands for absolutely no reason whatsoever. Such things do not explain the plot any better nor suit the intensely serious tone these stories always end up taking. There were times where this series was reminding me of Police Squad! (a complete lampooning of shows like Mannix) when it should be demonstrating the seeds being planted for serious crime shows to follow. When a character refers to another as “baby” or says they “dig it” I can understand that as symptoms of taking place in 1974, but this show goes further than that into oddities. Heck, even the opening credits contains a mixture of images that includes gun fights, fights, skiing and Mannix burning his hands on some toast...I just don't understand what tone this show is trying to set.