Posted in: Disc Reviews by J C on December 9th, 2013
“There she is boys…Mandy Lane. Untouched. Pure. Since the dawn of junior year, men have tried to possess her and, to date, all have failed.
With its deep-red title card and the blood-curdling scream that opens the film, All the Boys Love Mandy Lane is very clearly a horror flick from its first frame. However, the movie displayed its greatest potential — a lot of which it squandered — when it seemed less preoccupied with who was going to kill Mandy Lane, and more interested in who was going to deflower her. The result is a promising, pitch black high school satire that eventually gets invaded by a run-of-the-mill horror film.
Posted in: Disc Reviews by J C on November 11th, 2013
The most surprising thing about Ambushed is that it's not quite as generic as its completely uninspired title might suggest. (Off the top of my head, I can think of at least 15 movies that could credibly be re-titled Ambushed; I'm sure you can too.) This particular straight-to-DVD action thriller is being sold as The Expendables-lite, with tough guy supporting players (and Ambushed producers) Dolph Lundgren and Randy Couture — along with Vinnie Jones, who really should've been in an Expendables movie by now — glowering from the Blu-ray cover. But this stylish L.A. drama — which liberally borrows from superior crime flicks — has a few tricks of its own.
Despite the presence of Lundgren, Couture and Jones, Ambushed is technically the story of Frank (Daniel Bonjour), who narrates the film. Frank is a strip club owner in downtown Los Angeles who is also involved in the cocaine business along with best friend/brash Scotsman Eddie (Gianni Capaldi). Frank also has a sweet, staggeringly gullible girlfriend named Ashley (Cinthya Bornacelli), who is the only pure thing in his life. Since Frank eventually wants to leave the drug business and make a life with Ashley, he makes a bold, violent play to move up the cocaine food chain.
Posted in: Disc Reviews by Gino Sassani on November 6th, 2013
Ike Evans (Morgan) owns the most swank hotel in Miami. It's the Miramar Playa. He bought the land at a song from his deceased wife's family, and he's turned it into a luxury city where the likes of Frank Sinatra call home. He's determined to make it without caving to the influence of his minority partner, who happens to go by the name of The Butcher. He's Ben Diamond (Huston), and he wants the hotel to become a kingdom of gambling and other profitable vices. Sure, Ike allows a little prostitution and backroom bookie action, but he wants to keep the hotel pretty much legit. That's hard with a bank nut that runs $65,000 a month.
He has a young wife, Vera (Kurylenko) who was once the sensational Vera Cruz, a Cuban Tropicana dancer. He has two sons. Danny (Cooke) is studying law and doesn't want any part of the hotel business. He's being recruited by the DA's office in order to get a man inside. They don't really want Ike. They want Ben Diamond, and if they have to squeeze Ike to get to him, then that's what you might call collateral damage. Danny's in love with Mercedes (Garcia-Lorido), who is a maid at the hotel and daughter to Ike's hotel manager Victor (Vazquez). Victor's wife was killed in the Castro takeover of Cuba, and Ike's trying to get her ashes out. Stevie (Strait) is Ike's youngest son. Stevie tends bar in the hotel's famous Atlantis Bar (remember that Miami bar in Analyze This)? He does want the life of his father. He's also a bit of a womanizer. But he's fallen in love with Lily Diamond (Marais), who also loves him. They have a rather torrid affair. The only trouble is that Lily is The Butcher's wife, and he is the jealous type.
Posted in: Disc Reviews by Brent Lorentson on October 25th, 2013
Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time. With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence. It was the film Drive, though, that most people know him for. I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits. I know the film has its viewers who find it dull; it’s a film that doesn’t attempt to please anyone but simply tells a brilliant tale of love and violence for those looking for more than a brainless romp.
I mention all this because from the moment I first saw the trailer for Only God Forgives, it wasn’t just a film I wanted to see; it was a film that I HAD to see. The trailer teased more of the same that I loved about Drive, and the images in the promotional materials of Ryan Gosling beaten to a pulp struck a nerve. But then it had its premiere at Cannes, and the reaction surprised me; people actually seemed to be hating this new film. This didn’t make any sense to me, but it caused me to rein in my expectations, and I believe that is what saved my experience with viewing this film. This film is nothing like Drive, but feels much closer to Valhalla Rising, not just for its lack of dialog but for its tone and its spiritual nature.
Posted in: Disc Reviews by Michael Durr on October 19th, 2013
So, it is the Upcomingdiscs.com 31 Nights of Terror and your favorite columnist, Mr. Michael "Hey, were you expecting John Ceballos?" Durr has stepped in for a review about some of his favorite subjects. Cheesy Horror flics and Alyssa Milano. Today's title is an absolute cult classic and that is the original 1995 Vampire thriller, Embrace of the Vampire. So strap yourself in, and prepare to watch something so beautiful that it brings a tear to this columnist's eyes. (Tissue please)
*Warning*, the following post may contain absolute chicanery. Any attempt to make sense of this review should probably require a trip to the local psychiatrist's office for an immediate appointment. While there, you might want to ask for my mind back. I seemed to have lost it on my way to the Badminton for Divorcees convention. Thank you for your cooperation.
Posted in: Disc Reviews by J C on October 15th, 2013
Embrace of the Vampire is a remake of the 1995 erotic bloodsucker thriller of the same name. The original’s only greatest claim to fame is that it starred Who’s the Boss? cutie Alyssa Milano in her first, ahem, “grown up” role. In other words, the bar wasn’t exactly sky high for the remake. (This is not Gus Van Sant doing a shot-for-shot remake of Psycho.) The well-made newer film certainly “embraces” the erotic thriller DNA of the original. Unfortunately, it doesn’t seem overly concerned with the "vampire."
Charlotte Hawthorn (Sharon Hinnendael) is a shy college student who arrives at a co-ed campus after previously attending an all-girls Catholic school. We are quickly introduced to her friendly roommate Nicole (Tiio Horn) and Eliza (C.C. Sheffield), Charlotte’s snarky rival on the fencing team. We also learn Charlotte suffers from violent, vivid dreams — involving sex and buckets of blood — that lead to her waking up in unexpected places.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."
In 1968 Marvin Gaye / Tammi Terrell hit the American pop charts with the song Ain't Nothing Like The Real Thing. They didn't know it at the time, of course, but they were talking about John Carpenter's original 1978 Halloween. The sad fact is that this original classic sometimes gets lost, or worse, considered along with the various sequels and remakes. It's a crime, to be sure. The first film is nothing like anything that followed and should be considered more as a standalone film than it is now. That was always Carpenter's intention, and that's how I'd like you to consider the 35th Anniversary Blu-ray of Halloween.
Posted in: Disc Reviews by Jeremy Butler on September 17th, 2013
Ever wondered what Jumanji would have looked like if it were rated R? Well, look no further than The Black Waters of Echo’s Pond. This B-movie focuses on the perils of secrets coming to life through the assistance of a demonic board game which ultimately leads to all kinds of destruction and mayhem. While watching, a thought occurred to me: Why is it that many of these movies start off the same way? With a tale of a place where several people have died under suspicious circumstances, and the first thing the characters do is rush off to this accursed place. Well, it’s safe to say that the film doesn’t really score points for originality in that aspect.
Turkey 90 years ago: an archeological dig unearths a mythical game said to have been played by demons. The explorers’ curiosity gets the better of them, and they reassemble the game and play; none survive. Fast forward to present day, a group of vacationing friends that includes rich jerkoff Rick (James Duval, Independence Day), twins Erica and Renee (Electra and Elise Avellan, Grindhouse), Kathy (Danielle Harris, Hatchet II) and her boyfriend Trent (Walker Howard, The Express), soft-core actress Veronique (Mircea Monroe, Hart of Dixie), as well as a few other friends make their way to the island expecting a fun-filled weekend. (Isn’t that how it always starts?)
Posted in: Disc Reviews by Gino Sassani on September 5th, 2013
"I believe man will fly. And I base this assumption on the fact that God has blessed us with minds that are capable of imagining it. Anything that can be dreamt of will eventually be built. Anyone who says otherwise is a fool."
The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo Da. Vinci.
Posted in: Disc Reviews by Gino Sassani on September 4th, 2013
"When the world goes to Hell How will you survive?"
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
