Posted in: Disc Reviews by Jeremy Butler on October 31st, 2018
So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original, and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot at the box office will be out of reach for it, though.
The movie is centered around Cassius Green (Lakeith Stanfield, Straight Outta Compton), a directionless young man who has yet to find something that matters to him. He lives in his uncle’s garage, and he is struggling to find work. Needless to say, he does not have a lot of hope, with the exception of his girlfriend, Detroit (Tessa Thompson, Creed), a talented artist and revolutionary who brings sunshine into our lead’s otherwise dreary world. Eventually he finds work as a telemarketer, but he has trouble keeping his customers on the line. You all should understand; what is your number-one response when someone tries to sell you something? It is only when he receives a tip from a coworker to use his “white voice” that things begin to turn around for him. Suddenly, he begins to rack up sells left and right, causing him to quickly rise through the hierarchy of the company.
Posted in: Disc Reviews by Gino Sassani on October 15th, 2018
"All things change. This world is impermanent and deceiving. Many things are not what they seem. You will have many adventures here. And if we live, many stories to tell at the Great Hall. If we live."
When Vikings started five years ago, I found it to be quite an ambitious task for a network that usually featured documentaries and reality shows about odd jobs. I approached this one with some caution. Now I've thrown caution to the wind for these compelling characters. I was particularly drawn into the lead. Travis Fimmel was outstanding as the Viking leader Ragnor Lothbrook. When his character was killed off after three years, I suspected things would be winding down for this experiment. I could not have been more wrong. Alex Hogh Andersen plays Ivar, his crippled son, who rises to be more powerful and more brutal that Ragnor ever was. The actor shares many of Fimmel's characteristics, both in his physical look and the way he carries himself. It's one of the most perfect father-and-son casting pairs I've ever encountered. Because of Andersen, the show has been reborn, and there's still a lot of life in this series. The release of the first half of Season 5 is another strong contribution to your home entertainment library.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2018
"Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward."
Fox is taking full advantage of their version of the X-Men Universe these days. By this time next year, the group of mutants will once again be back with Marvel at Disney, and I suspect they will quickly join that studio's MCU. I can't blame Fox for getting as much out of it now as they can. With the pending release of Dark Phoenix and two television shows running, this was the perfect time to release the original film trilogy on UHD in ultra-high-definition. While the films feel just a little dated today, it's quite a nice little treat to have them in 4K. These kinds of films are what 4K was built for. And now you can add the original films to your 4K collection with X-Men Trilogy 3 Film Collection out now from Fox.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2018
"Is there life out there? Good heavens! To doubt it is a failure of more than the imagination. It is a failure to recognize the limits of our own stupidity. The nascency of our science. The rudiment of our tools. We listen. We search. We hope for a sign, as if our eyes and ears are good enough, our brains large enough, our egos small enough."
By the time The X-Files had reached its seventh season, the two stars of the show were feeling the stress of doing over 20 episodes of the series every year. In the eighth season David Duchovny was going MIA, and Gillian Anderson's Scully character had a new partner in Robert Patrick's Agent Doggett. They used Duchovny's absence as a new story arc in the overall mythology, and the story became the search for Mulder. It provided an interesting chance for Anderson to take even more center stage, and she actually handled the changes pretty well. But even Anderson was getting tired, and the ninth and final season would feature Anderson in only a limited role as Doggett and his new partner Agent Reyes, played by Annabeth Gish, became the new agents on The X-Files. The missing Mulder storyline began to get stale, and the show limped through that final season. But fans hoped that Mulder and Scully would find a way to reunite and bring back the core team that really was the heart of The X-Files.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2018
"So dark. You sure you're not from the DC universe?”
I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes. The problem is that raunchy comedies, like superhero films, share the deadly expectation curse. Rarely does a comedy film sequel live up to those expectations, and if you're anybody but Marvel, it doesn't happen often in the superhero genre either. If all of this sounds like it's leading up to a death knell for Deadpool 2, you're right. It does sound that way. Fortunately for us Deadpool 2 manages to escape its fated demise and not only work as well as the first film; Deadpool 2 is better.
Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
In September there is going to be a new film in The Predator franchise called The Predator. It's directed by Shane Black, who actually starred in the 1987 original film and soon after went on to develop the Lethal Weapon series and make a bit of a name for himself in the buddy-cop genre. It's no surprise that Fox wants to capitalize on the release by giving us UHD/4K releases for the other three films in the franchise. Let's try to forget those Alien vs. Predator disasters and focus on the three films of this particular franchise. I don't yet know what to expect from the upcoming film. I was glad to take a journey back in time with the other films, and this 4K release is just the ticket for you to upgrade those nasty DNR crapfests that were the original Blu-ray releases and see these films once again as they were originally meant to be seen.
This was the film that brought together two tough guys who both made it into acting after having big careers in athletics. The two would also share a bit of an odd future, as both would eventually serve as governors in the real world. Of course, I'm talking about Arnold Schwarzenegger and Jesse Ventura. No one knew about their political futures then, but the reality puts Predator in a lost of historically significant films as well as the beginning of a new franchise.
Posted in: Disc Reviews by John Delia on July 23rd, 2018
"At the end of the bloody dog wars the vanquished mongrels became powerless house pets: tamed, mastered, scorned. But they survived and multiplied..."
Offbeat, heavy-handed characters, bleak outcast situations, and moody; it’s a marvelous adventure for those who like Wes Anderson movies. This one, however, shows his range with an animated film that’s worthy of most Japanese greats. From the opening drum introduction of Isle of Dogs to the heartfelt finale, Anderson captures a cold, disturbing environment from which his characters can rise up. If you like offbeat stories produced in stop-motion animation in the vein of Tim Burton’s Corpse Bride and Frankenweenie, then this film should not be missed.
Posted in: Disc Reviews by Brent Lorentson on July 21st, 2018
I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time. Sure, I know many will disagree with me, and that’s fine. Since I first saw their film back in 2002 when I got the DVD, I was always excited to see what would come next from the Broken Lizard comedy troupe. There was Club Dread, which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest, which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen. The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends, and when I hear that someone has managed to go all these years without experiencing the film, it’s something I feel the need to remedy immediately. It’s more than just a simple stoner comedy, and rumblings about a sequel have been going on for years, but things seemed to always fall apart. Now after all these years, it’s finally happened.
In case you were wondering, just because the film releases on 4/20, this isn’t a movie that requires you to smoke the green dragon to enjoy. The Broken Lizard gang just knows their audience and simply wanted to be part of the joke. For those who saw the first film and couldn’t stand it, well, there’s no sense in even bothering to check out this entry. As for those who have managed to miss the first one, please check out the first before going in so you can enjoy the film for everything it has to offer.
Posted in: Disc Reviews by J C on June 20th, 2018
Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn,” then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.
“People rely on the police to keep them safe. That’s the problem.”
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2018
Despite falling into the “coming of age genre”, Love, Simon is actually so much more than your typical mainstream teenage film. In the 80’s John Hughes ruled the box office with his films, everything from Sixteen Candles, Weird Science, Pretty in Pink and of course The Breakfast Club were the films that spoke to the kids of the era. It’s been a while since a film has come along that has fit into the genre that has managed to handle the awkwardness of being a teenager while also toeing the line of being heartfelt and humorous. Over the years there have been attempts to capture the essence of the 80’s John Hughes films, but these seem to always fail by either going to raunchy or attempting to make the lead characters cool and popular. It seems director Greg Berlanti has figured out how to bottle the magic of a John Hughes film and deliver a story Hughes never got to tell, a story about a teen dealing with the struggle of being gay and keeping it a secret from everyone around him. The film is based off the young adult novel Simon vs. the Homo Sapiens Agenda, and the result is an unexpected and refreshing tale that has me wonder why it’s taken so long for a LGBT film to hit the mainstream.
When we meet Simon (Nick Robinson), he is introduced to us through narration as he navigates us through his normal life, normal with the exception of the secret he’s hiding from his friends and family about being gay. We can easily sympathize with his character; after all, he’s simply keeping his secret because he loves his life and friends and is concerned that him coming out could cause things to change. He sees how the one openly gay kid at his school is treated, and it’s enough to convince him that perhaps waiting to come out till he’s about to go to college would be the easiest thing. His parents, played by Josh Dummel and Jennifer Garner, are the supportive type, and then he has his friends Leah (Katherine Langford), Nick (Jorge Lendeborg Jr.) and Abby (Alexandra Shipp) who are part of his tight group as well. There is a good chemistry with everyone involved, and it helps getting to see them as a tight-knit group before Simon’s life takes a dramatic twist.
