Fox

"Just another American who saw too many movies as a child? Another orphan of a bankrupt culture who thinks he's John Wayne? Rambo? Marshall Dillon?"

So the great debate rages on. Is Die Hard a Christmas movie or just a movie that happens to be set at Christmastime? Recently Stephen Amell from Arrow told a press group that his favorite Christmas movie was indeed Die Hard. He's not alone there. I've had the debate a few times myself. Unfortunately, I come down on the side that Die Hard is not a Christmas movie. Here's my criteria.

“Don’t give them all of you, Dominika. Hold something back. That is how you will survive.”

There appears to be nothing Jennifer Lawrence can’t do. She is an Oscar winner, the face of a successful movie franchise, and now she is a Russian spy who specializes in seduction techniques. Now in the looks department, there are scores of men that would gladly hand over their social security number for the opportunity to be seduced by J Law, so her casting was a no-brainer. But she went much deeper than that, showing an unparalleled intellect and natural aptitude for the world of espionage.

For Dylan O’Brien, it just seems like his start just keeps getting bigger and bigger. Going from the awkward best friend on MTV’s Teen Wolf to becoming a leading man on the silver screen, he has shown charm and charisma normally only seen in veterans. Another great way a star distinguishes himself is to get attached to a franchise, something he has done with the Maze Runner trilogy. Of course, Maze Runner: The Death Cure spells the end of that run; given his performance in the film, it does not spell the end to his rise. An entertaining and engaging conclusion to the franchise, Maze Runner: The Death Cure follows former glader turned revolutionary Thomas as he continues his battle against his former employers WCKD,

“It’s not hard to go from genius to laughingstock.”

Close your eyes and imagine someone just said the word “genius” to you. (And also pretend like you can’t see the familiar, wild-haired figure on the DVD cover art that accompanies this review.) What person comes to mind when you hear that word? I’m willing to bet it’s Albert Einstein, the German-born Jewish theoretical physicist who developed the theory of relativity. That’s what makes Einstein the perfect inaugural subject for Genius, National Geographic’s anthology series that also doubles as the cable channel’s first stab at scripted drama.

Several movies have been released over the past three decades that defend the press or show the importance of the media to inform the public.  This is one of them that for the most part does reveal the inner sanctum of one newspaper as it deals with exposing the government for wrong decisions leading to the death of thousands in the Vietnam War. While the script does reveal the sadness of human life losses that could have been avoided, unfortunately the film uses it to glorify newspapers using old news.

- “We’ll get another chance…to go home. It wasn’t the right time.”

- “What’s the right time?”

When The Americans received a two-season renewal back in 2016, the news was met with unanimous enthusiasm. Fans of FX’s acclaimed (but low-rated) spy drama were guaranteed two more years’ worth of stories, while TV critics applauded the fact that creator Joe Weisberg and Co. could carefully plot out their show’s endgame. That’s why it was a bit shocking — and more than a bit disappointing — to find that much of this fifth season felt like The Americans was saving all the good stuff for the end.

by John Delia, Jr.

"Everyone has an act."

One man’s determination to rise from rags to riches helps find a place for the unwanted few. His strong desire to become someone special and with the ability to convince others to believe in his dream, P.T. Barnum creates history and the circus.

"And so we ran on. Into Summerland and the place they said did not exist. And all the while, wolves were at our heels. Black masks, boots and the one they called The Eye. We had come to do the work that must be done. To strip ourselves of the fog of life before."

If the first season of Legion was intended to lift any fog, it failed miserably. In fact, keeping you in a fog is series creator Noah Hawley’s superpower. He was also the creator of the television adaptation of Fargo, which was often more than a little confusing.

John Cena continues to attempt to branch out from the WWE, this time with an animated film featuring a peace-loving bull in Spain. Granted, John Cena is not first person I envision when I think about nonviolence, but it is an interesting choice nonetheless. Ferdinand tells the story of a bull raised to participate in the matador competitions featured in Spain. Disney continues to buck against the grain, creating a character that contrasts with his circumstances. Naturally, this is an animated film, and being well into adulthood, I am clearly outside the target audience. However, I am fortunate enough to have a daughter who does fit that demographic, so I enlisted her services for this film.

When The Sandlot first came out 25 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. I’ve kept in touch with the film over the years, but Fox’s new 25th Anniversary Blu-ray re-release of The Sandlot was a great excuse to watch it from start to finish.