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Everyone on TV has nicer clothes and a bigger home than you do. And I’m not just talking about fictional doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. Need proof? The 2 Broke Girls in CBS’s hit sitcom have an apartment that is literally big enough to fit a horse. (Hi, Chestnut.) Season 3 brings a new pet (Ep. 3/“And the Kitty Kitty Spank Spank”) and briefly threatens to remove Max and Caroline from their home (Ep. 22/“And the New Lease on Life”). I don't think I'm giving anything away by saying things work out in the end. By now, the show's crass predictability has become oddly comforting.

Max Black (Kat Dennings) and Caroline Channing (Beth Behrs) are best friends, despite the fact that they appear to be polar opposites. Caroline — the disgraced daughter of a jailed Ponzi schemer — is blonde, skinny and chipper. Max — the street smart survivor who seems to have a million jokes about her deadbeat mom and unidentified dad — is dark haired, busty and sour. The two are surrounded by their wacky, warped surrogate family at the Williamsburg Diner in Brooklyn.

It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action.  Duck Dynasty comes to Blu-ray on its sixth season, and I am just about certain it is time the quack pack has hung up their camo and walked away from their television careers.  The show has had a good run, but with this current season it is clear the show has run its course, and it is time the Robertson’s should make a graceful exit while their ratings are still strong.

The biggest problem with season six is that it fails to have the charm of what made the early seasons so much fun.  Dare I say it is because the Robertson clan has simply become too Hollywood, and it has become nothing more than one character to the next simply mugging for camera time, or perhaps the ridiculous nature of the “plots” for this season.

By John Delia

Most every child knows the story of Disney’s Sleeping Beauty from early video, books and DVD.  Unless you went to see the movie at a theater back in the 1959, however, you probably saw a version that was not crisp and colorful. Finally, after what seems forever, the family animated fantasy has been Blu-ray remastered and digitally restored in super widescreen. The Blu-ray, DVD and Digital HD have new bonus features and include the DVD release’s special extras as well.

“You know what you just did, don’t you? You jumped the shark.”

People have been mocking SyFy original films since the days when the network spelled its own name properly. But staying home on a Saturday night to “MST3K” your way through flicks with D-list actors and Z-grade visual effects has been replaced by Twitter, which practically blew up when the impossibly campy Sharknado premiered last year. SyFy recognized that social media has made it possible for anyone with Internet access to trade yuks and one-liners on a global scale; more importantly, it has allowed the network to be in on the joke in an unprecedented way.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true?

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory. The idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even spacemen. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.

"What I am about to tell you sounds crazy. But you have to listen to me. Your very lives depend on it. You see, this isn't the first time."

No, this isn't the first time. Tom Cruise seems to be making a habit of these science fiction action movies of late. There was Oblivion and War Of The Worlds, and quite frankly Edge Of Tomorrow looked to be pretty much more of the same. But there's a huge difference between this film and the previous two. Edge Of Tomorrow is actually good. What looks on the surface to be just Groundhog Day with futuristic toys turns out to be a redemption story that I actually never saw coming.

Baseball is huge, and Bollywood is huge, so imagine if you put them together. In many ways, Million Dollar Arm is about Indian culture and what a separate world it is from ours. The film starts out in Los Angeles where J.B. Bernstein (Jon Hamm from Mad Men) is a sports agent who has broken off from a big agency to start his own firm. His partner, Aash (Aasif Mandvi of The Daily Show), is very nervous about where their next client is coming from, since they lost a big one right at the start of the film. Bernstein, thinking on his feet, decides to pursue an untapped market for baseball and the big-money stars who are big-league pitchers. He sees India as completely virgin territory for baseball. But the problem is there are no baseball players in India. Aash gives him the idea by talking about cricket on cable.

Clearly, cricket and baseball are totally different, but Bernstein is desperate. He pitches his idea to a big-shot money man. The money man, Chang (Tzi Ma), listens and agrees with big conditions. They are basically impossible conditions, but again, Bernstein is desperate. Bernstein had a great life once, and he still has the big expensive house and the Jaguar, but his time to make this big gamble work is running out. A nurse (Lake Bell) rents his guesthouse. She's a sweet person, but Bernstein usually has a different model girlfriend on a regular basis. Her washing machine is broken just as he is walking out the door to head halfway around the world. He gives her keys to the house and tells her to just use the machine and be careful.

By the time the innovative opening credits for Sons of Liberty wrap up, the movie has outlined an expansive backstory that mixes historical fact (the real-life Sons of Liberty form in Boston in 1765) and fiction (Allister Salinger, the head of the mysterious Ordo Mundi, designs the first successful human clone in 1974). It’s surprisingly dense stuff, especially for a jumbled, straight-to-DVD action/thriller that mostly plays out like a particularly violent episode of NCIS.

To be fair, part of my confusion early on in the film probably stemmed from the fact that I didn’t realize I was watching the third movie in a series of low-budget action films from director Drew Hall. Sons of Liberty follows Skyhook and The Phoenix Rises, both of which came out in 2012. Each of the films follows a group of scientists and operatives who work to thwart various terrorist groups. At least that seems to describe these last two movies; from what I gather, Skyhook mostly has characters standing around and talking. (Even worse, Kareem Abdul-Jabbar is nowhere to be found.)

So you want to make a zombie flick, but you realize everyone and their (undead) brother seems to have beat you to the bite punch. The question becomes, “how am I going to make my monster movie standout?” Even if you mess around with time, place, and genre, it’s hard to stake out new territory. The micro-budgeted/straight-to-DVD Dead and the Damned — also released as Cowboys & Zombies in 2011 — tried to play with all three. This new sequel takes a more typical approach to zombie horror; in fact, the biggest departures are a curiously-armored hero, a disabled heroine, and an amusing undercurrent of horniness.

The Dead and the Damned II — you can tell this is a serious sequel because they went with a roman numeral — opens with Lt. Col. Sawyer (Robert Tweten) solemnly incinerating the pile of goo that used to be his family and putting the ashes in a thermos. (Sadly, there wasn’t a Folgers tin can readily available.) Sawyer proceeds to dispatch a bunch of zombies and embarks on a mission to scatter his wife and daughter’s ashes in the Pacific.

My mom's worn-out VHS tape was simply labeled “Motown 25.” I can very vividly remember it sitting in the entertainment center of our living room in Puerto Rico when I was little. It even migrated over to St. Petersburg with the rest of our family almost 20 years ago. As time passed and we adopted DVDs, a lot of our VHS tapes got pushed to the background (or the scrap heap). But not “Motown 25.” I suppose I never realized the historic, star-studded concert celebrating Motown's 25th anniversary had never been available on DVD. Well thanks to StarVista Entertainment/Time Life Entertainment, that's no longer the case.

Some of the things you're gonna see this evening are gonna blow your mind.”