Studio

“…I’m packing an ounce of killer shrooms, and there be monsters in need of pummelin’.”

When I first think of how to explain Knights of Badassdom, what comes to mind is that it’s Evil Dead 2 meets LARPing.  The only experience I’ve had with LARPing came in the form of watching Role Models and having to review the documentary Skull World.  What director Joe Lynch (Wrong Turn 2 and actor in Holliston) has done is create a world that invites both fans of role-playing and horror and thrusts them together to create a blood-and-gore-soaked romp filled with laughs and the beautiful fan boy favorite Summer Glau (Firefly and Terminator: The Sarah Conner Chronicles).

“Sometimes a day can be an eternity.”

It’s hard to tell a convincing love story, period. It’s even harder to tell a convincing love story when we’re supposed to believe the two characters fall for each other within the space of a single day. The good news is At Middleton somewhat manages to pull this off in a little over an hour. The bad news is the film is actually 1 hour and 40 minutes long.

What would you do if you found out that you fathered 533 kids? Better yet, how would you handle that news on top of the news that the children you fathered are petitioning the courts to have your identity revealed? Well, that is the dilemma that Vince Vaughn is faced with in his new comedy Delivery Man. As you can figure out from the funny premise, this is a comedy, but it is not just hapless jokes without any real substance; Delivery Man actually has another side to it, a side that tugs on the heartstrings a bit.

A remake of the French-Canadian film “Starbuck,” (it is also worth mentioning that both films, original and remake, share the same creator, Ken Scott) Delivery Man tells the story of David Wozniak, a truck driver for his family’s butcher shop who has big plans for his life that never quite pan out. Perhaps that is too kind a way of putting it. A better way would be to say that David has been a bit of a disappointment to his girlfriend Emily (Cobie Smulders, How I Met Your Mother) who has just informed him that she’s pregnant, his father who would most likely fire him if he wasn’t related to him, and the family business. Not only that, he owes an immense amount of money to some unsavory characters with a penchant for drowning people who don’t pay their debts.

It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement.  I wouldn’t go so far as to say the two shows are on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential.  Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.

Comedy Central now releases Key & Peele as a Season 1 & 2 pack, and here you get more laughs for your buck.

When you get a film from Troma to watch, you have to view it differently than you would view just about any other film.  After all, Troma is the VHS and DVD equivalent to the days of Roger Corman and the B-movie fanfare he could travel from one Cineplex to the next.  Troma founder Lloyd Kaufman has been writing and directing B-cinema schlock for 40 years and has managed to make money off it, so for those naysayers out there, keep in mind he still is responsible for The Toxic Avenger as well as Tromeo & Juliet.

With Return to Nuke’em High, Kaufman seems to be taking on his most ambitious project yet.  The film is broken up into two separate volumes, and volume one sets up the epic gross-out satire wonderfully.  The opening sequence narrated by none other than Peter Parker himself (Stan Lee) about the previous events that took place in the 1986 cult classic Class of Nuke’em High.   With the viewer now caught up, we meet Chrissy (Asta Paredes); she hangs with her crew of misfit friends, though she secretly blogs about the health and safety issues going on at the school all while keeping her boyfriend Eugene (Clay von Carlowitz) at bay from his sexual advances.  But the boat gets rocked when rich new girl, Lauren (Catherine Corcoran) arrives and Chrissy sets her vengeful/lustful sights upon her.

“…I’m the f---ing Vice President of the United States, and I have something to say.”

If you’ve seen Veep, you know it’s almost impossible to quote the show without including an f-bomb or any of the show’s crassly creative put-downs. The sitcom’s central joke remains that the vice presidency might be the most high-profile unimportant job in the world. As a result, the second season of HBO’s caustic comedy sees VP Selina Meyer making moves to improve her political standing. Of course, she and her harried staff can’t avoid the humiliations and indignities that come with the job.

Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.

“I want you to deal with your problems by becoming rich.”

“In my experience, people just aren't that interested in what happens to the help.”

Lifetime viewers and Devious Maids creator Marc Cherry beg to differ. After debuting to modest ratings last summer, the show steadily gained viewers and hit a series high in viewership with its finale. (Not surprisingly, it was promptly renewed for a second season.) Cherry previously struck eight seasons worth of gold with Desperate Housewives on ABC. As someone who enjoyed watched more Housewives episodes than I care to admit, I can appreciate both the positive and negative ways this show echoes Cherry's previous smash success.

For some reason, I have themes that I keep reviewing time in and time again (regardless of whether I enjoy the subject matter or not). One of those themes or rather people is Allen Ginsberg, one of the most important poets of the 20th century and symbol of the Beat Generation. A few years ago, I reviewed Howl which was more about his 1957 obscenity trial. This film, Kill Your Darlings deals with the relationship between Allen Ginsberg and Lucien Carr. Let us see how well this one turns out.

"Some things once you love them become yours forever.", the narrator speaks as we shift to a scene where a half naked man covered in blood carries another unconscious man. After this shocking imagery, we shift again to see Lucien Carr (played by Dane DeHaan) in jail with Allen Ginsberg (played by Daniel Radcliffe) outside the bars. Lucien tells Allen that he can't tell the story. Allen looks dead at Lucien and says, "Watch Me."

"The problem is you don't know my pain or emptiness. But now you're going to know how it feels to be me."

Mitch Brockden (Cooper) is an ambitious up and comer in the Chicago prosecutor's office. He has a reputation for being aggressive, and he doesn't lose cases. He's respected and liked by his colleagues. That's the man we first meet. But after a night of some power drinking with his buds, we are introduced to another Mitch Brockden. This Mitch is selfish and a coward. When he ends up hitting a man while driving drunk, his instincts tell him to call an ambulance from a pay phone so it can't be traced to his cell and drive away. You see, Mitch has a lot to lose. He's up for getting a DA job. He has a wife and a brand new baby. He's afraid the DUI accident will derail that life. Unfortunately for Mitch, it's his decision to run away that causes the most damage.