Studio

“You show up late reeking of booze, handcuffed to a stripper, and you expect me to trust your judgment?”

Even though we’re more than three years removed from his tiger blood heyday, it’s still impossible to separate Charlie Sheen’s bad off-screen behavior from the sitcom work he (somehow) cranks out every week. The latest example comes courtesy of Anger Management: Volume Three, which includes the departure of co-star Selma Blair after she reportedly complained that Sheen was a “menace” to work with. Not surprisingly, this batch of episodes also sees the “fictional” version of Charlie embrace his dark side.

When it comes to the very worst movies I’ve ever seen, I admit that I grade on a curve. Filmmakers working with extremely limited resources get more of a pass from me. This certainly appears to be the case with Sheriff of Contention, a low-budget Western/serial killer mystery. Unfortunately, there’s only so much amateurish acting and technical mishaps I can overlook. Everyone knows that if you can’t say something nice, you’re not supposed to say anything at all. In a related story, this might end up being one of my shorter reviews.

Today, Miami is considered one of the most glamorous cities in the world. But long before it became the place where some of the biggest stars in sports and entertainment took their talents, Miami was dubbed the drug, murder, and cash capital of the United States. (Resulting in a drastically different “Big 3” than what locals are accustomed to these days.) Cocaine Cowboys already chronicled this shockingly violent stretch of the city’s history and featured recollections from some of the people who helped Miami achieve its dubious status. Now an extended version of Billy Corben’s 2006 documentary arrives on Blu-ray.

"There are dark spirits, old and full of hate...The world is in great danger."

A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations. Your pieces must somehow fit together so that they can be viewed as one whole product.

You know exactly what's going on here. It's Rocky Balboa vs. Jake La Motta, and they're not exactly in their prime. For reasons of property rights, of course, this really isn't Rocky or La Motta, but you and I know it is. The film takes great pains to remind us of each of these iconic characters. Sly's character tries to take a shot at some hanging meat after drinking a glass of raw eggs. De Niro's character is found telling boxing jokes in his own club, just as the real-life La Motta did after his fighting days were over. Both of these actors played iconic fighters in their day.

The majority of murders committed on television are presented from the perspective of the people trying to solve them. It's a smart, gratifying strategy because it allows us viewers to play detective from the safety of our couches one hour at a time. Far fewer shows are interested in doing the more difficult/less glamorous work of dramatizing the way a death can shatter a family, along with an entire community. Broadchurch is one of the most outstanding cop dramas I've seen in a long time because it's willing to do that difficult work while also delivering the goods as a satisfying whodunnit.

“I’m Norma Rae. You know me.”

Chances are you’ve at least heard of Norma Rae, even if you haven’t actually seen the Oscar-winning film that bears her name. You might know it as the granddaddymomma of underdog stories centered on feisty female crusaders; Norma Rae begat Silkwood, Erin Brockovich, North Country and others. Or you might know it as the movie that made Sally Field a serious movie star, although it’d be another five years until she really believed that people liked her.

“…I’m packing an ounce of killer shrooms, and there be monsters in need of pummelin’.”

When I first think of how to explain Knights of Badassdom, what comes to mind is that it’s Evil Dead 2 meets LARPing.  The only experience I’ve had with LARPing came in the form of watching Role Models and having to review the documentary Skull World.  What director Joe Lynch (Wrong Turn 2 and actor in Holliston) has done is create a world that invites both fans of role-playing and horror and thrusts them together to create a blood-and-gore-soaked romp filled with laughs

“Sometimes a day can be an eternity.”

It’s hard to tell a convincing love story, period. It’s even harder to tell a convincing love story when we’re supposed to believe the two characters fall for each other within the space of a single day. The good news is At Middleton somewhat manages to pull this off in a little over an hour. The bad news is the film is actually 1 hour and 40 minutes long.

What would you do if you found out that you fathered 533 kids? Better yet, how would you handle that news on top of the news that the children you fathered are petitioning the courts to have your identity revealed? Well, that is the dilemma that Vince Vaughn is faced with in his new comedy Delivery Man. As you can figure out from the funny premise, this is a comedy, but it is not just hapless jokes without any real substance; Delivery Man actually has another side to it, a side that tugs on the heartstrings a bit.