Posted in: Disc Reviews by Gino Sassani on October 10th, 2017
I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard in a movie from the music that had been stuck in my head for years. And while the soundtrack version has been the version I've often found stuck in my head, the original album was never far away either. Apparently that's also the case with Pete Townshend and Roger Daltrey.
The decision to do a live version of Tommy 50 years after the album's release is tied to a worthy pet project that Daltrey has been running since 2000. He has recognized that teens have been a big part of the band getting its start back in the 1960's and worked to create Teenage Cancer Trust, which helps teens deal with cancer not only on the medical side but by providing them with unique experiences and activities. The Tommy performance in April of 2017 was the 100th performance from musicians all over the world in support of the cause. One of the parts of this show that I wish we'd seen is only talked about in the Behind the Scenes extra. Kids were provided with instruments and access to the Royal Albert Hall where they were encouraged to write songs inspired by The Who. After the concert they took the stage and got to present them to the band. That must have been a moving event.
Posted in: Disc Reviews by J C on October 6th, 2017
“In our conversation, he seemed relaxed, unfailingly candid, earnest, and trustworthy. That is his talent and his curse.”
You probably know the name Bernie Madoff, the notorious fraudster who used a Ponzi scheme to steal almost $65 billion dollars from his victims. (Yes, that's “billion” with a B!) But if you were hoping to gain some insight into the man and his methods, this HBO film isn't really the place to look. The Wizard of Lies features a fantastic cast, some effective directorial touches, but is too often guilty of telling rather than showing.
Posted in: Disc Reviews by J C on October 5th, 2017
“This is a corpse infected with the plague. It is uncaring, unfeeling.”
When it comes to the overwhelming majority of zombie fiction, it’s all about brains (or rather, BRAAAINS!!!) It’s what the undead hunger for, and a well-placed headshot is usually the only way to kill them (again). And that doesn’t even cover the popular device of using the walking dead as an allegory for an increasingly mindless society. Warm Bodies stands out because it’s more concerned with an entirely different bodily organ. Based on Isaac Marion’s popular novel of the same name, the zombie romantic comedy deals directly with matters of the heart.
Posted in: Disc Reviews by J C on October 4th, 2017
“This may seem a peculiar request...but could someone explain why I'm here?”
That question is posed slurred by Jack Sparrow, Johnny Depp's perpetually sloshed swashbuckler, during his very first appearance in Pirates of the Caribbean: Dead Men Tell No Tales. Given that this is the fifth film in a faded franchise — and that Depp probably needs the money — the answer for why any of this is happening appears to be painfully obvious. Which is why I was delighted (and frankly a little shocked) by how much fun I had watching this latest entry, which manages to entertain while openly plundering the original movie's winning formula.
Posted in: No Huddle Reviews by J C on October 2nd, 2017
“You love this type of drama.”
When Fox’s Empire premiered in early 2015, it became an instant sensation that re-wrote the ratings record books. The show’s mix of high drama and hip-hop obviously struck a chord with an underserved segment of TV viewers. Of course, that sort of otherworldly buzz and ratings success was never going to be sustainable. So while Empire has inevitably lost some of the sizzle from its unprecedented debut, this unapologetically over-the-top soap rap-era continues to entertain by leaning into its Twitter-shattering craziness.
Posted in: Disc Reviews by J C on September 29th, 2017
“These movies that I’ve done, they are massive movies. They take a lot out of you.”
That’s director Michael Bay talking about his decade-long work on the Transformers franchise on the eve of the fifth(!) film’s arrival. The movie also doubles as Bay’s swan song in the director’s chair, so when he says, “They take a lot out of you,” the filmmaker is presumably talking about the massive amount of energy and manpower (and horsepower) these big-budget bonanzas require. The problem is “They take a lot out of you” has also applied more and more to each subsequent movie in this series. Transfomers: The Last Knight isn’t just a bad movie…it is painful and exhausting to watch.
Posted in: Disc Reviews by Brent Lorentson on September 29th, 2017
With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time. For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act. I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold. In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.
Dylan (Michael Huisman) is an air traffic controller who is good at his job; he claims it’s his ability to see patterns that helps him do his job as well as he does, though after a freak accident in the control center nearly causes two planes to collide, he is put on a temporary suspension. It just so happens that Dylan meets Sarah (Teresa Palmer), who was on one of the flights that almost collided, and the two seem to fall for one another at first sight.
Posted in: Disc Reviews by John Delia on September 28th, 2017
Taking a few ideas from superhero films, the animated adventure Captain Underpants: The First Epic Movie flies onto DVD, Blu-ray and Digital HD for home viewing. The comical kids’ movie has some great characters and a cool plot that will keep tots to tweens laughing and talking about the fun film. The movie comes with over 30 minutes of fascinating extras, mostly for the youngsters. The movie opens with fifth-grade-schoolers George Beard and Harold Hutchins showing off the comic book they created about a world called “Underpanty” where people only wear underwear. Much like the beginning of Superman, there hero gets catapulted to Earth from a distant planet about to blow up. Landing on Earth, the child starts to save cities from the likes of Egg Salad Sandwich Man.
Switch to reality and we find George and Harold in the school yard being surprised by their Principal, Mr. Krump. He thinks that George and Harold spend too much time thinking up and drawing comic book characters instead of schoolwork. The boys are remanded to Krump’s office where he goes over many of the pranks the two have played and warns them if he ever gets proof, they’ll be sorry.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2017
"In between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world. Then came the dark empire of Acheron, where cruel Necromancers sought 'Secrets Of Resurrection'. They crafted a mask from the bones of kings, and awakened its wrath with the pure blood of their daughters. The mask summoned spirits of unspeakable evil, giving them power that no mortal man should possess."
The character started as a pulp fiction serial by Robert E. Howard in the 1930's. But Howard killed himself in 1936, and the character stood still for a time. There were several attempts to revive him, but it was likely Marvel Comics that gave Conan his greatest popularity in the 1970's. By 1982 the character was huge enough to justify a major feature film. That movie would start the movie career of a bodybuilder named Arnold Schwarzenegger. Arnie would return to the character a couple of years later for Conan the Destroyer. The franchise was doing well, but a third film fell into development hell, and nothing much happened for a while. Rights would move around, and finally the property was rebooted in 2011 with Jason Momoa in the lead role. He appeared perfectly cast. He was a somewhat barbarous alien in Stargate: Atlantis and was a hit in HBO's Game of Thrones. Conan appeared to be a good fit for the action actor, and it was. Momoa is quite good in the part, helping return the character more to his Howard origins. But that's about all that went right with the reboot.
Posted in: Disc Reviews by J C on September 27th, 2017
“Ma'am, you need to understand that the president doesn't actually want you to do anything other than continue to be a woman — which you're doing a pretty okay job at.”
While Selina Meyer has done a passable job as a woman throughout the first five seasons of Veep, the vice president-turned-(temporary)president and her staggeringly incompetent staff have failed at pretty much everything else. The good news is Veep itself still does far more than an okay job of poking profane fun at the absurdity of Washington, D.C. and its swollen egos, even though season 6 finds Selina's squad more scattered than ever.
