Posted in: Disc Reviews by William O'Donnell on June 5th, 2012
YouTube had all but killed off the idea of mailing silly home videos to the likes of America's Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.
Daniel Tosh makes for a very suitable host, which makes the difference to those who may consider aimlessly surfing through YouTube's channels to be a more valuable way of taking in the latest in mind-numbing entertainment. Tosh not only is capable at delivering edgy quips but often places himself at the butt of self-deprecating and/or harmful sketches where he may partake in the same idiocy he seems to be lambasting at other points in the episodes (a memorable example being his attempt to eat a teaspoon of cinnamon and karate chop a hundred coconuts after smoking Salvia).
Posted in: Disc Reviews by Gino Sassani on May 31st, 2012
At first glance it would be very easy to say that Beyond doesn't really offer us anything terribly new in the crime drama genre. For the most part I would tend to agree with that criticism. I would counter with the argument that a very good film doesn't need to be very original to be good. Sometimes the value in a movie lies in the fact that it does what it does do extremely well. That's how I would describe the sleeper direct-to-video release Beyond.
Jon Voight stars as Detective John Koski. He's a detective in Anchorage, Alaska who specializes in missing children. He's not exactly by the book, and more of his perps end up dead than in the courtroom, but the children usually end up found and alive. Sounds like a win/win to me. Still, he's haunted by that first case where he wasn't able to save a little girl. It turns out he's more haunted by that incident than even he suspects. When 7-year-old Amy (Lesslie) disappears from her bedroom one cold wintry night, Koski, just months from retirement, gets the case. The girl's mother Sarah (Polo) is the sister of the Chief off Police (Mulroney).
Posted in: Disc Reviews by J C on May 29th, 2012
"This Martius is grown from man to dragon. He has wings. He's more than a creeping thing. There is no more mercy in him than there is milk in a male tiger."
There's a certain hierarchy when it comes to the amount of cinematic interpretations of William Shakespeare's plays. At the top tier, we have the endlessly adapted Romeo and Juliet, Hamlet, Othello and Macbeth the Scottish Play. A step below that, you've probably got your King Lear, As You Like It, A Midsummer Night's Dream and a few more. And about a dozen tiers below that, we finally come across Coriolanus.
Posted in: Disc Reviews by David Annandale on May 28th, 2012
Steven Spielberg’s very-long-in-gestation adaptation of Hergé’s Tintin finally came into being over Christmas. The story, very much in keeping with the globe-trotting adventures of the comic books (drawing heavily, in fact, upon The Secret of the Unicorn), has Tintin (voiced by Jaime Bell) become embroiled in a treasure quest after buying a model ship that has one third of the secret concealed in its mast. Captured by nefarious evil-doers who will stop at nothing to find the treasure, he encounters Captain Haddock (Andy Serkis), and a legendary friendship is formed.
Spielberg’s affection for the character is present in every frame of the film, and the story hurtles along from location to location, our heroes making one hair’s breadth escape after another. The characters are all very recognizable versions of their 2D comic book incarnations, and the animation is stunning in its meticulous detail.
Posted in: Disc Reviews by M. W. Phillips on May 24th, 2012
“His name is Samson. He’s big with his cat, with mama and with his stick. Black Samson… he’s mean and clean and rules the scene.”
In the 70s and 80s, filthy little theaters littered New York’s 42nd Street, sandwiched between adult bookstores, porn theaters, and peepshows. These dens of celluloid sin hosted an endless loop of “B” movies affectionately known as grindhouse films. They ran exploitation films, drive-in double features, and European softcore of every subgenre, ranging from Blaxploitation to Sexploitation, from Euro-crime to Sci-Fi and Horror. Some theaters projected these movies 24 hours a day, seven days a week! 42nd Street Forever collects nearly ninety (approximately three hours and forty-five minutes) of sensational vintage trailers from these grindhouse classics.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2012
"It's funny how you wake up each day and never really know if it will be one that will change your life forever. But that's what this day was. The day I left the city to spend a week in the house where my mother grew up. A day I'll never forget."
The Secret World Of Arrietty comes from the collected works of English writer Mary Norton. The first book, The Borrowers, introduced us to the Clock family. They were a race of tiny humans known as Borrowers. They lived beneath the floorboards of normal-sized humans and lived off the things they could "borrow" from the human family. It was important to remain unseen or their lives would be in danger. The first book was published in 1952 and was followed by several sequels which continued the many adventures of the family and the fantasy world in which they lived.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2012
At first glance Haywire appears a bit out of character for the likes of director Steven Soderbergh. It's not that he hasn't delivered action films in the past. It's that he's never quite tied himself to such a tried and sometimes true formula before. When you first look at the press for Haywire you're going to pretty much dismiss it as a standard action-hero film that follows in the mold of a Steven Seagal/Chuck Norris mold with a touch of Bourne Identity thrown in to meet the more recent trends. If that's what you think, then you've pretty much called it, because that's exactly what it is. But that's not a good reason to dismiss the film either.
I won't lie. The film pretty much follows the path you expect it to follow. Mallory (Carano) stumbles into a bar in an isolated town where she's meeting with a contact. But she's wary because something has gone wrong and she's not sure exactly who she can trust. She's right. No surprise there, is there? She takes Scott (Angarano) hostage for his wheels and makes her getaway. During their flight she begins to tell him the story of how she got to where she is. It's through this narrative that the story unfolds for us. This is where Soderbergh offers up a little of his own tweaks to the story and, for the most part, there's enough of his wit here to keep the narrative humming along. Of course, she's out to find the guys who tried to get her killed, and there's a ton of carnage in the wake.
Posted in: Disc Reviews by Gino Sassani on May 16th, 2012
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Every day new discoveries are unlocking the mysterious, the mind-blowing, the deadly secrets of a place we call The Universe."
The History series has lasted for six seasons to date. The show uses modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series does take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show is narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.
Posted in: Disc Reviews by M. W. Phillips on May 10th, 2012
“If my family can’t live in this house, you sure as hell can’t either!”
Daniel (Frank Grillo) and Beth (Jaime King) Sohapi picked up a great deal on a recently foreclosed house, and they’ve invited a handful of friends over to celebrate. A tornado threatens the area, but everyone is partying in the basement, which has been recently reinforced as a tornado shelter. Things look great in suburbia until three frantic and deadly bank robbers, Ike (Patrick Flueger), Addley (Warren Kole), and Johnny (Matt O'Leary), return to their childhood home following a botched bank robbery. Johnny is dying from a gunshot wound, their accomplice in the robbery made off with all the stolen cash, and the boys lost their secure contact phone to mother. Now, on top of that, they discover the home they grew up in is no longer theirs as mother lost it to foreclosure, a fact they would have known if they could have contacted her after the bank heist. Well, when life gives you lemons… They decide to hole up in the house until mother (Rebecca De Mornay) and sister Lydia (Deborah Ann Woll - Jessica from True Blood) arrive to sort things out, keeping the current residents and their guests as hostages. Things turn from bad to worse for the victims when mother shows up and takes charge. With the authorities closing in and the outlaws in need of $10,000 to secure their escape across the border into Mexico, desperation ups the ante in what these home invaders are willing to do to get what they need from the new homeowners and their most unfortunate guests.
Posted in: Disc Reviews by Gino Sassani on May 10th, 2012
"My name is Charles Carmichael, and I have one final question for you. Have you ever had to subdue a Basque terrorist on a Swiss train? Or fight your way through the jungles of Southeast Asia? Or, take out an arms dealer with a penchant for murder and ice cream? Well... we have."
And, if you've been a fan of Chuck for the last five years, you know exactly what we're talking about here. And, for now, the ride has come to a close. Fear not, fans. This is quite a satisfying ending. And when you consider that by rights the show should have gone away after the second season, if you trust those guys at the Nielsen's, we've been given quite a lot of bonus time with Chuck.
