1.78:1 Widescreen

It’s hard to not appreciate a film that wastes no time jumping into the action, and with a title like Kill’em All you go in expecting the action to be piled on and non-stop.  I have to say I’m a little surprised this little film lived up to the title; after all most straight-to-DVD titles seem to be lackluster if not simply awful.  I’m also not saying this is a film that’ll be remembered too long either, but it is a B movie that delivers on the action and has Gordon Liu doing what he does best. After watching several of Bangkok’s elite assassins go about doing their dirty work and leaving a trail of bodies in their wake it is quickly followed by their capture.  At first when watching this I had thought they were being killed until we get to see them all gathered together in a massive concrete cell.  None of the professional killers seem to know one another; only a handful seem to know of one another which I found strange, after all how many elite assassins can one country have?  Well, it doesn’t take long till they discover they are all trapped in “the Killing Chamber”, a place where assassins and other people are brought to die.  What’s kind of cool is they are given a chance at freedom, but that chance only comes if they are the sole survivor of their captors’ game.

What follows are a series of duels to the death; as the survivors are whittled down, the desperation to survive becomes more intense.  The key three assassins Gabriel (Johnny Messner), Som (Ammara Siripong), and The Kid (Tim Man) are the only memorable survivors as they escape beyond the chamber and into a hellish warehouse filled with ninjas and numerous other bloodthirsty killers.  The fight choreography is fairly standard but is still fun, especially for those like me who pretty much get excited any time a ninja shows up.

An African American high school student fights against her school's longstanding decision to host racially segregated proms. This film is based on true events that occurred at a school in Butler, Georgia. Originally debuting on the Lifetime network in 2006, this is the film's first DVD release.

A couple of the actors seemed a little out of place in their roles. Jason Lewis' beauty is a bit of a curse as he is seems only suited to play male models. As a high school teacher, his hair is just a bit too gelled and his chin seems a bit too molded. This may seem like an unfair evaluation but sometimes I think the casting director needs to be more aware of whether or not an actor looks right for the part and Mr. Lewis just didn't have the mien of “small Southern town.” I don't even recall if he had the correct accent come to think of it...

“Amidst the chaos of an unforgiving planet, most species will fail. But for one, all the pieces will fall into place and a set of keys will unlock a path for mankind to triumph. This is our story.”

The only thing missing from that bit of grandiose narration — which opens each episode of this 12-part series — is a Law & Order-style *chung, chung.* Mankind: The Story of All of Us starts with a bang (as in the “Big” one) and proceeds to give us a lively, surprisingly cinematic history lesson.

The debut season of this Comedy Central program was entitled "Hoodies" on it's DVD and Blu Ray release. Season 2 is called "Deep V's" in honour of the garment Daniel Tosh, the host, wears in each episode. Very little is different as far as format or new segments are concernced since the last time I wrote about this show (https://upcomingdiscs.com/2012/06/05/tosh-o-hoodies-blu-ray/. To avoid redundancy I shall simply add to that review with a couple new relevant points for this season.

YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.

A small mining community in Western Australia get visited by a vagabond dog. This Red Dog (named after the fact that the red dust of that desert region stained his fur that colour) has a deeply significant effect on every worker's life yet not one of them can truly claim to own him until an American bus driver begins working there. Red Dog was a big fan of hitchhiking across the country and seems to be attracted to riding great distances on a bus with his new best (human) friend.

I should have known what I was getting into when I saw that this was a dog story. All the best dog films are incredibly sad. This film was based on true events and its saddest portions include heavy references to the saddest (true) dog story of all time (nope, not Old Yeller), Hachi-ko, the story of a dog that waits for his master after they have died (was adapted twice onto film, as well as laid out the groundwork for the most depressing episode of Futurama “Jurassic Bark”). The story begins with miners resolving that they cannot shoot Red Dog after he ate poison, but this is not the saddest part. Over half way through the audience gets an emotional kick to the throat that I, for one, was not prepared for. By no means is this a criticism of their storytelling, more a warning to those that may think they're in for a family-ready delight (ok...they ARE but certainly not without a box of tissues as a prerequisite).

"When you said you wanted an ocean view, you didn't think you'd get the whole ocean, did you?"

When Finding Nemo was released in May of 2003 there were a ton of skeptics. It was certainly a divergence from the tried and true Pixar formula, and even the people involved with the project were concerned that it would become Pixar's first flop. They needn't have worried. The film was far from a flop. It took in over $70 million in just its first weekend. The final total would be just shy of a billion dollars. The animated feature took the Oscar for best animated feature that year. But that would be just one of 35 awards the film would go on to win. Still, the true success of a film can not always be found in the box office take. Truly classic films are timeless. It's been one of Walt Disney's defining characteristics over the decades. It might be too early to tell if Finding Nemo will fit that timeless classic mold, but it has already left a pretty strong impact on our pop culture.

One of the traps as a kid I never really got into was the art of the Magic card game. Sure, the cards were pretty to look at but the actual game behind it or the similar pretenders never seemed to interest me. Of course, these card games never quite stay card games, they become toys and often cartoon series. Today, I get one of those so called card games which have spawned a series. Its name is Kaijudo and the review is next on the Hub.

There is a rip in the space-time continuum and a large rhino-like creature jumps out to attack a couple who have decided to take a stroll. Out of nowhere, Hector Chavez, a duel master comes to the scene and calls his creature, Gilaflame the Assaulter. The two creatures start to fight with Gilaflame gaining the upper hand and driving the rhino-like monster back into the rip and sealing it once again. These rips are becoming far too frequent. In the distance, a man with a blue claw watches.

Coming off the staggering crossover success of the world’s loveliest and catchiest booty call song — “It’s a quarter after one, I’m a little drunk/ And I need you now” — Lady Antebellum were the kings (and queen) of the country pop world. (Non-Taylor Swift division, of course.) That means the pressure was on for their follow-up third album. Though Own the Night brought the band a more modest truckload of critical and commercial kudos than Need You Now, it also inspired the raucous world tour captured on this Blu-ray, a must-have for any Lady A fan.

Lady Antebellum: Own the Night World Tour finds lead singers Charles Kelley and Hillary Scott along with guitar/piano/mandolin player and background vocalist Dave Haywood in Little Rock during the final days of their global trek earlier this year.

“You think this can last? There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you’re all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.”

In the spirit of full disclosure, let me state that my favorite comic book hero is Batman. As a child, even before the sixties TV show premiered, I loved the tale of Batman. It is a story of a child who overcomes the fear and destruction of his childhood and becomes stronger because of it. He grows into an extraordinary man and, in spite of having no super powers, created a legend out of himself by becoming an icon for justice. Bruce Wayne channeled his lust for vengeance into mastering his intellect, detective skills, science and technology, physical prowess, martial arts skills, an indomitable will, fear, and intimidation skills to fight his continuous war on crime. He may have inherited almost limitless wealth, but he didn’t let it make him soft; instead he converted the riches into a crime-fighting asset. His behavior may have been borderline psychotic, but he lived by an impossibly strict, but simple, set of rules… no guns, no killing, no glory, but most of all, zero tolerance for crime.

"I'm back. You're welcome."

I didn't see the series during either of its first two seasons on HBO. When the second season arrived to be reviewed I was more than a little nervous about jumping in without knowing what had come before. Certainly, I checked out the buzz on the show and got an idea of what it was about. But nothing could have prepared me for what I finally encountered when I popped that first disc in my Blu-ray player. It's safe to say that you can join this show for the third season without having seen the first two. I'm sure it helps, but it didn't take me more than five minutes to completely understand who and what Kenny Powers was. He literally speaks for himself. I'll give you a quick up-date.