Posted in: Disc Reviews by Jeremy Butler on April 10th, 2013
“Why save a few when we can save them all?”
An excellent question; have you ever noticed that in disaster films as soon as an apocalyptic event is discovered, plans go into motion to protect the elite such as the president, his cabinet, and a few select others while the rest of the world is left out in the cold to be lambs to the slaughter? Well, in Earth’s Final Hours, the lambs fight back, working to save the many rather than just the few.
Posted in: Disc Reviews by J C on April 8th, 2013
For better or worse — okay, it’s worse — it’s now impossible to hear the words “Jersey” and “Shore” without thinking of a certain group of knuckleheads on MTV. Down the Shore is a dreary, observant drama set in the region and starring James Gandolfini. If anyone is ever going to restore the area’s good(?) name, you figure the Sopranos star is a better bet than most, having previously dominated the Garden State from a pop culture standpoint by starring in the landmark television drama.
Funnily enough, Down the Shore actually opens in a sunny playground in Paris. The first scene is a meet-cute between French merry-go-round operator Jacques (Edoardo Costa) and American tourist Susan (Maria Dizzia). Fast forward three months later with Jacques traveling to the Jersey Shore to inform Susan’s brother Bailey (Gandolfini) that his younger sister is dead. On top of that happy news, Jacques and Susan had actually gotten married, and Susan left Jacques half of the house where Bailey currently lives. Bailey — who works as an amusement park operator on the Shore (apparently, Susan was drawn to certain types of men) — is understandably not happy about any of this, while Jacques is merely trying to carry out his late wife’s wishes and is willing to pull his weight at the park.
Posted in: Disc Reviews by J C on April 2nd, 2013
“The important thing for a writer is to tell a good story.”
Martha Gellhorn, considered by some to be the greatest war correspondent of the 20th century, was extremely adamant about not wanting to be a footnote in someone else’s life. So I’m thinking the writer — who died in 1998 — may have had mixed feelings about Hemingway & Gellhorn. On one hand, her life story gets the prestigious (and mostly sympathetic) HBO Films treatment, and Gellhorn is played by Oscar winner Nicole Kidman in a sensational, searing turn. On the other hand, the film had Gellhorn’s 60-year career covering every major world conflict to draw from, yet largely focuses on her combustible nine-year relationship — and five-year marriage — to Ernest Hemingway. I mean Gellhorn couldn’t even wrangle top billing in the film’s title, for crying out loud!
Posted in: Disc Reviews by Gino Sassani on March 28th, 2013
“It’s been a long time getting from there to here.”
35 years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).
Posted in: Disc Reviews by J C on March 25th, 2013
The great, central joke of Veep — HBO’s sharp, profane political comedy — is that no self-respecting politician aspires to become the Vice President of the United States. (Just like no self-respecting kid dresses up as Robin for Halloween.) It’s no accident the POTUS is completely MIA from the show, leaving his second-in-command and her beleaguered staff to deal with the countless indignities of a job described on “The Making of Veep” featurette as “so close to being important.”
A 15-second graphic at the opening of each episode tidily summarizes the failed presidential bid by Senate rising star Selina Meyer (Julia Louis-Dreyfus) and her subsequent acceptance of the show’s titular position. Veep follows Meyer as she carries out her day-to-day duties with the help of a team that includes devoted chief of staff Amy Brookheimer (Anna Chlumsky), sloppy director of communications Mike McLintock (Matt Walsh), clingy personal aide Gary Walsh (Tony Hale) — who may not be willing to take a bullet for Meyer, but he’ll definitely take a sneeze — and no-nonsense personal assistant Sue Wilson (Sufe Bradshaw). The staff often has to deal with smug White House aide/VP liaison Jonah Ryan (Tim Simons), who mentions that he works in the White House every chance he gets. By the end of the first episode, the team has also acquired ruthless deputy director of communications Dan Egan (Reid Scott), who will suck up to (or date) whoever he needs to get ahead.
Posted in: Disc Reviews by Jonathan Foster on March 11th, 2013
“I am steel. I am doom. I march for Macragge, and I know no fear!”
The above quote is the motto of Ultramarines, the best of the best of the Space Marines from the Warhammer 40,000 universe. The popular miniatures star in their first movie, a CGI action/adventure tale from Anchor Bay films. I admit — as nerdy as I am — I’ve never had any interest in the Warhammer figurines. Because of that, I wasn’t sure if I’d enjoy this movie. I was pleasantly surprised, then, when the story of the Warhammer universe and the Space Marines’ place in it was succinctly presented in the opening voiceover. Much like the opening crawl in Star Wars, it gives you just enough information to appreciate the story while wanting to know more.
Posted in: Disc Reviews by J C on March 11th, 2013
On paper, pro wrestlers are the perfect action movie stars. Their beefy frames and larger-than-life personalities should make them naturals at kicking butt on the big screen, plus the performers are certainly familiar with choreographed combat. (This is the part where I planned to mention that wrestling is fake, but I don’t want to make anybody cry.) Even though Arnold, Sly and their brawny brethren have struggled at the box office recently — and are about 20 years past their heyday — WWE Studios has a sneakily clever thing going with its Marine franchise.
Starting with 2006’s The Marine, the company has created a recognizable and malleable action series. The movies don’t have anything to do with one another beyond the title, but they allow the WWE to push whichever wrestler du jour they want to promote by giving him his very own starring role. In other words, they could make Marine movies forever. Following in the footsteps of John Cena and Ted Dibiase Jr., Mike “The Miz” Mizanin is handed the keys to the action vehicle this time around.
Posted in: Disc Reviews by Brent Lorentson on February 28th, 2013
When an action title comes along and you see the name Steve Austin headlining it, the expectation level shouldn’t be too high (unless, of course, you’re an obsessed fan of Stone Cold). I’ve seen more than my fair share of straight-to-video action films, so it takes a lot to deter me from giving a film a chance, and when it also gives Dolph Lundgren billing, well, the film becomes hard to resist. Tommy Wick (Austin) does work for a crime family to help work off the debt of his brother, who is currently serving time in the state penitentiary. It’s not a stretch of the imagination to see Austin in this role, but from the start of the film, which opens in a bowling alley, I found it hard to believe he’s even trying to act. With the bad quippy dialog and the zero-emotion delivery, it had me thinking The Rock was on par with Daniel Day Lewis by comparison. But thankfully it doesn’t take long for Wick to start pushing people around and breaking tables with people’s heads to get me to forgive the bad acting.
It’s when Wick is approached to deliver a package to a rival gang member that the story begins to take off. Everything, of course, seems simple enough, but “the package” is anything but the normal delivery. It appears everyone wants a piece of the package, though no one seems to be quite certain what it is that they are after. Wick’s partner attempts to check it out; after all, it looks like nothing more than an old book, but before he can crack open a single page, the two men are attacked by a rival group made up of formal special ops soldiers.
Posted in: Disc Reviews by Jeremy Butler on February 25th, 2013
“God never would have intended this.”
Has anyone ever noticed the pairings that tend to occur in disaster films? A lone scientist with an expertise in a particular field of study partners with a lone government agent or soldier to prevent a cataclysmic event that will result in the destruction of mankind, whether the disaster is manmade or an act of fate. This was in the case in Godzilla (American version), Independence Day (there may be some controversy on whether this qualifies but you must admit that the main focus was on Smith and Goldblum), miniseries Asteroid, and now it would seem Seeds of Destruction.
Posted in: Disc Reviews by J C on February 19th, 2013
“There’s a king in every corner now.”
Game of Thrones is definitely one of the best shows on TV right now, and it might be the most ambitious television series ever produced. Ambition and quality don’t always go hand in hand. (See, Cloud Atlas. No, seriously…watch it. I’m one of the people who really enjoyed that convoluted mess.) The second season of Game of Thrones — a massive undertaking that took its cast to Iceland and Croatia, in addition to its Belfast base — performed a minor miracle. It deepened, expanded and improved upon an already excellent show.
