Posted in: Disc Reviews by J C on October 28th, 2016
“There's a black man in our kitchen cooking eggs!”
The kitchen-bound black man in this case is Eddie Murphy in Mr. Church, which on the surface appears to be the latest in a sneakily long line of movies (Driving Miss Daisy, The Help, The Butler) where saintly, subservient African Americans enlighten their white counterparts. Those movies can be cloying at best and downright insulting at worst if placed in the wrong hands. But if done right, they can really resonate with audiences. (As evidenced by the fact that the movies I mentioned earlier were pretty big hits.) Mr. Church falls somewhere in between.
Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2016
The third release of the Vestron Video Collector’s Series that Lionsgate has decided to put out isn’t just one film but two, Waxwork and its sequel Waxwork 2: Lost in Time. If you think just because it’s a two-for-one release that they may have taken the lazy route on handling the transfers and features, well, I can happily say that you’d be wrong. If you like campy horror, especially the kind that existed during the late 80’s on into the early 90’s, then this is the kind of double-feature set you’ll have a blast with. It doesn’t hurt, either, that it’s being released just in time to be enjoyed for those of you looking to put together some horror movie marathons during the Halloween season.
Waxwork
Posted in: Disc Reviews by J C on October 3rd, 2016
“Warning! The truly unusual motion picture you are about to see contains many scenes of graphic violence. It is not intended for the faint of heart, nor the young and impressionable.”
Anyone who makes it all the way through 1987's Blood Diner — a gleeful, inspired exercise in bad taste — can't say they weren't warned. That being said, the tongue-in-cheek disclaimer that precedes the film still may not be enough to prepare you for the utter silliness and depravity that follows.
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2016
“I guess I’m just not used to being chased around a mall in the middle of the night by killer robots.”
It’s October, and that means it’s the start of 31 Nights of Terror, and this year we’re kicking things off with one of my guilty pleasures growing up, Chopping Mall. This came out at a time when slashers were pretty much a dying genre, but there was still a demand to have horror films up on the big screen. I never got to see this in theaters, but I remember the VHS box art from my local mom-and-pop video store. The idea of the robotic hand clutching a shopping bag with a head on it was something that gripped the teenager in me. Sure, the film is nothing like what the box art teases, and the original title Killbots is a far more accurate title, but from a promotional standpoint, in the vein of the old Roger Corman films, I get why they did this. So what’s it all about? Well, grab your keys, grab your wallet, because we’re about to take a trip to Park Plaza Mall and see what it’s all about.
Posted in: Disc Reviews by J C on September 30th, 2016
“A creature that gestates inside a living human host…and has concentrated acid for blood.”
If you're a fan of sci-fi, horror, or action films, chances are you're also intimately familiar with the creature at the center of the Alien franchise. Ridley Scott's 1979 original is a masterpiece of space horror, so it would've been foolish for any follow-up to try and replicate the same formula. Instead, James Cameron's classic sequel succeeds by transplanting an entirely new genre into the series (Aliens is basically a war movie) while maintaining the sense of terror that made its predecessor a classic. You can get a fresh look for yourself now that Fox has released a 30th Anniversary Edition.
Posted in: Disc Reviews by Brent Lorentson on September 14th, 2016
When a movie that so clearly lifts its inspiration from the films of Roman Polanski and Alfred Hitchcock, I would have expected to simply embrace this film for the nail-biting thriller it is attempting to be. Instead I found myself sitting back wondering why I just couldn’t get into this film. Is it because the storyline seems uninspired? Whatever it is when it comes to The Ones Below, it may hit all the right notes when it comes to what to expect with a thriller, but that’s the problem; it plays everything by the book and doesn’t dare to take unexpected twists.
Kate (Clemence Poesy) and Justin (Stephen Campbell Moore) are a happy couple living alone in an upstairs flat in London with a baby on the way. When they notice that they have new neighbors who have moved into the space below them; it of course comes as a surprise to see that they too are a couple expecting to have their first child. The new neighbors are Theresa (Laura Birn) and her husband Jon (David Morrissey). There is something off about the couple right from the start, and when Kate and Justin invite their new neighbors to dinner, you don’t have to hold your breath too long before things go awry. When an accident occurs that causes Theresa to lose the baby, as a viewer we can already expect things to go bad, since Jon and Theresa seem to blame Kate and Justin for their loss, but what follows just kind of seems silly rather than menacing.
Posted in: Disc Reviews by Gino Sassani on August 29th, 2016
"This is the law of the jungle..."
Disney appears to have a law that all of its classic cartoon features must now be made into live-action films. As I've mentioned in my review of the original classic The Jungle Book, the animated feature was the end of an important era at Walt Disney Studios. It was released about a year after Walt's death and was the last film he supervised from beginning to end. In the wake of Walt's death the studio experienced a sharp turnover and complete retooling of the animation department. With only the nine old men to carry the traditions of Walt into the future, The Jungle Book would forever mark a distinct milestone in the history of animated feature films.
Posted in: Disc Reviews by J C on July 14th, 2016
“Are you a good guy or are you a bad guy?”
I honestly try to be a good guy whenever I sit down to write a review because the fact is I wouldn't be doing this if I didn't have a deep love for movies. Heck, I can usually even derive enjoyment and find the charm in films that obviously have limited resources. Unfortunately, it's hard to stay positive whenever Steven Seagal pops up on a Blu-ray cover, always with the same neutral expression and always brandishing a firearm. Code of Honor, Seagal's latest offering, is no exception. If the question is, “Is this a good movie or a bad movie?”...I think you know the answer.
Posted in: Disc Reviews by Brent Lorentson on July 12th, 2016
For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival. With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor, after all it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others. This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school, that for me is a film I manage to watch at least once a year when I come across someone who hasn’t yet seen the film. So how does the film hold up in the face of such expectations? For me this isn’t just a fun film, but I’m taking a stand and calling this the best party film to date (and yes, I’m daring to say it’s better than Animal House).
It’s time to take a trip back to 1980, a time before social media was ever a thing, and when cars came with tape decks filled with cassettes and people who had record collections were not hit with being called hipsters. The star of this film for me is the music that is beautifully strung through the film, whether we’re listening to Van Halen, Sugar Hill Gang, or The Knack, what we have is a great assortment of music to set the tone of the film, and we get a musical bag of ear candy to indulge.
Posted in: Disc Reviews by J C on July 7th, 2016
“Oh...you were expecting Prince Charming?”
Shrek really did pick the absolute perfect time to emerge from his swamp. The 2001 computer animated sensation from Dreamworks arrived just as rival studio Disney was winding down its decade-long hot streak of hand-drawn new classics like The Little Mermaid, Beauty and the Beast and The Lion King. In other words, it was the ideal moment for someone to come along and take shots at cartoon musicals and fairy tales that end with “Happily Ever After.” (Shrek's biggest target, however, was probably the Mouse House itself.) But how does the movie play 15 years later? Fortunately, Fox and Dreamworks have released a new Anniversary Edition to help us figure out the answer.
