Posted in: Disc Reviews by Gino Sassani on March 27th, 2012
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry. There’s a reason why the cat and mouse pair is such a classic. It’s because it works. If you can make your characters entertaining and endearing enough, you can have a hit. MGM finally entered the major leagues, and the team of Hanna and Barbera would become one of the most successful animation teams in history. They would go on to create such cherished characters as The Flintstones, Yogi Bear, The Jetsons, and, of course, Scooby Doo.
These were the days of the Golden Age in Hollywood. These shorts were not being produced for television, which hadn’t been invented when they began; rather, they were intended for theater-goers. In those days going to the movies was much more of an inclusive experience. You always got a cartoon short along with an adventure serial, the likes of Buck Rogers, Flash Gordon, and The Lone Ranger. These multi-chaptered serials were the forerunners to the modern television series. It kept you coming back to the movies to see what would happen next. Each chapter ended in a cliffhanger. These early serials were the inspiration for such film franchises as Star Wars and Indiana Jones. Finally you got one, sometimes two movies, all for the price of a single admission.
Posted in: Disc Reviews by Brent Lorentson on March 26th, 2012
Released back in 1982, Treasure Train tries to capture the imagination of kids as Disney had for years but with a much smaller budget. Helmed by surrealist artist and director Fernano Arrabal, he crafts a film heavy on the power of a child’s imagination and sense of adventure. To be fair I had to give this movie a second viewing not because I liked it but because it was so weird I had to make sure what I saw was real.
The film opens with a beautiful overhead shot of a train barreling down the tracks. As the credits begin to roll the beautiful footage dissolves from the real train to a model train that is steaming ahead to collide with another train. As the toy falls to the ground a frustrated man scoops up the train only to yell at the children. This scene though on the surface is simple but represents what the film is about. Every child while growing up is excited about the prospect of being older and how great it all must be but the reality is never is as good as it was supposed to be.
Posted in: Disc Reviews by M. W. Phillips on March 26th, 2012
“Ohh. Oh, Fritz? Fritz, get up for God's sake! Get up! They've killed Fritz! They've killed Fritz! Those lousy stinking yellow fairies! Those horrible atrocity-filled vermin! Take that! Take that! They killed Fritz!!!”
Ralph Bakshi is probably best known for his x-rated animated adaptation of R. Crumb’s Fritz the Cat, the first animated film to receive an x-rating from the Motion Picture Association of America and still turn into the most successful independent animated feature of all time. When his second and also x-rated animated feature, Heavy Traffic, a blacker than coal satirical comedy, became a hit (theaters were willing to take a chance on the x-rating due to the success of Fritz), Bakshi became the first person in the animation industry since Walt Disney to have two financially successful movies released consecutively.
Posted in: Disc Reviews by Bob Ross on March 25th, 2012
The strangely compelling pop-rockers first played publicly in February 1977. Almost exactly 34 years later, the B-52s soared again into their hometown, delivering an exuberant, hit-filled set at the Classic Center in Athens, Ga. Fortunately for concert-party aficionados, the show was captured in high-def, widescreen glory for the Blu-ray winner, The B-52s With the Wild Crowd! Live in Athens, GA. If you’re already a fan of “the world’s greatest party band” (it says so right on the dust jacket), this 96-minute celebration is an obvious must-have. The old new-wavers haven’t lost a step as they crossed one at a time into AARP territory. But even first-time flyers will feel the power generated by the B-52s time-tested crew. This high-energy set kicks off with a driving kickoff of “Pump” and the ever-catchy hook of “Private Idaho.” The pace doesn’t seriously slacken for another 90 minutes of bouncy dance-rock, lively melodies and irresistible harmonies.
While lead singer Fred Schneider takes on key front-man duties, this expertly edited program shows that he’s the captain of a totally talented team. Schneider’s wit as a vocalist and emcee are charmingly apparent here, but we also get time to appreciate Kate Pierson’s far-ranging warble, Cindy Wilson’s rich vocal counterpoints, and Keith Strickland’s stinging guitar riffs. (Strickland was the band’s original drummer, who switched to guitar after the death of founding member Ricky Wilson, Cindy’s brother.)
Posted in: Disc Reviews by Michael Durr on March 23rd, 2012
Most of the people when they hear the name Titanic think of the ship that sank almost one hundred years ago to this day. Well, except for James Cameron who thinks of the oodles and oodles of dollar bills that he bathes in on a daily basis. Regardless, the people at A&E and the History Channel decided to bring us three documentaries and five hours of knowledge on perhaps the most famous ship of them all. The RMS Titantic.
Titanic: The Complete Story comes on two discs and has over five hours of interviews, narration, recreation and tons of old footage. There are really two documentaries here disguised as three (one has two parts) but each of them has their own theme.
Posted in: Disc Reviews by J C on March 22nd, 2012
Even though I'm guilty of doing it myself, I always laugh a little when I hear someone complain that certain actors "just play themselves": as if you or I actually know these celebrities personally and have the authority to say what they're like in real life. Of course, what we really mean is most movie stars have found a screen persona that has connected with audiences and — in the spirit of giving people what they want (or laziness) — tend to stick pretty close to that image, adding only a tweak when we catch on to their game. (I mean, do we really want to see Sylvester Stallone tackle Hamlet? Wait, that would be amazing!) This isn't a new development: it's been happening since the days of John Wayne, and it continues to happen today with the likes of Tom Cruise, Will Smith, Jennifer Aniston, Seth Rogen and others. (Ok, so Seth Rogen probably is just playing himself.)
Few actors are "playing themselves" to as much critical and commercial success today as George Clooney, a handsome, articulate, serious-minded charmer who looks great in a suit. So when he plays handsome, articulate, serious-minded charmers who look great in suits, I can understand why some people may shrug their shoulders, no matter how excellent the performance is. You think it's an accident he won an Oscar for gaining some weight and covering his face with a scraggly beard in Syriana, but was shut out for superior work in Michael Clayton and Up in the Air?
Posted in: Disc Reviews by M. W. Phillips on March 22nd, 2012
“Chill out? Am I the only one hearing this? This thing attacks people, Jane, and she wants to go looking for it, because she has deranged fantasies about the unexplained!”
In Splintered a group of teens go seek the truth behind the northern Wales urban legend known as the Beast of Bodmin, a creature who may be responsible for the death of a bunch of livestock and the disappearance of a number of tourists and citizens. Sophie (Holly Weston) lives with unsuppressed childhood memories of being assaulted in her bedroom by some kind of beast man. It drives her to seek out the unknown with a particular obsession with the Beast of Bodmin. Sophie tricks John (Sol Heras) a boy crushing on her, her best friend Jane (Sadie Pickering), Jane’s boyfriend Sam (Sacha Dhawan), as well as Jane’s brother Dean (Jonathan Readwin) into join the hunt without really ever telling them what they were doing. So what should be a weekend romp turns into an investigation of a deadly urban legend. Gee, never heard of that plotline before.
Posted in: Disc Reviews by Gino Sassani on March 21st, 2012
“It’s time to play the music. It’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight…”
What do the following huge stars all have in common: Elton John, George Burns, Peter Sellers, Don Knotts, Bob Hope, John Cleese, Madeline Kahn, and Milton Berle? They all were guests on The Muppet Show. It would be pretty hard to argue that the series didn’t became the in place for A-list entertainers to have a little fun. Like a neighborhood clubhouse, the top stars would come to the show and allow themselves to be often upstaged by Henson’s cute little creatures. They would place themselves in ridiculous situations and often allow themselves to be lampooned and ridiculed, and they always appeared to have a blast while they were doing it. Elton John singing his Kiki Dee duet, Don’t Go Breaking My Heart, with Miss Piggy has to be one of television’s most memorable moments. Not only do you have a guest list that would make Saturday Night Live envious, but you have something they never had, namely Kermit, Miss Piggy, Fozzie and Gonzo providing their special brand of Muppet madness.
Posted in: Disc Reviews by J C on March 20th, 2012
After watching Tinker Tailor Soldier Spy, my mind wandered over to Inception of all places. Remember how Ellen Page's character pretty much only existed so other people could explain to her — and, by extension, us in the audience — the rules of the movie's universe and what the hell was happening? Well, watching Tinker Tailor Soldier Spy for the first time felt a lot like what I imagine Inception would look like if Page's novice architect hadn't been in the script: words and items have dual meanings, characters have double (and triple) motivations, and good luck figuring out everything that's going on in this complex world!
The plot, however, is deceptively simple: veteran spy George Smiley (Gary Oldman) is called out of retirement to uncover a Soviet agent in the highest ranks of MI-6, the British intelligence service. (I'll refrain from further discussing the plot so that I don't give anything away, but also because there's a decent chance I haven't comprehended everything that happened. That being said, my second viewing of this movie went considerably smoother than the first.)
Posted in: Disc Reviews by David Annandale on March 17th, 2012
In the 1930’s, the orphaned Hugo Cabret (Asa Butterfield) lives in the access tunnels of the Gare Montparnasse in Paris, winding the clocks, making sure that no one knows his guardian uncle has long-since gone AWOL, and filching bits and pieces of mechanisms that will allow him, he hopes, to repair the automaton he keeps in his living quarters. This is his last connection to his deceased father, and his dream is that the repaired machine will grant him a message from the beyond.
But there are obstacles to his quest. Foremost is the tyrannical station inspector (Sacha Baron Cohen), who likes nothing better than rounding up street urchins and packing them off to the orphanage. Hugo also runs afoul of the bitter, disappointed old man (Ben Kingsley) whose toy store has been the source of much of his material. This encounter proves fateful for them both. The old man is none other than Georges Méliès, whose films are the ground zero of all fantasy in cinema, but who has since been forgotten by the industry he helped create. Hugo and Méliès’ granddaughter Isabelle (Chloe Moretz) become allies, determined to give Méliès back the sense of joy and wonder he once gave to so many.
