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As one might guess from my film reviewing resume, I watch a lot of Asian movies.  Unfortunately, judging by the same resume, it would appear that most of that is anime and drama.  But in my spare time, I do watch a lot of popular Asian cinema, especially with the likes of Donnie Yen or Jing Wu. In addition to contemporary favorites, I certainly have not forgotten the roots of martial art cinema in the likes of Bruce Lee and others.  Well, today I received a box set featuring one of the legends of Asian cinema: Shin'ichi Chiba, better known to most American audiences as the one and only Sonny Chiba.  That set of films would be of course, The Street Fighter Collection.  Let us take a look.

“Everything is possible…even the impossible.”

To be clear, the fact that Disney has delivered a big-budget, star-studded follow-up to one of the most beloved family films in its staggering catalog is *exceedingly* possible. This is, after all, the age of reboots and live-action remakes of movies we already love. What seems impossible is that Mary Poppins Returns and its sensational leading lady both live up to and (re)capture the spirit of the Walt Disney-produced Julie Andrews classic from more than 50 years ago!

This is one of those films where the cast had me equally excited and concerned with how the film would turn out.  On one hand it has Harvey Keitel; the guy is a living legend between his roles in Reservoir Dogs, Bad Lieutenant, Taxi Driver, Mean Streets, and countless others.  Keitel is one of those actors who elevates just about any film he’s in, and he’s in several films I’d even call classics.  Then on the other end of the spectrum there is Hayden Christensen, one of the most lifeless performers to ever grace the screen in my opinion. I still have bouts of anger when I see him as Anakin Skywalker.  But I’m always ready to have an actor surprise me, and I always go into a film with an open mind once I sit down and start watching it.  Unfortunately The Last Man is a dud and was a film I struggled with so many of you won’t have to.

"I love a comedy. Is there cake?"

The Favourite is a somewhat awkward film. Director Yorgos Lanthimos took on a rather brave but dangerous task when he decided to create a farce. Most audience members don't understand the term. They use it rather synonymously with comedy or spoof, but it is truly something very different. A comedy is meant to deliver as many laughs as possible. You get pratfalls, one-liners, slapstick, and other over-the-top methods to bring about those laughs. Spoofs take a specific subject or genre and expose some of the more innate aspects of the material, all in good fun. Leslie Nielsen was a master of the spoof with his Airplane and Naked Gun films.

It may only be March, but I’m willing to bet The Standoff At Sparrow Creek will make the list of my top films of 2019.  I’m going to go out on a limb and say that this is the next breakout film people will be talking about, because it’s just that damn good.  Think about what Reservoir Dogs mashed up with Glengarry Glen Ross would be like if they were mashed together and the characters were all members of a militia; then you’ll somewhat have an idea of what The Standoff at Sparrow Creek has in store for you. We’ve all heard rumblings about militia groups, the kind that have their hidden bunkers that have stockpiles of weapons and ammunition that are ready to go into battle at a moment’s notice.

All good things must come to an end, and so it was at Walt Disney Studios. The Golden Age of feature film animation had started with Snow White and the Seven Dwarfs in 1937. By the end of the 1970's, it was all but gone. As the studio entered the 1980's the things had gone from bad to worse. Walt was gone, and so it seemed was the magic. Most of The Nine Old Men had either retired or passed away. The studio leadership was considering closing the animated studio and moving on to live-action films only. It was a dark time for the artists and creative folks at the Mouse House. A shadow had fallen. Sounds pretty much like the beginning of a Tolkien tale, doesn't it?

Ralph Breaks the Internet is a sequel to the hit Disney animated film Wreck it Ralph. In Ralph Breaks the Internet, we follow our heroes from the last movie, Ralph and Vanellope, as they travel the internet in search of a broken part for Vanellope’s arcade game. They find the missing steering controller on eBay, and it’s the last one in existence. Up for auction, they give the winning bid for $27,000. They now must find a way to earn the money to pay for the controller with a deadline in five hours, or they will lose Vanellope’s game forever. Ralph Breaks the Internet is a painfully average film, and compared to its predecessor, a huge disappointment. This sequel wasn’t bad, however, but it wasn’t too great either. There’s one big problem I had with this movie, and it’s Ralph. Ralph in the first movie had already gone through his character arc and was a very well developed character by the end of the film. In this movie it feels like they purposely broke the character just for a story line. Ralph in Ralph Breaks the Internet is now a needy, clingy, and annoying character. Throughout the movie Ralph is constantly holding Vanellope back from doing the things she wants to do to save herself. People who relate to her should start to feel how annoying Ralph can be.

It is interesting to see two or more of a director's works in a short period of time.  One sees similarities, differences, and how the filmmaker hones his craft as they improve with every production.  Masaaki Yuasa is certainly one of those directors, and if you enjoyed my review on Night is Short, Walk on Girl,  then you will want to go ahead and read my review today on Lu Over the Wall.  While there are similarities, I can safely say that is quite the departure from the previous film.  Let us take a look in the animated world of merfolk and the people who live around them.

As with probably most people in this business, I am indeed addicted to the concept of collecting movies.  It should probably come as no surprise that I have well over 1,000 movies in all disc-based formats.  Anybody with a rational mind should question why I have to own all the movies in a given series.  Yes, I own Darkman 3, Hollow Man 2, and Bloodsport 4, among other strange and utterly awful movies.  But somehow despite that completion-ist mindset, my addictions and OCDs pale in comparison to a deadly drug such as alcohol, a drug that can overtake your life and kill you in an instant.  Our review today takes us to a TV movie from the 70's named Sarah T: Portrait of a Teenage Alcoholic.

When Robert Redford first announced that The Old Man and the Gun was going to be the last film he was going to be acting in, it became a film that shot to the top of my must-see list.  Since that announcement he’s backed off on his comment, but if this were his last film, this would be one heck of a way to close out an amazing career. What writer and director David Lowery has delivered here is sort of a love letter to all of Redford’s greatest hits, and by the time the credits end, well, you simply know you’ve watched something special.  It’s a film from another era, when special FX didn’t come out of a camera and cinema just was different.