AVC MPEG4

"Welcome to the SyFy Channel."

OK, not really. Revolution aired on sister network NBC, both part of the Universal family. Usually the sibling resemblances are not very visible. Revolution, however has all the elements of a typical SyFy Channel series. These shows almost always start with strong source material or a crazy but clever idea.

Horror doesn’t necessarily need to be about the supernatural or have an axe-wielding maniac to be terrifying.  Jump scares and gore effects are also some nice devices directors rely on to scare their audiences.  But for me, what really gets beneath my skin is the possibility of what I see projected up on the screen can become a reality in my day to day life.  The Sacrament attempts to show how quickly faith and love can quickly be turned and used as a weapon that can lead to the demise of the fragile and the faithful.

Under the revamped Hammer production company, The Quiet Ones is the new release from the legendary UK company that was known throughout the 50-70’s for its Gothic horror.  In this new resurgence of Hammer, no longer do we have Peter Cushing or Christopher Lee to look forward to gracing the screen, but what we do seem to be getting is a respect for what horror can be.  Horror seems to have bottomed out as of late.  Where horror seems to be delving into cheaper budgets and going the direction of found footage, which isn’t so much a bad thing, but as we all know the market is just saturated with this style of filmmaking.

It’s kind of astounding that it took this long for somebody to revisit Rosemary’s Baby. Don’t get me wrong: I’m not suggesting Roman Polanski’s indelible 1968 adaptation of Ira Levin’s 1967 novel was crying out for a remake. It’s just that at this point you’d be hard pressed to find any horror classic — or any horror film, period — that hasn’t been re-done. (Stay strong, Exorcist!) And you probably wouldn’t expect said horror classic to be re-imagined as a bloody network TV miniseries.

The television landscape has been flooded with shows about the supernatural. Vampires have been particularly hot topics in recent years, but werewolves are starting to get their own sub-genre going. MTV's Teen Wolf manages to pull the theme off quite well. It's no surprise that pretty much every network out there wants to throw their own hats into the supernatural ring. It's getting quite crowded, but the popularity appears to have no end. Of course, with such a crowded field you have to find a way to stand out from the rest.

At this point in his alternately mocked and celebrated career, Nicolas Cage starring in a movie called Rage seems redundant. (Especially since “Rage” would be a much more eloquent title for this classic YouTube video.) Yet here he is starring in what looks like a Taken ripoff…until you realize he already starred in a Taken ripoff two years earlier. To its credit, Rage does appear to want to say some interesting things about the way secrets refuse to stay buried and the perils of resorting to violence. Unfortunately, the film often takes the most misguided and clichéd avenues to get there.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

The sixth season of Star Trek: The Next Generation is arguable one of the best seasons in the history of the franchise. There are likely many reasons for this.

Experimental film can mean lots of different things. Usually it means chaos and disorientation as we are plunged into worlds we have never seen before, but experimental can merely mean doing something that has never really been done before. In this case, it is taking a simple idea and seeing if you can make it work. Can you make something interesting that seems too simple and too basic? Anything can work if you apply discipline and intelligence to a project.

"Hi, little guys."

There was a time, decades ago when Walt Disney Studios was doing quality documentaries on a pretty regular schedule. Many of them appeared on the television show The Wonderful World Of Disney, and more than a few were released as feature films. And while that tradition has continued somewhat, it's been a while since I was truly impressed by a Disney documentary. That all changes with the release of Bears.

Need for Speed is based on a video game. It caters to people who love the experience of speed. There is a huge audience for this sort of thing. To their credit, the writer and director makes every effort to create an actual story and real characters in this presentation. It is easy to compare it to Fast and Furious, but why bother. That gives these sorts of films too much credit. Fast and Furious and Need for Speed are designed to give people a thrill. If anything, Need for Speed takes things more seriously than the Fast and Furious series.