Posted in: The Reel World by Brent Lorentson on September 16th, 2016
It’s been just about four years since Savages (2012) hit the big screen. For me Savages was Oliver Stone simply having a blast, shooting an over-the-top action film fueled by sex, drugs, and violence. Now it seems Stone has stepped back into the paranoid, government conspiracy form that he seems to be best known for with Snowden. Whether you view him as a traitor to the United States or a self-sacrificing lamb to expose the government and its illegal wiretapping, it’s a choice that is up to you going into this film. Personally, while I feel his intentions were good, still he did betray his government and committed treason. What I had hoped with this film is that Oliver Stone would capture both sides of the coin, but as the title would suggest, Edward Snowden (Joesph Gordon-Levitt) is front and center on this ride, and that’s not my only problem here.
When we first meet Snowden, he’s locked away in a Hong Kong hotel room getting ready to give an interview to two journalists, Glenn Greenwald (Zachary Quinto) and Ewan McAskill (Tom Wilkinson) along with documentarian Laura Poitras (Melissa Leo) to film the event. It’s this interview that sets up the rest of the film that is told mostly in flashback form. The dynamic of this opening sequence works so well simply because of the elevated bar of talent on the screen; it sets up for what one could only expect will be filled with snappy dialog exchanges as these figures discuss what Snowden is about to unleash to the world. Instead we get a whimper of what could have been.
Posted in: Disc Reviews by Gino Sassani on September 16th, 2016
Scuba diving is the closest thing I've ever experienced to being on an alien world. Everything around you looks and feels totally different from what we see on land. Even our relationship to gravity changes. There's nothing like it on this Earth. The ocean is a diverse place and quite resilient. The Last Reef makes this point rather dramatically in the opening minutes of the documentary. It begins with a newsreel that takes us to the nuclear explosion experiments that were conducted off the Bikini Islands in 1946. Yes, that's where the swimsuit got its name. The Islands were making the newsreels because of the tests. Of course, the entire landmass and surrounding sea were saturated with radiation. The Islands reef was destroyed. It was pretty much left to its own devices for over 50 years. And now it is once again a flourishing reef teeming with incredible life.
From the tests the film shifts gears and becomes more of a standard journey into the waters of several reefs around the world. The film begins to make the connection between a reef and a thriving metropolis like New York City. We're treated to time-lapse video of various aspects of New York City, particularly the traffic throughways and outside cafes. Of course, these moments are frantic, particularly in time-lapse form. We're then exposed to the slower, more tranquil versions of some of the same ideas: schools of fish all moving in one direction compared to those highways and feeding stations where rays and sharks can have parasites cleaned from their bodies by waiting fish. The connections are a stretch, yes, but it's a nice effective way to compare and contrast these two distinctly different "cities".
Posted in: Disc Reviews by Gino Sassani on September 15th, 2016
"This is encouraging."
For the first time in a long while, the Winchester Brothers end and begin a season together. Dean's just had the Sign of Cain removed, and the cost is the approaching darkness. I'm not talking a little storm blowing through. Here in Florida we know all about that kind of darkness. No. This is The Darkness, and it's the big bad for season 11 of Supernatural. You heard that correctly. We're talking 11 years with number 12 arriving any day now. Once again it's "end of days" kind of stakes, and we have another season to save the universe.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2016
"Going on down to South Park and meet some friends of mine."
After 20 years or more, they really do feel like friends. I've known Cartman, Stan, Kyle, and Kenny longer than most real people in my life. Only the Simpsons have been around longer these days. Over those years South Park has always been a series of stories that rarely connect with each other in any significant way. There have been multi-part episodes, and certain experiences have come back up over the years. Still, we're talking about a universe where killing Kenny had become a running joke and happened pretty much in every episode. Those days are gone, and it's been a while since Kenny met his demise, and now South Park has joined the ranks of the continuing story season. I do believe that's one of the signs of the Apocalypse. I'm just sayin'.
Posted in: Disc Reviews by J C on September 14th, 2016
“Accidental president...that's what they'll say.”
Lyndon Baines Johnson became the 36th President of the United States under the most tumultuous circumstances imaginable. Besides being thrust into office after the shattering assassination of President John F. Kennedy, Johnson had to immediately contend with multiple political crises. Most notably, LBJ faced pressure from several different fronts as he worked to pass what eventually became the Civil Rights Act of 1964. All The Way, buoyed by a funny and ferocious lead performance, offers a thought-provoking and entertaining look at a truly complex figure.
Posted in: Disc Reviews by Brent Lorentson on September 14th, 2016
When a movie that so clearly lifts its inspiration from the films of Roman Polanski and Alfred Hitchcock, I would have expected to simply embrace this film for the nail-biting thriller it is attempting to be. Instead I found myself sitting back wondering why I just couldn’t get into this film. Is it because the storyline seems uninspired? Whatever it is when it comes to The Ones Below, it may hit all the right notes when it comes to what to expect with a thriller, but that’s the problem; it plays everything by the book and doesn’t dare to take unexpected twists.
Kate (Clemence Poesy) and Justin (Stephen Campbell Moore) are a happy couple living alone in an upstairs flat in London with a baby on the way. When they notice that they have new neighbors who have moved into the space below them; it of course comes as a surprise to see that they too are a couple expecting to have their first child. The new neighbors are Theresa (Laura Birn) and her husband Jon (David Morrissey). There is something off about the couple right from the start, and when Kate and Justin invite their new neighbors to dinner, you don’t have to hold your breath too long before things go awry. When an accident occurs that causes Theresa to lose the baby, as a viewer we can already expect things to go bad, since Jon and Theresa seem to blame Kate and Justin for their loss, but what follows just kind of seems silly rather than menacing.
Posted in: Tuesday Round Up by J C on September 13th, 2016
Summer’s winding down, and the chillier temperatures of fall and winter are just around the corner…well, at least for those of you who live outside of Florida. As we brace for another unseasonably warm autumn — fingers crossed I’m wrong! — UpcomingDiscs HQ will get a blast of wintry air this week. Join us as we bundle up to explore Wonders of the Arctic in 4K courtesy of Shout! Factory, which also dives underwater to explore The Last Reef in 4K. Lionsgate steals from the rich with Marauders, and ABC/Disney undergoes rigorous training at Quantico: Season 1. Finally, Eagle Rock invites us to come sail away with Styx: Live at the Orleans.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: Disc Reviews by Gino Sassani on September 12th, 2016
"My name is Barry Allen, and I am the fastest man alive. When I was a child, I saw my mother killed by something impossible. My father went to prison for her murder. Then an accident made me the impossible, and I became the Flash. I used my powers to find the man responsible for my mother's death. I thought I would finally get justice for my family, but I failed. It's been six months since the Singularity. I'm on my own now. Decided it's better that way. Keeps the people I care about safe. There's only one thing I can do now. I run…"
The Flash is CSI with a twist. Barry Allen (Gustin) is a police scientist working in the CSI lab of Central City. In fact, he appears to be the only staff of that unit, having pretty much the run of the lab. When he was 11 he witnessed his mother's murder amid red and yellow streaks of lightning. Within the streaks he saw a man dressed in yellow. No one believed what he saw, and his father (Shipp) has been doing time for the murder he did not commit. Young Barry was taken in by their family friend Detective Joe West, played by Law & Order's Jesse L. Martin, and daughter Iris West (Patton). When a particle accelerator at Starr Labs explodes, the dark matter wave that spreads across Central City combines with a lab accident, and Barry is bestowed with incredible speed. Unfortunately, he was not the only one affected. Other people received various other powers and are referred to here as Meta Humans.
Posted in: Disc Reviews by Gino Sassani on September 12th, 2016
It all started back in the early 1960's when Chuck and the late John Panozzo got together with another kid on their Chicago block named Dennis DeYoung and started to play a little music. By 1970 guitarist James "JY" Young joined the band, and they recorded a few minor albums. In 1975 their first hit Lady would put the band on the map, and when Tommy Shaw joined as a singer/writer/guitarist for the Crystal Ball album, the top of the pop charts would be the band's new neighborhood for the better part of a decade. There's little doubt that the band peaked in the late 1970's with The Grand Illusion and Pieces Of Eight. It's amazing how many hit singles came from just two LP's: Come Sail Away, The Grand Illusion, Fooling Yourself (Angry Young Man), Blue Collar Man, Sing For The Day, and Renegade. Recently the band cashed in on those glory years by performing a world tour of those classic albums live and in their entirety.
The band's changed since the albums were released. Dennis DeYoung and Tommy Shaw have both had stints of running the band without the other. Now Dennis is gone, apparently for good, and has been replaced by Laurence Gowan, a Canadian musician who came to my attention over 20 years ago. I have several of his hard-to-find CD's and have loved his music for years. John Panozzo passed away, and his brother Chuck isn't really doing so well these days. Chuck's been replaced by Ricky Phillips on bass. Chuck does make an occasional appearance for a song, but it's sad to say and see that he looks rather worn out. While it was great for the guys to welcome him along, I was bummed by his look and lack of energy. He was an important part of the band, and I would absolutely have loved seeing him back in form. The drums are handled by Todd Sucherman, who replaced John when he became ill.
Posted in: No Huddle Reviews by Jeremy Butler on September 12th, 2016
I have a new opinion, newly formed, that Tyler Labine is underrated, because it goes without question that his performance was the crown jewel of Mountain Men, a story about two estranged brothers who find themselves without a vehicle, trapped in the winter wilderness, and must trek their way back to civilization. This movie features some of the quips and brotherly banter that I’ve seen all year. In fact, if it weren’t for the fact that the two look nothing alike, I would be inclined to be believe that they were actually related.
Toph (Labine) is part-time deejay, full-time weed dealer who has just been notified that his girlfriend (Britt Irvin) is pregnant. Cooper (Chace Crawford) is his more successful younger brother, who returns home after a long absence for their mother’s wedding. Early on it is clear that the family is not very close, and much of that is explained to be in part due to the death of their father. Cooper hasn’t accepted their father’s death because his body was never found, partially due to the fact that their last conversation together was not a happy one. As a result, Cooper stalls signing the documents regarding their father’s estate. Toph, in need of that money due to his situation as well as to try and open up his own business, convinces Cooper to visit their father’s old camping lodge for some brotherly time. Everything that transpires after this is a hilarious adventure in adversity and self-discovery.
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