The title might be a bit misleading. Alicia is not so "good" these days. She's tougher and more willing to make the hard choices. She's more cutthroat in court and even when it comes to asserting her position in the firm and with her cheating husband. This is not the "stand by your man" show it might have appeared to be when it began. It's evolved, and that only makes for better television. And now that it has finally come to an end, it's easy to see that Alicia is now just as calculating and manipulative as her husband ever was. If the show was going to stay on the air, there might have been need for the title to change. Of course, I always took it as ironic anyway. Fans will have all the time in the world now to debate such subjects.

The series is not really a lawyer procedural, at least not on the surface. The show was never about anything else but Alicia and the people who would come in and out of her orbit. Of course, one of the most important of these was always Will Gardner, played by Josh Charles. For the first five years the show was about their complicated relationship. For most of that time there was a back-and-forth both in Alicia's feelings and in her sometimes illogical actions. But Charles left the show in Season 5, and there has absolutely been a bit of a void in both the show and Alicia's life. She has become far more cold and calculating. It's almost as if the last bit of feeling died with Will. She's still dealing with it in the final season. Fans of Josh Charles and his character will be overjoyed to hear that he had a return for the final episode. Of course, he's just an image in Alicia's head, but fans will respond to that material. In fact, it leads to the season's best episode as Alicia daydreams about how her life would have gone with both Peter (Noth) and Will and a new player. That new player is Jason Crouse, and he's played by Supernatural Daddy Jeffrey Dean Morgan.

It's getting to be that time of year. The color orange and the sheer number of pumpkin spice-flavored offerings are about to officially become overwhelming. That's right...it's almost October, which also means the arrival of the spooky season. As always, we'll have plenty more on that front once October properly kicks off. But in the meantime, this week's Round Up is highlighted by a pair of creepy throwback flicks. Lionsgate takes a violent trip to the Chopping Mall and has a killer meal at the Blood Diner. Meanwhile, ABC/Disney is on the case with The Catch: Season 1, while Warner Bros. courts some royal drama with Reign: Season 3. Finally, Film Detective discovers some Patterns in a Rod Serling-scripted 1950s drama.

One last reminder before signing off for the week (and for September): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

“This is when we roar.”

When Fox’s Empire premiered in early 2015, it became an instant sensation that re-wrote the ratings record books. The show’s mix of high drama and hip-hop obviously struck a chord with an underserved segment of TV viewers. Of course, that also means expectations were sky high for this second season. While Empire has inevitably lost some of the sizzle from its unprecedented debut, this unapologetically over-the-top soap rap-era has also managed to avoid the dreaded sophomore slump.

"My name is Brian Finch. I was your average 28-year-old screw-up until I took a pill called NZT. Suddenly I had access to every brain cell. And that's why the FBI hired me. There's just one problem. The NZT will kill you unless you have this shot."

Brian is a guy with a lot of dreams but no ambition to actually make them work. When we find him he's pushing an album that he hasn't even written the songs for. Hey, don't we all? His friends and family nod understandingly, all knowing he'll never get around to any of it. He likes to get stoned, and there goes any real ambition he might have actually had. That is until he runs into an old bandmate who used to be just like him. Now he's a power broker with money to burn. He offers to share his secret with Brian. It's a clear pill he calls NZT. The pill allows you to remember everything you've ever seen or read in your life. The problem is that the crash is bad, and when Brian goes for more, he discovers his friend is dead, and he's in the middle of murder and drugs and the FBI on his tail for both. Of course, on NZT he solves the problems for the FBI. They believe he is the only man they've ever found who is immune to the side effects of the drug which always lead to death. But Brian's not immune.

When it comes to titles from Blizzard Entertainment, I was always more into the Starcraft and Diablo franchises. I played World of Warcraft (WoW) for a small period of time when it became a popular MMORPG (Massive Multiplayer Online Role Playing Game), but my interest in the game quickly died. The aesthetics were a little too cartoony for my liking, plus, you paid for a subscription. Regardless, I am just one fan of Blizzard: WoW caught on like wildfire. I still know people who are playing the game to this day. The question, however, is whether or not this franchise would make a great cinematic adaptation. I will admit that I am not an expert on the Warcraft lore, by any means, but I know enough about popular culture and its many fandoms to look at this film objectively.

Sitting in a theater, you are always treated to interesting pre-screening conversations. More often than not, they are being led by fans of the source material. Here are samples of some of the conversations I overheard:

Last Spring Eagle Vision released four discs that were collectively known as The Frank Sinatra Collection. But when a man's been singing for nearly 70 years, you can't hold a career like that on just four discs. There was always going to have to be more. The more has arrived in the shape of three more DVD's brimming with Sinatra. This time there are 3 DVD's to add to the growing collection. Each features performances, often from television specials. Each is a landmark even in Sinatra's incredible career. Each will bring you back to that ol' Blue Magic.

He was The Beatles before The Beatles were The Beatles. His voice would make women swoon and men want to be him. He romanced some of the most beautiful women in Hollywood history, and he sat at tables with kings, princesses, and presidents. He was The Voice. The Chairman of the Board. He was Old Blue Eyes. His name was Francis Albert Sinatra, but we all called him Frank. He had an unprecedented singing career that literally covered seven decades. Eagle Rock Entertainment gives us a few frozen moments in time for three of those decades. The Frank Sinatra Collection is a group of television specials that give us a wonderful glimpse into several stages of the man's career. Witness the evolution of the song selections as well as the man himself.

This movie definitely gives credence to the saying, “keep it in the family,” given that it features the two leads falling in love. I know what you’re thinking: that’s nothing new. Almost every story in existence features a love story in one fashion or another. You are correct, but here’s the kicker: they are both married into the family; he to their deceased daughter and she to their cheating son. That should make things a bit awkward around the dinner table at the holidays.

Nothing like walking in on your husband with his mistress, who also happens to be his assistant. That is the moment that defined the end of Jesse’s marriage. At that point you usually just walk away and only communicate through lawyers, but in her case, the tragic death of her father-in-law forces her to remain a part of their lives. Though divorced, Jesse remains behind to help her former mother-in-law with packing up her family home in order to move in with her ex-husband, whose callousness also extends to his own family, as the audience will discover under the guise of a sneaky, underhanded deal that he is negotiating.

Great, just what we need, another remake of a film that is not only a classic, but the film which it was inspired by is also a highly-praised classic.  I’ll admit I’ve grown tired of Hollywood going to the well and remaking films that simply don’t need to be messed with.  It’s one thing to see Seven Samurai (1954) translated for American audiences to go from a black & white martial arts spectacle to seeing a colorized star-studded western, The Magnificent Seven (1960).  When I first heard about the remake, I had hopes that the film would be modernized yet again, but unfortunately the studios decided to keep the setting in the Wild West, and even when Denzel Washington was hired on to head the film with Antoine Fuqua (Training Day & The Equalizer) in the director’s chair, I still wasn’t convinced.  Then that first trailer came out, and instantly I was on board.  In a lot of ways this is the riskiest film for Fuqua and company to tackle, since it seems the studios still seem to be afraid of the Western genre, but after this remake I can only hope we see this genre get the revival it deserves, because this incarnation of The Magnificent Seven is the kind of popcorn excitement that was missing in theaters this past summer.

The town of Rose Creek is under the control of a ruthless industrialist, Bartholomew Bogue (Peter Sarsgaard), who aims to buy/steal the land out from under everyone in the town so he can mine it for all the gold he can find.  He’s a scumbag in the worst way and has no problems with putting a bullet into anyone who stands up to him. The opening sequence sets the stage as we get to see Bogue shoot down members of the town in cold blood.  He’s a vision of power with a lust for violence that simply makes its mark on the viewer, which is important in this case because we really don’t get to spend much time with Bogue and his cronies.  Sarsgaard plays this role so well; he seems to be having fun playing such a deplorable character who practically steals every scene he has on the screen.

Growing up I was obsessed with the Teenage Mutant Ninja Turtles animated series; it was the Saturday morning cartoon I just couldn’t get enough of.  When I couldn’t watch the cartoon, I’d be playing with the toys and eventually the video game back in the original Nintendo console days.  So when the movies came out, my parents had no choice but to take me to see them.  Back in those days we had the turtles in rubber suits; as a kid the experience was fun but still just not as good as the cartoon.  As I got older, well, those original films seem to hold up less and less, and when the news came that an updated version of the film would be coming out I got a little excited, that is till I saw the trailer for the 2014 film.  Sure, it had elements from the cartoon, but it just didn’t look inspired; it just looked like a generic kids’ film with passable CGI. The result was simply a blunder, and I would have thought the days of seeing a Teenage Mutant Ninja Turtle movie were numbered.  But here we are in 2016 with the new film Out of the Shadows ready to hit the big screen, and, folks, it’s been nearly 30 years in the making, but FINALLY we get the Teenage Mutant Ninja Turtles movie we’ve been waiting for.

Stepping in to fill the shoes as director is Dave Green. He’s relatively a newcomer in Hollywood, but it’s his vision I believe is responsible for the success of the film.  His previous film Earth to Echo is simply a wonderful kids’ adventure film that captures the energy of the 80’s Spielberg films, most notably ET.  Well, he carries that love for the 80’s into this new installment of the Teenage Mutant Ninja Turtles franchise and injects so much life into it, my inner ten-year-old was cheering with glee over this film.  This is just about the closest I’ve seen an animated series come to life on the big screen and manage to retain what made the animated series so much fun.  This isn’t a film for grownups; instead this is a film that targets the ten-year-old in all of us, the one who doesn’t question the logistics of flying manhole covers, talking brains, or humans transforming into hulking beasts.

Does doing things the legal way really make it better?”

Since movies are at their core a form of escapism, they have a way of glamorizing anyone who violently slashes through the red tape of the criminal justice system. It helps explain the enduring appeal of vigilante/revenge movies and it's probably why we're meant to root for the charitable bank robbers in Marauders. While the movie contains some cool flashes of style and occasionally bumps up against some interesting ideas about justice, it ultimately gets way too bogged down in red herrings and pointless subplots.