It is with a rather heavy heart that I give this film a low rating, because it really has so much going for it. The concept of having several psychopaths escape from an asylum, only to slaughter the patrons of a horror-themed amusement park has a lot of potential when you think about it. During the times when horror attractions such as Halloween Horror Nights have become so popular, it’s hard to believe that a film like this hasn’t already been made. (Perhaps one has, but I have not heard of one yet.) Regardless, the film is pitched as a horror comedy, which is a genre that can easily lose control of itself. Predictably, I would have been much more satisfied without the comedic elements put into the film.

You’d have to go all the way back to 1975 when Jaws was released that a film has come out that has given us a reason to be afraid to go into the water. There have been several attempts to capture the magic that we saw in Stephen Spielberg’s classic film about a large great white shark that preyed upon the swimmers in the town of Amity.  Now that summer is upon us and the heat has us flocking to our A/C units or to the beaches, it couldn’t be a better time to unleash another killer shark film upon the masses.  I have to admit when the trailers came out for this, all I expected from it was to be a campy film that just happened to be well shot.  Instead director Jaume Collet-Serra (Run All Night & Orphan) delivers an enjoyable thriller.

We're heading back to the All American Bikini Car Wash. This time I got to talk with Ashley Park who plays Brittany. Ashley is also the reigning Miss Asia USA. She also has a pretty busy slate of new stuff coming out. We had a lot to talk about and she was a total blast to interview. Get the inside scoop from the set in Vegas. Bang it here to listen in on my chat with Ashley Park and

“Are you food, or are you sex?”

When it comes to director Nicolas Winding Refn, he’s a director I’m never all too sure what to expect from.  For me, Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should.

"Space...The Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints.

"My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon. Since my sister disappeared when I was 12 years old in what I believe was an alien abduction. My obsession took me to the FBI, where I investigated paranormal science cases through the auspices of a unit known as the X-Files. Through this unit, I could continue my work on the alien phenomenon, and the search for my missing sister. In 1993, the FBI sought to impugn my work, bringing in a scientist and medical doctor to debunk it... which only deepened my obsession for the better part of a decade, during which time that agent, Dana Scully, had her own faith tested. In 2002, in a change of direction and policy, the FBI closed the X-Files, and our investigation ceased. But my personal obsession did not."

Just in case you don't know what the heck we're talking about here.

Summer is here and Upcomingdiscs has been cooling off at the All American Bikini Car Wash. We thought it would be a good idea to talk to the guy who came up with the whole thing. That would be writer Patrick Rodio. I had a chance to talk with Patrick about the film. It was a lot of fun and I got the story behind the story. Bang it here to sit in on my chat with Patrick Rodio.

"Space...the final frontier. These are the continuing voyages of the starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek, he quickly made it known that he was not really that into the franchise.

Disaster films are something that for me screams American cinema of the 90’s.  I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth.  Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG.  This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved.  With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states.  Now here’s the question: is it any good, though?

I laughed more than I expected to. That best summarizes my experience with Casual Encounters, a modern day depiction of what the dating world has essentially become these days. Trust me, I have witnessed it firsthand, and the days of positive connection are nearly gone. Tragic but true; however, there remains hope that people can find true love in some of the most low-tech ways, which is another good addition to the B movie.