Posted in: Podcasts by Gino Sassani on April 2nd, 2016
She might very well be the hardest working actress I've ever had the pleasure of speaking to. One thing is for certain. Tanna Frederick has been a lucky charm for director/writer Henry Jaglom for several films now. I got a chance to see her in Ovation, which takes us back stage and inside show business. It's a natural place for Tanna, because she's got this love-affair thing going for the stage. It all game out in our friendly conversation. Bang it here to listen in on my chat with Tanna Frederick.
Posted in: The Reel World by Archive Authors on April 1st, 2016
Have you ever had a traumatic loss? Have you ever lost someone and felt numb? How did you feel about the person you lost, and was it different now that they were gone? Do you think you acted appropriately about the death? Did you care about what people thought of you, or were you in your own little world? Were you ever the same again? Demolition stars Jake Gyllenhaal, Naomi Watts, and Chris Cooper, and is directed by Jean Marc Vallee. Vallee has directed two outstanding and Oscar-nominated films in the last couple of years, Dallas Buyer’s Club (Matthew McConaughey and Jared Leto won Best Actor and Supporting Actor) and Wild (Reese Witherspoon and Laura Dern nominated). Jake Gyllenhaal has been on a fantastic run of totally committed and intense performances (Prisoners, Nightcrawler, Everest, Southpaw, Enemy, End of Watch) for the last few years, and Demolition is no exception.
Davis Mitchell (Gyllenhaal) has a great life. His wife adores him and has an incredible job as an investment banker working for her father, Phil (Chris Cooper). In the narration he mentions that he probably shouldn’t say how much his firm manages, because it would be unethical, but he does anyway ($6,000,000,000). He seems blissfully oblivious to problems in life. Then in an instant his wife is gone. She was killed in an accident while driving and talking to him sitting next to her. He escapes unscathed.
Posted in: Disc Reviews by Brent Lorentson on March 30th, 2016
The name Quentin Tarantino carries the weight of legacy as such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan. I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with. This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight. Tarantino returns to the Western genre, only this time he heads out west to Wyoming to thrust us into his most claustrophobic setting since Reservoir Dogs. Let me just come out of the gate and say that if you’re looking for the over-the-top fun you found in Django Unchained, you’re going to have to readjust those expectations; this time around we are given something much more intimate and all the more rich with dark humor.
John “The Hangman” Ruth (Kurt Russell) is a bounty hunter on his way to turn in his prisoner, Daisy Domergue (Jennifer Jason Leigh) to hang. It’s along their stagecoach ride they come across another bounty hunter, Major Warren (Samuel L Jackson) who is looking to collect on a bounty of his own, only his prisoners are already dead. As we’ve seen in previous Tarantino films, he chooses to tell his story in chapter form, and for the first chapter of the film we spend it getting to know this trio of unsavory characters. If you were hoping chapter two would pick things up in the action department, I’m sorry to say instead it is spent with a new passenger hopping aboard to avoid the oncoming blizzard. The new passenger is Chris Mannix (Walton Goggins); he’s the newly appointed Sheriff in the town Ruth plans on taking his prisoner to hang in, and it’s with this new addition the dialog only continues to flow.
Posted in: Disc Reviews by J C on March 30th, 2016
“It was as if all the pieces of the puzzle were falling into place since what was being discussed here was a matter of creating something unique: a cuisine based exclusively on raw Nordic ingredients.”
That pull quote, which appears at the start of Noma: My Perfect Storm, accidentally serves as a microcosm for the film as a whole. The excitement that builds at the prospect of witnessing something special quickly gives way to a chilly, undercooked experience.
Posted in: No Huddle Reviews by Archive Authors on March 30th, 2016
I don’t find House of Lies funny. In fairness, I don’t think it’s supposed to be funny, or it’s trying to be funny in the most cynical and unpalatable way possible. It’s a half-hour format airing on Showtime, which would normally suggest a sitcom. It’s not a sitcom, but a brash dramedy. Our main characters all have MBA’s but frequently act like teenagers on drugs. They are smart enough to analyze things brilliantly but are so corrupt that they will do the absolutely worst thing possible if it satisfies their personal interests. House of Lies should not be confused with House of Cards, which also features high-level leaders with horrendous morals. It seems to promote undiluted self-interest at all costs.
The show is based on a tell-all book (House of Lies: How Management Consultants Steal Your Watch and then Tell You the Time) by Martin Kihn. The main character on the show is Marty Kaan, played by Don Cheadle. It’s safe to say that the Showtime series is heavily fictionalized and is not about Kihn.
Posted in: No Huddle Reviews by Gino Sassani on March 30th, 2016
"From the chaos of the New York City streets rises a legion of visionary gangsters. Vicious killers and criminal geniuses determined to create their own version of the American Dream."
If you are looking for an actual documentary on the evolution of the mafia and famous Five Families of New York, this is absolutely a bad place to start. I'm a bit uneasy with AMC's use of the word documentary next to drama on this series. It pretty much follows the book The Last Testament Of Lucky Luciano by Martin A. Gosch and Richard Hammer. While neither author is listed in the show's credits as writers, I have found the material pretty much supports that narrative of the story. That's fine, except the book itself has been the subject of controversy since it was first published in 1975. At first there was a rumor the material was based on recordings that Lucky made while in exile in Italy. The authors never made that claim but did claim the material came from various sit-downs between Gosch and Lucky in the early 1960's just before his death. I'm very sure it's the story he might have told. But we're talking about a huge ego here, and much of it is embellished, just as much of Making Of The Mob: New York is quite embellished. This is no history lesson. But is it entertaining.
Posted in: No Huddle Reviews by Gino Sassani on March 29th, 2016
For over 15 years the CSI franchise has been a solid stable of programming for the Eye Network. The original show blasted through all initial expectations and lasted for 15 years. CSI: Miami went on for a decade, and CSI: New York for a little over five years. Now the original has bowed out of the game, and after 30 years of seasons, the franchise's future hangs with newcomer CSI: Cyber. All dynasties eventually come to an end. Some pass quietly in the night. Others do so quite horribly. After watching the short 13 episode run of CSI: Cyber, I'm afraid it's the latter path for a once-brilliant franchise. Catch it while you can, if you're interested. While it will be back this fall, I do not anticipate a long life for a show that is CSI in name only. Now is your chance to decide for yourself.
It all starts with Patricia Arquette as Avery Ryan. The character was first introduced in a back-door pilot the previous season on CSI. She is a psychologist who had her files hacked and made public. The resulting cybercrime caused one of her patients to die. So she joined the FBI and somehow became the nation's leading authority on cybercrime and now heads that team for the FBI. Forget that this is a weak character back story. It's too much been there, seen that. Characters who change the course of their lives over a death are cheap shortcuts trying to gain sympathy from the audience. But let's overlook that for now. The fact that she became such a knowledgeable techie in whatever time there was is completely unbelievable. It's hard to believe she was even much of a psychologist. Human empathy is something I find in neither the character nor the actor.
Posted in: Disc Reviews by Gino Sassani on March 29th, 2016
"A long time ago in a galaxy far far away..."
It sure does seem like it was a long time ago since Star Wars was actually very good. It doesn't matter if you thought Empire or Jedi was the last good film; few people that I've encountered mentioned the more recent trilogy in the same sacred breath as those original films. Star Wars gave us swashbuckler adventure in the spirit of the early serials. Then it was about a mythical epic story that swept a generation into its colorful universe. What George Lucas created in the late 1970's will never die. But before long it became more about the creator and less about engaging the fans. The attitude turned into "this is my franchise and I'll do whatever the heck I want to do with it." First he changed elements of the first films, most notably the "who shot first" controversy over Han Solo and Greedo. It was as if Lucas was truly feeling like God now. Lucas giveth, and Lucas taketh away. The prequel trilogy was all about getting theaters to change to digital and presenting films that shouted wildly, "Look at me". Many scenes were so crowded with visuals that it wasn't even possible to take it all in. The technology began to overshadow the story. And it was always made worse that Lucas didn't seem to care at all what we thought. Star Wars no longer belonged to us.
Posted in: Tuesday Round Up by J C on March 29th, 2016
There’s plenty of love hate to go around in this week’s Round Up. We’ll be covering the Blu-ray release of The Hateful Eight, Quentin Tarantino’s bloody, brutal Western/Agatha Christie-style thriller. In addition to reviewing the film itself, you can also check out Gino’s chat with delightful Hateful co-star Dana Gourrier. Elsewhere, IndiePix bundles up for The Winter, while Film Detective allows us inside The Red House. Momentum Pictures saddles up for father/son Western Forsaken, while Lionsgate leaves itself Exposed.
And one last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: No Huddle Reviews by Archive Authors on March 29th, 2016
"Did you ever run away from a scream? You can't. It will follow you through the woods. It will follow you all of your life... courage is never enough."
How many films are lost and forgotten over the years? It would be interesting to know how many films have been made since the advent of the movie industry. It is probably in the millions, and yet most of us would probably have trouble thinking of a thousand.








