It's Christmas in July because our good friends at ARC Entertainment just went crazy. Their insanity is your good fortune. They've given us a July Gift Pack of three films on DVD for one lucky winner. First up is The Squeeze. A young golf talent gets caught up with a ruthless gambler. All he wants to do is take care of his family and now it might cost him everything. It’s a mix of a con film with the added interest of golf. On second base is See You In Valhalla. It stars Sarah Hyland from Modern Family. A young girl must face some tough secrets when her brother dies and she returns home. It’s a heart-warming tale that also stars Connor O’Farrell, Emma Bell, Bret Harrison and Steve Howley. To complete the triple threat you get Bank$tas. Can you mine comedy out of a financial crises and the student loan issues in this country. You can if you’re Arc Entertainment. Play in the world of high finance with the likes of Alan Thicke and Supergirl herself Laura Vandervoort. It's all going to one lucky winner.

To win a copy, just follow these simple instructions.

I have often wondered how blood feuds got started in the western times. The Hatfield and McCoy feud is the most legendary, of course, except before long how the whole ordeal started just became a bunch of he said/she said. In the case of Echoes of War, it turns out that the feud that is sparked between the McCluskeys and the Rileys began over a just cause; however, the battle was bit one-sided and slow-paced for my liking. Not the mention the film does a bit of a 360 on me that really turns me against the person I spent the entire movie sympathizing with.

by Dustin P. Anderson

Jaden and friends are back for another semester at dual academy. Some friends have changed, like Syrus, who is now a Ra Yellow, and Cyrus’ brother Zane, who is now in the Pro League. This time, since Jaden’s old pal Chumley is gone, he is joined by another Ra Yellow student, Tyranno Hassleberry, a dinosaur dualist with a military mindset; however, with new friends comes a new evil for Jaden to fight, the light: a mind-controlling entity that is taking over the school, trying to take over the world, and has Jaden is in his crosshairs. Can Jaden save his friends, and save the world, without getting controlled by the light?

Big blockbusters rule the summer. Sequels and reboots and remakes are demanded by a public that wants sure things. There are no sure things any more, but the big Hollywood studios try to form committees that take as much chance out of the equation as possible. But even in the middle of a summer ruled by big blockbuster, there is a school of thought that counter programming can work. You have to give the makers of Self/Less credit for releasing a non-sequel and one with such an odd title

"There was a time when, if you told me werewolves existed that I would have laughed. I don't laugh at much anymore."

From the very beginning one can see there is great potential here. The show is based on a collection of books that appear to be popular. They're called The Outworld series, written by Canadian author Kelley Armstrong. The show avoids most of the standard clichés. There is no full moon reference at all here. The werewolves "change" at will or when emotionally charged (“you won't like me when I'm angry”). There are no silver bullets.

by Dustin P. Anderson

There is no real story here. This is set as a competition/reality TV Series. The goal is for one team of survivors to get out of an infected zombie prison. The twist is that the contestants are all YouTube personalities. They must first get out of the room they wake up in, then go to get an antidote, then give the antidote to a doctor, then get out of the facility. The concept for this was intriguing, but the application was sloppy at best. During the entire production you are reminded of how low-budget this series is, whether you are listening to the overly cliché horror music or getting motion sickness from the camera.

In 1976 a New York media group conducted a survey of the NYPD detectives. The question was: “Of all the TV cop shows, which most accurately portrays life as a detective?” The overwhelming response was the comedy Barney Miller. Seems real cops related to the daily grind and weekly wackos of Barney Miller. Let’s not put aside that this was also one of the most consistently funny shows on television. I remember it took me a while to accept Abe Vigoda in such a light role as Fish. My first exposure to Vigoda was the ruthless mobster in The Godfather. Barney Miller always managed to be funny while still telling a good short story. The characters were always wonderful.

There's a moment about halfway through Slow West where the two main characters partake in some absinthe. What follows is a disquietingly vivid dream and our two “heroes” essentially wobbling around until sobering up the next morning.The sequence is actually a pretty perfect encapsulation of what it feels like to watch Slow West, a woozy and refreshingly off-center entry into the Western canon.

I’m really over parody movies, and this one is no exception. The cheesy dialog and recycled storylines from more popular movies fail to strike a chord with me. Is it just me, or does it seems like parodies are nothing more than the bullies of the film industry? Makes sense, right, seeing as their sole purpose is to poke fun at other movies with no originality or real substance to them. Well, in the case of Tooken, it appears that we have run out of movies to parody and are resorting to people. Well, not people per se, merely characters brought to life by the same actor; I won’t mention which actor. However, that part should not be that difficult for you to guess once we dive a little deeper.

“I'm not a scientist, although I do play one on TV occasionally. Ok...hell, more than occasionally.”

The “I'm not a _____, but I play one on TV” catchphrase transcended its humble origins to become the go-to, jokey line for anybody who feels empowered to speak outside their area of expertise. Merchants of Doubt, however, isn't concerned with soap opera actors trying to sell Vicks on television. Instead, this flashy, funny, well-researched documentary examines the select group of people who present themselves as scientific authorities to the public. It also argues that they purposefully create confusion with the goal of maintaining a very lucrative status quo.