Archive for the ‘Foreign’ Category
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Disc Reviews by David Annandale on January 4th, 2010
The film begins in the middle of the story, at the end of one journey and the beginning of another. Marlon (Aldemar Correa) and Reina (Angelica Blandon) are illegal Columbian immigrants, and have just arrived in New York City. They are staying in a beyond-seedy hostel in Queens, and Reina has just spent their last coins on a fruitless phone call. Frustrated, Marlon hits the street, and after a panicky encounter with the police, winds up lost in NYC. So begins his second journey one that is both a search for belonging as well as his beloved Reina, that is intercut with flasbacks to the trip that brought Marlon and Reina to the city in the first place, beginning with their leaving the relative comfort of their lives in Medillin and tracking their increasingly nightmarish trek to the States.
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Disc Reviews by David Annandale on October 28th, 2009
Only the most foolhardy of mortals would attempt a plot summary of this film, and I’m not quite that crazy. This is Tinto Brass’s 1969 effort, coming between 1967’s Deadly Sweet and 1970’s The Howl. The former is a mad, pop-culture collage of noir elements, while the latter is a hallucinatory picaresque. This one is the most plot-free of the the lot. The original title is Nerosubianco, an untranslatable pun that combines “black on white” with the word “eros” (Attraction – note the word contains “action” – is an honorable attempt, and better than the theatrical title of “The Artful Penetration of Barbara,” which is what appears on the screen here, with the new name showing up as a subtitle), and that’s about as much as can be summarized: this is an interracial romance. Beyond that, we have an exercise in pure formalism, an eye-popping collection of images and incidents as abstract as they are psychedelic.
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Disc Reviews by David Annandale on August 7th, 2009
Cult Epics continues its love affair with director Tinto Brass, and here once again delves into one of his early works. For my money, for all that his later erotica is handsomely shot and produced, what I’m seeing of his 1960s output (so far Deadly Sweet and this) is far more interesting. If 1967’s Deadly Sweet was demented, it at least followed a semi-recognizable mystery plot. The Howl (1969), on the other hand, defies description. It is basically a surreal picaresque, as a young woman (Tina Aumont) flees her wedding with a stranger (Luigi Proietti) who gives her a come-hither look. Already, this sounds far more sensible than the film really is. The couple race from one lunatic encounter to the next: a resort hotel apparently designed by Sade; a naked, cannibalistic philosopher and his family, and on we go.
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Disc Reviews by David Annandale on May 4th, 2009
Jean-Louis Trintignant (here dubbed into Italian) is a hard-boiled actor (!). Arriving at a night club to meet the proprietor, he instead finds the man dead, and the luscious Ewa Aulin standing over the corpse, protesting her innocence. Trintingnant believes her, and decides to help her out. The quest for the truth leads them though a series of encounters with various aspects of London nightlife and lowlife, 1967 vintage.
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Disc Reviews by Gino Sassani on January 16th, 2009
Supercop is really just the American title for the third entry in Jackie Chan’s very popular Police Story series in Hong Kong. For the first time in the franchise, Chan decided to go with an outside director, and he made a wise choice with newcomer Stanley Tong. Tong might have been a green director, but he had a natural feel for the abilities and strengths of his mega-star. The two would go on to collaborate on several more films after this rather remarkable first time pairing.
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Disc Reviews by Aric Mitchell on December 29th, 2008
Visits – “an anthology of bone-chilling horror”? Well, it has its moments, I will say that. The most effective scenes are the ones that don’t call attention to the scare elements. Scenes that involve one or two little things out of the ordinary that don’t smack you in the face, but actually force a double-take in considering what it was you just saw
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Disc Reviews by Aric Mitchell on December 18th, 2008
Every now and then, the good folks at Upcoming Discs think it’s time I receive a little culture in my dreary, work-a-day life. There was the time they thought I could use some sensitivity training, so I ended up with Old Yeller, a film I had avoided for years because of the painful memories of Tommy Kirk gunning down his beloved pet. Sure wasn’t easy. (Bastards.)
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Disc Reviews by David Annandale on October 17th, 2008
Very much in the tradition of such other overheated Mexican emotional dramas as Amores Perros and Y Tu Mamá También, Drama/Mex gives us two intertwining plot strands, each dealing with relationships as tormented as they are sexual. In one, upper-class Fernanda’s bad boy ex-lover Chino resurfaces, takes her violently, but she doesn’t exactly hate it, and this has, as one might imagine, some awkward consequences for her relationship with current boyfriend Gonzalo. Meanwhile, a middle-aged man, guilt-ridden over what he has done to his daughter (take a guess), is contemplating suicide when he runs into a precocious teenage hustler. In other words, basically enough material to give Sarah Palin a fatal coronary.
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Disc Reviews by David Annandale on August 11th, 2008
There’s much ado on the case’s copy that this was a major inspiration for Crouching Tiger, Hidden Dragon, and the similarities are hard to miss. Like Ang Lee’s film, this 1966 effort is a lush period piece with gorgeous, rich colours and elaborate wire work. And, as in the later film, the central character is a female warrior, in this case an officer of the law sent to rescue a kidnapped victim from a clan of ruthless (but not always terribly bright) bandits. There’s a male aid here, too, in the form of an apparent drunken bum who is, of course, in reality a martial arts master.
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Disc Reviews by Ryan Keefer on July 14th, 2008
I don’t remember that much about Diva growing up; it was a film that I heard about as a kid, and a lot of people liked it, but that was the first time I can honestly say I was exposed to the arthouse film, and that it was something that I wanted to find out more about. Through the years, I’ve seen many a foreign or independent film, however the one that started all of it off for me I hadn’t seen, until now.
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Disc Reviews by David Annandale on June 12th, 2008
Serge Gainsbourg and Jane Birkin were the “it” couple in France during the late 60s and early 70s. This is the film that brought them together, their To Have and Have Not, if you will. Musician Gainsbourg (who, for the uninitiated, had a singing style that was a cross between Leonard Cohen and Tom Waits) plays a married director of successful TV commercials. He begins an affair with an 18-year-old (Birkin). Their relationship hits most of the predictable moments of such movie romances from that period.
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Disc Reviews by Michael Durr on May 1st, 2008
Retelling of classic tales has been a fodder for movie scripts for years. Take something that has worked for ages, spin it just so and you got a movie that might be gold. They have been doing this with Romeo & Juliet for years. The results can be great or sometimes they are one step of having the creator roll around in his grave with pain and anguish. Take Hamlet for example, the classic Shakespearian tale about a prince who takes revenge on his uncle Claudius who has murdered his father the King and taken the throne and the king’s wife too. It has treachery, corruption and a little good ole fashioned incest to wet the palette. Now take that piece of journalistic tragedy and set it after the fall of the Tang Dynasty in China. Insert popular Asian actors like Ziyi Zhang & Daniel Wu and you might just have something.
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Disc Reviews by Michael Durr on April 18th, 2008
As we know by now, Dragon Dynasty is the Criterion of Kung Fu movies. They take any Kung Fu movie, clean up the audio and video where needed and provide a slew of extras for us to enjoy. From featurettes to commentaries with expert Bey Logan, it always provided the Hong Kong kung fu fans with a presentation second to none. However, as with Criterion classics, the movie isn’t always second to none.
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Disc Reviews by David Annandale on March 28th, 2008
Three female friends are there for each other’s personal storms. One is a coke-addled sensation addict, one aspires to be an artist (and does her share of powder too) and the third is taking refuge from an unhappy marriage and questioning her sexual identity. Many scenes of heightened emotion are the order of the day.
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Disc Reviews by David Annandale on March 14th, 2008
Here are four films from renowned maverick Jean-Luc Godard. Insofar as these films have plots in the conventional sense of the word, Passion is about a filmmaker struggling to rediscover his love for his profession, First Name: Carmen plays with the tale of that same name to tell another story of filmmaking and bank robbery, Detective is an idiosyncratic tribute to films noirs, and Oh, Woe Is Me is about a man who may or may not be possessed by a god wanting to seduce his wife.
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Disc Reviews by David Annandale on December 14th, 2007
Lando Buzzanca plays Senator Puppis, a telegenic young politician on track to become Italy’s next president. He’s been groomed for the part practically from birth by the Vatican, which plans to re-exert social control over the country through its presidential puppet. But plans go badly awry as Puppis suddenly develops an uncontrollable urge to fondle women’s buttocks (Stephen Thrower has aptly described the character as a “repressed heterosexual”). Even as he seeks help for his condition, various parties around him begin to panic, as the police think Puppis is planning a coup without telling them, the military think they are being left out of the loop by the police, and the Vatican, along with its Mafia catspaws, starts whacking everyone in sight in a desperate attempt to keep everything from completely unravelling.
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Disc Reviews by David Annandale on December 11th, 2007
Belgian filmmaker Olivier Smolders, after a successful run of gorgeous and disturbing shorts, here makes a feature debut that is just as gorgeous and disturbing. Strongly reminiscent of the works of David Lynch, but far darker overall, the film is set at a time when the world is shrouded in the night of a perpetual eclipse. Day only comes for 15 seconds at 12:23 pm each day. Oscar (Fabrice Rodriguez) is a museum entomologist haunted by traumatic dreams involving the death of a sister who might or might not have every existed. He returns home one night to find a dying and pregnant African woman in his bed, a woman who is somehow linked to his father’s colonial past.
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Disc Reviews by David Annandale on December 7th, 2007
Olivier Smolders is a Belgian filmmaker with a sensibility as distinctive and challenging as his artistry is developed. Cult Epics has done North American audiences a huge service by bringing his films to Region 1 DVD release. This disc has ten short films. Each piece has its own distinct identity, yet they are all very clearly the work of a singular creative talent. The frequently disturbing shorts range from a tale of murder and cannibalism in “Adoration” (previously available on the Cinema of Death collection), to the heartbreaking “Mort à Vignole” (where Smolders narrates a family tragedy filtered through home movies made by his and his wife’s parents, along with his own family footage), to an extended yet elegantly filmed practical joke (“Point de Fuite”) to a most unusual adaptation of Sade with “La Philosophie dans le Boudoir.” The films are invariably gorgeous and clinical in the precision of their observations. The blurbs on the case invoke Lynch, Greenaway and Bergman, and the comparisons are apt, though Smolders is also very much his own man.
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Disc Reviews by David Annandale on September 13th, 2007
The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified.
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Disc Reviews by David Annandale on August 13th, 2007
Mads Mikkelsen, whom we last saw taking a rope to James Bond’s family jewels, is here up to a far more praiseworthy activity: helping run a school for orphans in an impoverished region of India. The school is struggling to survive, and when a Danish businessman expresses an interest in providing stable funding, but only if Mikkelsen comes to Denmark for a meeting, the latter is reluctantly persuaded to leave India for the encounter. At said meeting, the tycoon (Rolf Lassgard) casually (it seems) invites Mikkelsen to his daughter’s wedding. Mikkelsen accepts, and at that wedding receives quite a shock. Lassgard, it turns out, has a very personal secret agenda at work.
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Disc Reviews by Ryan Erb on August 1st, 2007
I am a big fan of Kung Fu on film, whether it be Bruce Lee’s Enter The Dragon or Jackie Chan’s Drunken Master I can’t get enough. More specifically I love Asian Kung Fu cinema, the Sammo Hung’s and the Sonny Chiba’s. So I think it goes without saying that this isn’t the first time I’ve seen Kung Fu Hustle, and it certainty won’t be the last.
It’s the 1930’s in Shanghai and various gangs compete for territory, the most powerful being the deadly Axe Gang.
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Disc Reviews by Gino Sassani on May 21st, 2007
Mel Gibson has become somewhat of a character these days. Gibson has become a bit weary of the “Hollywood” way of doing things and so has struck out on a course of originality that can be both inspiring and controversial as the man is himself. His “The Passion” film was viewed by many as the ultimate depiction of Christ’s suffering. At the same time just as many believed they were seeing a slant on Jews that was unfair. Just when a balance seemed to have been struck and his film was being accepted for what he claim…
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Disc Reviews by Brendan Surpless on March 29th, 2007
Criterion has surprised me once again with this beautiful film. It amazes me ow they continue to find these “diamonds in the rough”. Films that couldn’t possibly exist, yet here they are, widely available on the mas market. The Burmese Harp is a Japanese war film that is decidedly anti-war, and features some truly beautiful music.
At the end of World War II, a group of Japanese soldiers find themselves in Burma, held by British forces as prisoners of war. One soldier from the party has spent his free t…
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Disc Reviews by Tom Buller on March 29th, 2007
Pedro Almod̩var is a big deal in Spanish film, and well respected worldwide by those in the know. Almod̩var Рdirector, screenwriter and producer Рhas had major success with films that explore complex themes and favor female characters. His latest, Volver, remains true to those qualities.
Starring Penélope Cruz (Vanilla Sky), Carmen Maura (Comunidad, La) and Lola Dueéas (The Sea Inside), Volver is a film about female resilience, and the power of death over life. Raimunda (Cruz) is a hardworking mother with a lazy husband and a teenage daughter, Paula.
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Disc Reviews by David Annandale on February 19th, 2007
We are in Haiti during the late 1970’s, under the brutal dictatorship of Pap Doc Duvalier. At a beach resort, we meet three middle-aged women engaged in what amounts to sex tourism. Charlotte Rampling is Ellen, an imperious ex-pat British professor; Karen Young is Brenda, a psychologically fragile American divorcee; and Louise Portal is Sue, an earthy warehouse manager from Montreal. Disillusioned by their romantic prospects back home, they revel in the (paid) sexual attentions of handsome young Haitians, most notably Legba (Ménothy César), with whom both Rampling and Young are in love.
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