Posted in: No Huddle Reviews by Archive Authors on May 13th, 2014
by Alan Robinson
Made-for-TV movies are rarely remarkable works. Usually, they are poorly-written science-fiction films with laughable special effects, or some sort of dramatic “based on a true story” event. Survival Code, however, is one of those films that comes along every so often that truly has potential to become something bigger. And perhaps that’s where the film’s greatest weakness lies; it never really lives up to that potential.
Posted in: Disc Reviews by Archive Authors on May 13th, 2014
Her is someone you could fall in love with. Her is full of wonderful qualities. Her is elusive and unattainable as well as enticing and satisfying. Her is the awkward title of the new Spike Jonze film starring Joaquin Phoenix, Scarlett Johansson (though not all of her), Amy Adams, Rooney Mara, Olivia Wilde and Chris Pratt. It does not star Samantha Morton, Carey Mulligan or Chris Cooper. It might have, but the project evolved so much that they dropped by the wayside. It grew out of the third collaboration between Jonze and Charlie Kaufman (Being John Malkovich, Adaptation) but Charlie Kaufman also dropped out, and this became a written-by-Spike Jonze project.
Posted in: No Huddle Reviews by Archive Authors on May 11th, 2014
by Alan Robinson
An ex-con falling back into old habits isn't exactly an original idea. There have been countless films that have followed this formula, often covering the same basic twists and turns one would expect. Such is the case with Joint Body, an independent crime-drama from writer/director Brian Jun. The film follows recently-paroled everyman Nick Burke (Mark Pellegrino, Lost, Supernatural), who finds himself alone in a small town in southern Illinois as he attempts a fresh start at life.
Posted in: Disc Reviews by Archive Authors on May 8th, 2014
Well, considering that there were so many different strange film ideas in the 1980s, it was only a matter of time before someone would write and produce a film about a dead guy, right? Well, you’re in luck, as two names from the period (Andrew McCarthy, St. Elmo’s Fire, and Jonathan Silverman, Brighton Beach Memoirs) fulfill your wish as Weekend at Bernie’s returns to Blu-ray.
Posted in: Disc Reviews by Archive Authors on May 8th, 2014
Revenge of the Nerds is an 80's cult classic making its way to Blu-ray. Basically you get a standard catalog release and a handful of features thrown at you. I remember seeing this movie about ten years back. I found it amusing then, so I was looking forward to being able to watch it again; maybe this time I'd get more of the jokes.
Posted in: Disc Reviews by Archive Authors on May 8th, 2014
Anyone who is a parent of a teenage boy is very familiar with the film Napoleon Dynamite. Released in theaters in 2004, this film rapidly developed a cult following and continues to be popular among the high school and middle school crowd. Napoleon Dynamite is a very charming and witty film about a tall and lanky teenage nerd (played by Jon Herder) who lives with his older brother and grandmother in Preston, Idaho. His brother Kip (Aaron Ruell) is 32 and unemployed and how spends most of the day at home on the internet on chat rooms trolling for women.
Posted in: No Huddle Reviews by Archive Authors on May 7th, 2014
Call Me Crazy is about mental illness. It tells five different stories with women’s names as titles (well, one exception confirms the rule). Mental illness is an extremely important topic because an enormous part of the population is mentally ill. This collection deals with women mostly, but it should be noted that men are just as crazy but in different ways. This film is a followup to another film called Five about breast cancer. Both films have a heavy group of heavy hitters on both sides of the camera. They are produced by the Lifetime network, and both films are to be considered prestige projects for them.
Posted in: Disc Reviews by Archive Authors on April 29th, 2014
There have been complaints that there are not enough films that have decent lead roles for women. There are those that say that Hollywood does not make enough movies for women. Then when they do, critics tend to dismiss them as “Lifetime” movies (a term that is dismissive because of the cable channel that churns out generic movies for women). It seems far easier to accept excessive violence or male-oriented films with sexual content. If a movie tries to legitimately capture real situations from a woman's point of view, it can be patronizingly categorized as pap and schmaltz.
Posted in: The Reel World by Archive Authors on April 28th, 2014
They don't make good romantic comedies anymore. The Other Woman is not a romantic comedy. It is a comedy...about three women having a romance with the same man. But the three women find out about each other and bond together in a “Sismance”. That's not a word, and it doesn't sound as good as bromance, but there you have it. Part of the problem is they don't make enough movies just for women, and that's what this is. It's a charming trifle along the lines of The First Wife's Club. There is always a creepy guy at the center, so creepy guys beware. It's a revenge comedy part of the time.
Posted in: The Reel World by Archive Authors on April 19th, 2014
Let me say something about myself. I have a saying. Atheists are stupid and agnostics are smart. The reason agnostics are smart is because they know they don't know. Faith is belief. The problem is that this is a cynical age. There are so many people who are atheists because they can cite facts about the universe and science. I always think it's absurd to hear an atheist talk, because they are so insulting to anyone who doesn't agree with them. So am I an agnostic?
