Posted in: Disc Reviews by J C on April 21st, 2014
“Have you done anything noteworthy or mentionable?”
It’s the sort of question that can easily apply to either your workday or your life as a whole. It’s also the question actor/producer/director Ben Stiller chose as the basis of his inspirational adaptation of The Secret Life of Walter Mitty. The original short story by James Thurber is less than five pages long, so a filmmaker has the option of going to any number of fascinating places in bringing Thurber’s tale to the big screen. Stiller, in essence, decided to take the scenic route.
Posted in: Disc Reviews by J C on April 17th, 2014
“I’d have loved to be a spy, but it’s a dangerous game and it pays s---.”
For a lot of moviegoers, the word “spy” evokes tuxedos, gadgets, and exotic accents. Möbius — a French/Russian production from French filmmaker Eric Rochant — only employs the last of those tropes while falling in line with more low-key espionage adventures like Three Days of the Condor and Tinker Tailor Soldier Spy. So I shouldn’t have been surprised that this film gets up to some subterfuge of its own; Möbius is a love story posing as a spy thriller.
Posted in: Disc Reviews by J C on April 16th, 2014
“You show up late reeking of booze, handcuffed to a stripper, and you expect me to trust your judgment?”
Even though we’re more than three years removed from his tiger blood heyday, it’s still impossible to separate Charlie Sheen’s bad off-screen behavior from the sitcom work he (somehow) cranks out every week. The latest example comes courtesy of Anger Management: Volume Three, which includes the departure of co-star Selma Blair after she reportedly complained that Sheen was a “menace” to work with. Not surprisingly, this batch of episodes also sees the “fictional” version of Charlie embrace his dark side.
Posted in: Disc Reviews by J C on April 10th, 2014
Today, Miami is considered one of the most glamorous cities in the world. But long before it became the place where some of the biggest stars in sports and entertainment took their talents, Miami was dubbed the drug, murder, and cash capital of the United States. (Resulting in a drastically different “Big 3” than what locals are accustomed to these days.) Cocaine Cowboys already chronicled this shockingly violent stretch of the city’s history and featured recollections from some of the people who helped Miami achieve its dubious status. Now an extended version of Billy Corben’s 2006 documentary arrives on Blu-ray.
The core of the film remains the same. Both versions of Cocaine Cowboys recount the period in the 1970s and ‘80s when cocaine flooded Miami’s geographically-convenient shores, leading to a major economic boost and (eventually) an outrageous breakout of violence. The film gets its title after one interviewee likens that version of Miami to the Wild West, since killers felt free to commit shootings and murders out in the open. The biggest offenders, according to the film, were associated with the Medellin Cartel from Colombia. It all culminated with a 1981 Time Magazine cover story that proclaimed South Florida as “Paradise Lost.”
Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
"There are dark spirits, old and full of hate...The world is in great danger."
A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations. Your pieces must somehow fit together so that they can be viewed as one whole product. They also need to match the world and production style of the previous trilogy even though technology has changed quite a bit in the decade that separates the two. Lightning doesn't often strike the same place twice, unless you happen to live in Florida, or, apparently, New Zealand, where Peter Jackson has managed to do the impossible...so far.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
You know exactly what's going on here. It's Rocky Balboa vs. Jake La Motta, and they're not exactly in their prime. For reasons of property rights, of course, this really isn't Rocky or La Motta, but you and I know it is. The film takes great pains to remind us of each of these iconic characters. Sly's character tries to take a shot at some hanging meat after drinking a glass of raw eggs. De Niro's character is found telling boxing jokes in his own club, just as the real-life La Motta did after his fighting days were over. Both of these actors played iconic fighters in their day. It's safe to say that both the characters and the actors themselves are beyond their physical prime. Sly is just three years shy of 70, while De Niro reached that milestone back in August. And that's what makes Grudge Match a better film as a comedy.
It's been 30 years since Pittsburg's greatest fighters Henry "Razor" Sharp (Stallone) and Billy "The Kid" McDonnen (De Niro) left the fight game. They faced each other twice in their careers, splitting the victories. For each, the other was their only loss. A rubber match was going to happen, but Rocky Razor decided to retire before the fight. Since then, La Motta The Kid has not been able to let it go. He wanted to show the world he was best. It doesn't help that they had an issue out of the ring.
Posted in: Disc Reviews by Brent Lorentson on April 4th, 2014
The H.G. Wells invasion story has been told numerous times from a radio show when it allegedly caused a panic when Orson Wells made his infamous broadcast to the more recent imaging brought to the screen by Steven Spielberg. It’s the alien invasion story that has captured our imagination and will continue doing so for decades to come. In the new 3D animated release of War of the Worlds: Goliath, the tale of science fiction is simply the jumping-off point to a new and bigger story about the war that was waged between man and those from outer space.
It begins in Leeds during the original invasion in 1889. Eric Wells is only a child at this point and witnesses the murder of his parents by the giant alien machines that have invaded our planet. The guilt of their death continues to weigh heavily on him as he arrives in New York; now he is an adult and a Captain in the military (Peter Wingfield handles the voicing for Eric). Though there is fear of the impending world war, there has been a recent discovery that the aliens could possibly be planning another attack. Thankfully, though, Tesla and other scientists have been able to use the alien technology from the previous attack to develop battle-tripods they call Goliaths.
Posted in: Disc Reviews by J C on April 3rd, 2014
“I’m Norma Rae. You know me.”
Chances are you’ve at least heard of Norma Rae, even if you haven’t actually seen the Oscar-winning film that bears her name. You might know it as the granddaddymomma of underdog stories centered on feisty female crusaders; Norma Rae begat Silkwood, Erin Brockovich, North Country and others. Or you might know it as the movie that made Sally Field a serious movie star, although it’d be another five years until she really believed that people liked her. But if you’ve neither seen nor heard of Norma Rae, now’s as good a chance as any to get acquainted: Fox is celebrating its 35th anniversary by debuting the film on Blu-ray.
Posted in: Disc Reviews by Brent Lorentson on April 2nd, 2014
“…I’m packing an ounce of killer shrooms, and there be monsters in need of pummelin’.”
When I first think of how to explain Knights of Badassdom, what comes to mind is that it’s Evil Dead 2 meets LARPing. The only experience I’ve had with LARPing came in the form of watching Role Models and having to review the documentary Skull World. What director Joe Lynch (Wrong Turn 2 and actor in Holliston) has done is create a world that invites both fans of role-playing and horror and thrusts them together to create a blood-and-gore-soaked romp filled with laughs and the beautiful fan boy favorite Summer Glau (Firefly and Terminator: The Sarah Conner Chronicles).
Posted in: Disc Reviews by J C on April 2nd, 2014
“Sometimes a day can be an eternity.”
It’s hard to tell a convincing love story, period. It’s even harder to tell a convincing love story when we’re supposed to believe the two characters fall for each other within the space of a single day. The good news is At Middleton somewhat manages to pull this off in a little over an hour. The bad news is the film is actually 1 hour and 40 minutes long.
