Posted in: Disc Reviews by Jeremy Butler on March 31st, 2014
What would you do if you found out that you fathered 533 kids? Better yet, how would you handle that news on top of the news that the children you fathered are petitioning the courts to have your identity revealed? Well, that is the dilemma that Vince Vaughn is faced with in his new comedy Delivery Man. As you can figure out from the funny premise, this is a comedy, but it is not just hapless jokes without any real substance; Delivery Man actually has another side to it, a side that tugs on the heartstrings a bit.
A remake of the French-Canadian film “Starbuck,” (it is also worth mentioning that both films, original and remake, share the same creator, Ken Scott) Delivery Man tells the story of David Wozniak, a truck driver for his family’s butcher shop who has big plans for his life that never quite pan out. Perhaps that is too kind a way of putting it. A better way would be to say that David has been a bit of a disappointment to his girlfriend Emily (Cobie Smulders, How I Met Your Mother) who has just informed him that she’s pregnant, his father who would most likely fire him if he wasn’t related to him, and the family business. Not only that, he owes an immense amount of money to some unsavory characters with a penchant for drowning people who don’t pay their debts.
Posted in: Disc Reviews by Brent Lorentson on March 30th, 2014
It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement. I wouldn’t go so far as to say the two shows are on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential. Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.
Comedy Central now releases Key & Peele as a Season 1 & 2 pack, and here you get more laughs for your buck.
Posted in: Disc Reviews by Brent Lorentson on March 28th, 2014
When you get a film from Troma to watch, you have to view it differently than you would view just about any other film. After all, Troma is the VHS and DVD equivalent to the days of Roger Corman and the B-movie fanfare he could travel from one Cineplex to the next. Troma founder Lloyd Kaufman has been writing and directing B-cinema schlock for 40 years and has managed to make money off it, so for those naysayers out there, keep in mind he still is responsible for The Toxic Avenger as well as Tromeo & Juliet.
With Return to Nuke’em High, Kaufman seems to be taking on his most ambitious project yet. The film is broken up into two separate volumes, and volume one sets up the epic gross-out satire wonderfully. The opening sequence narrated by none other than Peter Parker himself (Stan Lee) about the previous events that took place in the 1986 cult classic Class of Nuke’em High. With the viewer now caught up, we meet Chrissy (Asta Paredes); she hangs with her crew of misfit friends, though she secretly blogs about the health and safety issues going on at the school all while keeping her boyfriend Eugene (Clay von Carlowitz) at bay from his sexual advances. But the boat gets rocked when rich new girl, Lauren (Catherine Corcoran) arrives and Chrissy sets her vengeful/lustful sights upon her.
Posted in: Disc Reviews by J C on March 27th, 2014
“…I’m the f---ing Vice President of the United States, and I have something to say.”
If you’ve seen Veep, you know it’s almost impossible to quote the show without including an f-bomb or any of the show’s crassly creative put-downs. The sitcom’s central joke remains that the vice presidency might be the most high-profile unimportant job in the world. As a result, the second season of HBO’s caustic comedy sees VP Selina Meyer making moves to improve her political standing. Of course, she and her harried staff can’t avoid the humiliations and indignities that come with the job.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2014
Sometimes a horror movie comes along that is rich in originality and ideas. Dark House certainly fits into that category. There are some truly scary moments and seriously frightening images to be found here. For a low-budget affair, the movie sports pretty solid acting and an atmospheric production design. Writer/director Victor Salva knows how to get the most out of the resources at his command. That doesn't mean there isn't a serious flaw to be found here. This is a movie that is often a little too clever and more than a little enigmatic at times. It won't allow itself to be contained into any particular style or sub-genre, and that's a good thing. If only all of this didn't also get in the way of telling a tight story, this could have become the next cult classic. If wishes were horses....
Nick (Kleintank) is searching for answers about who he is. His mother has spent the last several years in an insane asylum, and he's visiting her for the first time in years. He's hoping she'll tell him who his father was. It's his 23rd birthday, and apparently that's a magical number in nature. As it turns out, Mom's promised to tell him this day. No, she hadn't promised Nick. She's talking to something inside the walls. Unfortunately, a breakdown nixes the big reveal, and a disastrous fire at the asylum later that night forever seals Mom's lips.
Posted in: Disc Reviews by J C on March 25th, 2014
Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.
“I want you to deal with your problems by becoming rich.”
Posted in: Disc Reviews by Michael Durr on March 21st, 2014
For some reason, I have themes that I keep reviewing time in and time again (regardless of whether I enjoy the subject matter or not). One of those themes or rather people is Allen Ginsberg, one of the most important poets of the 20th century and symbol of the Beat Generation. A few years ago, I reviewed Howl which was more about his 1957 obscenity trial. This film, Kill Your Darlings deals with the relationship between Allen Ginsberg and Lucien Carr. Let us see how well this one turns out.
"Some things once you love them become yours forever.", the narrator speaks as we shift to a scene where a half naked man covered in blood carries another unconscious man. After this shocking imagery, we shift again to see Lucien Carr (played by Dane DeHaan) in jail with Allen Ginsberg (played by Daniel Radcliffe) outside the bars. Lucien tells Allen that he can't tell the story. Allen looks dead at Lucien and says, "Watch Me."
Posted in: Disc Reviews by Gino Sassani on March 21st, 2014
"The problem is you don't know my pain or emptiness. But now you're going to know how it feels to be me."
Mitch Brockden (Cooper) is an ambitious up and comer in the Chicago prosecutor's office. He has a reputation for being aggressive, and he doesn't lose cases. He's respected and liked by his colleagues. That's the man we first meet. But after a night of some power drinking with his buds, we are introduced to another Mitch Brockden. This Mitch is selfish and a coward. When he ends up hitting a man while driving drunk, his instincts tell him to call an ambulance from a pay phone so it can't be traced to his cell and drive away. You see, Mitch has a lot to lose. He's up for getting a DA job. He has a wife and a brand new baby. He's afraid the DUI accident will derail that life. Unfortunately for Mitch, it's his decision to run away that causes the most damage.
Posted in: Disc Reviews by Brent Lorentson on March 20th, 2014
Remember the first film that kept you awake at night? The film that had you keeping the light on, when every strange noise you heard was that of some monster you were all but certain was lurking in the darkness waiting for your eyes to finally close? For me it was that thrill that got me excited about horror films, where every Saturday I’d watch Creature Feature, and in the evening I’d channel-surf till I found some horror film to keep me up into the late hours of the night. Texas Chainsaw Massacre, The Exorcist, The Beyond and many others were the films that I would grow up and hold up on a pedestal as the modern classics of horror. As I watch the new wave of horror coming out, sure, there are plenty of titles that are really fun, but the films that leave a mark, the ones we’ll be talking about 10 to 20 years from now, where are they?
Here Comes the Devil is one of those films.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2014
"Beautiful. Powerful. Dangerous. Cold. Ice has a magic that can't be controlled."
Like the very best that Disney has offered over the decades, Frozen has its roots in a very old classic fairy tale. Walt himself was interested in doing the Hans Christian Andersen story The Ice Queen immediately following Snow White And The Seven Dwarves. The film was given a production number along with some brief notes. Nothing else remains of the idea, and no one knows exactly what Walt intended or why the story was put on hold. The same thing had happened to another Andersen classic, The Little Mermaid, which took 40 years to finally go from Walt's original investigations to the Disney classic film it is today.
