Posted in: Disc Reviews by Jeremy Butler on January 13th, 2014
“Getting what you want comes with a price.”
Much has changed in the world of Being Human this season. However, let’s recap for a moment just to make sure everyone is on the same page. Sally (Meaghan Rath), after shredding her own spirit to get to limbo so she can rescue Scottie and Nick, has bitten off more than she can chew as she finds herself stranded in limbo with the very people she sent to limbo. Aidan (Sam Witwer), after losing his lover Suren and his failed attempt to assassinate her murderer, the vampire matriarch known as “Mother”, is buried alive for his transgression
Posted in: Disc Reviews by J C on December 30th, 2013
“Violence is never the answer.”
That statement is said unironically by a character in Sweetwater, but we know better; in the movies, violence is pretty much always the answer. This is especially true when it comes to the revenge genre which, the films of Quentin Tarantino notwithstanding, is largely a man’s game. (Risk-averse Hollywood studios are much less likely to greenlight WoMan on Fire.) This bloody, straightforward Western from twin filmmakers Logan and Noah Miller is not terribly original, but it does try to put its own spin on the hallowed tradition of cinematic payback.
Posted in: Disc Reviews by Gino Sassani on December 25th, 2013
Futurama was the brainchild of Simpson veterans Matt Groening and David X Cohen. With the growing popularity of their iconic cartoon, it was no surprise that Fox would tap the team to bring another show to the network. When Futurama premiered in 1999, it was a combination of The Jetsons and The Simpsons. That would be ironic for those of us who think the Simpsons theme is a direct knockoff of The Jetsons. It was 1000 years in the future, and the joke was that no matter how much things changed, they hadn’t really changed at all. The space-age series would use many of the writing and art team from The Simpsons.
Posted in: Disc Reviews by J C on December 23rd, 2013
Cliff Richard’s music stardom predates that of the Beatles. So the fact that I wasn’t at all familiar with the British pop singer’s music before sitting down to review this Blu-ray probably says more about me than it does about him. Lucky for me, this career-spanning concert — which includes music from his time with the Shadows, some solo hits, and even his duet from the movie that partly inspired the creation of the Razzies — also doubles as a lively, CliffsNotes glimpse into Richard’s incredibly prolific and successful career.
Posted in: Disc Reviews by Brent Lorentson on December 22nd, 2013
Unless it’s the Zucker brothers or Mel Brooks, I wouldn’t ever consider myself a fan of parodies. But every once in a while, one will come along that can squeeze a few chuckles out of me. The found footage and reality genre has saturated the market, and it was only a matter of time before a filmmaker decided to lampoon the genre. Ghost Team One takes on the genre, and instead of taking the easy route and simply spoofing what’s already been done, the film makers actually made the effort to mold a decent story and film it in the style the Paranormal Activity films have made popular, only Ghost Team One does so with its tongue planted firmly in its cheek.
Posted in: Disc Reviews by Brent Lorentson on December 19th, 2013
“Think of it as a hall pass, a permission slip to just let go of your fear and embrace the world…”
These are the words of advice a reiki master, played by Allison Janney (The West Wing) says to her patient, Abby (Rosemarie DeWitt) as she is handing her a bag filled with MDNA. Touchy Feely is definitely an offbeat comedy from writer/director Lynn Shelton who may be best known for her indie hit Humpday. At first glance the film may come across to some as some New Age, hippy, nonsense journey about self-discovery, and to a point you’d be right
Posted in: Disc Reviews by Brent Lorentson on December 11th, 2013
When you’ve been playing gigs for fifty years and filling venues with crowds in excess of the 100,000 mark, it’s safe to say that not only are you a success in the music industry but an icon. The Rolling Stones finished their 50th year together by ending their tour back where many would say their legendary status began, back in their hometown and performing at London’s Hyde Park. It was 44 years ago when The Stones first took the stage in the famous Hyde Park and performed for a crowd estimated between 250 thousand to half a million screaming fans who came to what was then a free show. This time around they return with an enormous stage and a set list filled with hits spanning over the decades
Posted in: Disc Reviews by Gino Sassani on December 10th, 2013
"Homer Simpson, it's time you got what's coming to you."
What's been a long time coming is bringing television’s longest ongoing scripted series to high definition and Blu-ray. There's so many seasons that it's going to take some time to get there. While the recent years are now coming out on Blu-ray, Fox has been working hard to get some of the older seasons up to speed. It's time for season 16.
Posted in: Disc Reviews by J C on December 9th, 2013
“There she is boys…Mandy Lane. Untouched. Pure. Since the dawn of junior year, men have tried to possess her and, to date, all have failed.
With its deep-red title card and the blood-curdling scream that opens the film, All the Boys Love Mandy Lane is very clearly a horror flick from its first frame. However, the movie displayed its greatest potential — a lot of which it squandered — when it seemed less preoccupied with who was going to kill Mandy Lane, and more interested in who was going to deflower her. The result is a promising, pitch black high school satire that eventually gets invaded by a run-of-the-mill horror film.
Posted in: Disc Reviews by J C on December 4th, 2013
We’re about 50 years removed from the Beatles taking the entire world by storm, so you’d be forgiven for thinking that everything anyone could possibly say about the Fab Four has already been said. Fortunately, the success of Good Ol’ Freda — a Beatles documentary that doubles as a loving tribute to its subject and the famous band she adored — doesn’t hinge on any heretofore unknown/shocking revelations. In other words, the film’s charm doesn’t so much come from what Freda Kelly says; instead, it comes from the delighted, no-fuss way she recounts her time with, arguably, the most famous band of all time.
