Posted in: No Huddle Reviews by Gino Sassani on February 17th, 2015
"Three years ago brash billionaire daredevil Sly Baron vowed to make space tourism a reality. Today his lucky passengers are boldly going where none of them have been before. No, not Delaware...space."
It's a new frontier for the Scooby gang, but not the final one to be sure. Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
Posted in: No Huddle Reviews by Gino Sassani on February 17th, 2015
There was a new cowboy in Dallas, and he wasn’t throwing touchdown passes. But Walker was almost gone before he could really get started. After just four episodes, the show’s production company suffered financial collapse, and the show was rescued at the last minute by CBS Productions, who would continue to run the show for its nearly decade-long run. For nine years Norris brought us the ultimate Texas Ranger in a formula cops-and-robbers show. The show often became a parody of itself, but maintained a solid viewership throughout. Hell, Norris even sings the theme song. Truthfully, what started as a one man show (it was originally called Chuck Norris Is Walker, Texas Ranger) had become a good working ensemble that probably kept the train going for so long. Walker (Norris) is a tough-guy Texas Ranger. He is partnered with Sydney Cooke (Peebles) and Jimmy Trivetti (Gilyard) who’s an ex-jock with a brain. Walker had a love interest and eventual wife in the local assistant district attorney Alex Cahill (later Walker) Together they fight the evils that come to the high plains of Texas armed with their fists, six-shooters, and Stetsons.
Fans of Norris were never disappointed in what they got here. The requisite martial arts and tough-guy talk are present pretty much in every episode. There’s a popular T-shirt design that lauds their hero in epic fashion. One of my favorites is : “McGyver can build a plane out of gum and paper clips, but Chuck Norris can kill him and take the plane.” Another brags: “Some people wear Superman pajamas. Superman wears Chuck Norris pajamas”. And there’s the humorous: “Chuck Norris knows what Willis is talkin’ about”.
Posted in: No Huddle Reviews by Brent Lorentson on February 16th, 2015
Imagine if in the not too distant future you could have the opportunity to be young again, and for the right price you could possibly never have to worry about ever growing old ever again. RPG looks into this possibility and the chances people are willing to take for this chance to indulge their youth once again. But like with anything that seems too good to be true, there is a catch, and in this game there are actually two catches. First you need to have the millions of dollars in your bank account to even play the game, and the second catch is that you have to be the lone survivor of the game to receive the award of lasting youth.
It didn’t take me much to get hooked. The idea alone had me engaged in the film, but what worried me most is how well this film would work with such a meager budget. After all, this is virtually a straight-to-DVD release. Well, my hat’s off to the filmmakers not just for crafting a fun story but also doing a great job at executing the film successfully.
Posted in: Disc Reviews by J C on February 16th, 2015
“Why are you so hateful, Olive?”
Olive Kitteridge — Elizabeth Strout's Pulitzer Prize-winning novel —has been adapted into a four-hour HBO miniseries. It's probably the best possible outcome for Strout's story, which deals with the legacy of depression, along with several other box office-unfriendly themes that would almost certainly prevent any proper Kitteridge adaptation from sniffing a multiplex. The miniseries is well-made, and the acting is top-notch. The problem for me was that, even with that four-hour running time, we don't get a ton of insight into why the title character is so hateful.
Posted in: No Huddle Reviews by Brent Lorentson on February 12th, 2015
The days of Lon Chaney and Boris Karloff are long gone, but Hollywood refuses to give up on the classic monsters these men and others once brought to live on the big screen. Despite how many years have passed since these monsters of the night first terrified audiences, filmgoers continue to fork over their cash to see these stories rehashed again and again. In the new release of Frankenstein vs The Mumny, we see the revival of two classic monsters and the opportunity to see them battle head to head. Without the big budget to support this monster smackdown, is it still worth watching, or is this a battle that should have remained dead?
The film dives in on a modern take of the Mary Shelly story we are all more than familiar with. Now Professor Frankenstein (Max Rhyser) spends his days teaching at the local college, while his nights are spent in his lab trying to restore life to the dead. Simultaneously at the same school an Egyptologist is studying the find of her career. After an excavation in Egypt, a newly discovered mummy is brought to the university. This lovely Egyptologist is Naihla (Ashton Leigh), who seems to be also smitten with Professor Frankenstein.
Posted in: Disc Reviews by J C on February 12th, 2015
As far as I’m concerned, a filmmaker has to work pretty hard to screw up a poker game. (And for the record, I feel the same way about cinematic sniper fights and train heists.) It’s an inherently high-stakes situation that is both familiar and unpredictable, and in the hands of the right director a poker game can be either thrilling or funny. At various points, Poker Night manages to be both. But even though I certainly wouldn’t say writer/director Greg Francis screwed up this stylish horror-crime thriller, the movie is flush with flashbacks and subplots that distract from the really good stuff.
“Here's a problem with wisdom: you only get it after you need it.”
Posted in: No Huddle Reviews by Jeremy Butler on February 12th, 2015
This being the first foreign series that I’ve covered for the site, I couldn’t be happier with the results. Knowing nothing about Nicolas Le Floch, I naturally had a few reservations about the series. It wasn’t in English, so how was I intended to comprehend what the characters were saying (knew I should have taken French in college)? Being that I’m ignorant of the laws and traditions of their government, how difficult would it be to follow the storyline? Of course these reservations were in vain as the series proved its worth with great ease, displaying all the great characteristics of the mysteries I love.
Nicolas Le Floch is a charming, charismatic investigator who believes in thorough and complete investigations, as evident in “The Rogue’s Gallery” when his superior wants to announced the death of a wanted criminal without fully confirming the identity of their suspect. This was the episode where Le Floch had to square off against a particularly cunning opponent, a man who not only had a talent for seducing unwitting women but also outwitting key members of nobility as he moved among them without being suspected, that is until Le Floch, who remained the only person with suspicions.
Posted in: Disc Reviews by Athena on February 11th, 2015
Athena here. That’s right, I’m the Siberian Husky that kind of runs things here at Gino’s house. Since I did such a great job doing the review on Snow Dogs, I decided to step in when I saw Gino watching yet another dog film. This time it was Walt Disney’s classic 101 Dalmatians. Naturally the film would have been better if it had been called 101 Siberian Huskies, but unfortunately the film was based on a popular children’s book by Dodie Smith who happened to have Dalmatians herself, so let’s not blame her; she didn’t know any better. Walt Disney himself discovered the story and took a personal interest in having it made into an animated film.
I’ve gotten to see a lot of these Disney classics, and the first thing that I noticed is the film was made in a dramatically different style than the previous Disney projects. The studio decided to abandon its smooth animation with fluid motion in exchange for a far more art-deco look. I don’t know about you humans, but this movie was a little harder on this doggie’s eyeballs. Lines jitter and move in such a way that there is always movement even if everything is standing still. You have to understand that this was not a studio getting cheap or failing in its own quality control. The animation style was a conscious choice by production head Bill Peet. Walt himself was publicly dissatisfied with the style. He was far more attached to the very fluid style his studio had become known for. The look had much to do with a new Xerox process that allowed the original artist drawings to, for the first time, be transferred directly to the transparent cel. This, of course, put a lot of artists out of work who used to do those transfers. The cruder character design was offset by a far more detailed background design. Using actual photographic plates of London locations, the animators created visually detailed backgrounds for the film. The movie is front-loaded with the credits in some clever dog-spot animation. It takes nearly four minutes to get to the story. Your human puppies might get a little impatient. By the way, look for Dodie Smith’s small credit size. It was the only thing she complained about in the film of her book.
Posted in: No Huddle Reviews by J C on February 11th, 2015
“I see the crime a bit differently.”
American television hasn't quite cornered the worldwide market on unconventional, endearingly quirky investigators. MHz Networks has just released a hearty helping of German cop drama in the form of Marie's Mind for Murder. Despite the violent crimes being investigated, the show would've fit snugly alongside lighthearted whodunnits like USA Network's Monk or Psych. You get to sample plenty of Murder with this DVD set, considering there are 10 episodes that each clock in at a shade under 90 minutes.
Posted in: No Huddle Reviews by Brent Lorentson on February 10th, 2015
Consider that we are in a golden age of television, where it is just about impossible to keep up with all the good television shows, even with the luxury of DVR. That being said, the notion of taking on watching a show that is broadcast overseas can seem a little daunting (yes, I know there are still legions of loyal Doctor Who and Sherlock fans, just to name a few). When the offer came along to check out a comedy from Germany I was more than a little hesitant, but upon hearing the title Crime Scene Cleaner, well, my interest was piqued.
The show is centered on Heiko “Schotty” Schotte (Bjarne Madel), who is your typical middle-aged single guy, that is, until you discover that he is a crime scene cleaner. In case you were wondering, his job is to come in after the police have completed their investigation of a possible homicide and clean up whatever mess is left behind. Despite the gruesome nature of the job, the show avoids going for cheap gross-out moments and instead focuses on Schotty’s interactions with those connected to the deceased.