Disc Type

"There's been some trouble with the women hereabouts...it's bad." 

What exactly is a Western? That's the question that the cast and crew of The Homesman struggle with here. They appear to be divided on the subject, and the same sentiment will likely make this one a little harder to pigeonhole. That's not necessarily important except when it comes to marketing a film. An audience wants some kind of an idea what they're getting when they see it on the shelf of their local video store. Tommy Lee Jones wrote, directed and stared in this period piece, and he'd rather you not call it a Western. Others connected with the film are on board with the genre label.

Sometimes in film the drama behind the scenes can be more interesting than the actual film we see up on the big screen. For writer/director Paul Schrader, having drama behind the scenes that effects the final project that we get to see is something he is more familiar with than he’d care to admit to.  The firestorm that occurred with the release of 2005’s Dominion: The Prequel to the Exorcist became so intense that the studio insisted upon a new director to come in and do extensive reshoots that subsequently led to the release of a separate film directed by Renny Harlin

When it comes to haunted house films, despite how often the plots seem to be retold time after time, it is still hard for me to say no to giving them a shot. After all, you never know when you may stumble upon a gem.  I wouldn’t go so far as to say Altar is a gem or a groundbreaking entry in the genre, but for some late-night thrills the film has all the ingredients to deliver a case of the late-night creepy crawlies. The Hamilton family arrives at a large country house in Yorkshire, where Meg (Olivia Williams) is tasked with restoring the home to its original condition.

“All men must die.”

The official tagline for Season 4 of HBO’s Game of Thrones also doubles as a helpful reminder of author George R.R. Martin’s no-character-is-safe philosophy. But even plastering that quote all over posters, promos, and the cover of this exemplary-in-every-way Blu-ray set isn’t likely to prepare you for the most devastating and thrilling season of a show that specializes in “devastating and thrilling.”

For as long as I can remember I’ve been in love with film.  Growing up in the 80’s, getting to understand the process of how films were made wasn’t very accessible unless you were lucky to catch a behind-the-scenes special on HBO or Showtime for some big new release.  It wasn’t till laserdisc and eventually DVD where the fans would be able to look beyond the magical curtain of cinema and get to see the process of how a film was made.  I still get giddy with excitement watching some of my favorite directors getting to work their magic behind the scenes.

"Three years ago brash billionaire daredevil Sly Baron vowed to make space tourism a reality. Today his lucky passengers are boldly going where none of them have been before. No, not Delaware...space."

It's a new frontier for the Scooby gang, but not the final one to be sure. Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions.

There was a new cowboy in Dallas, and he wasn’t throwing touchdown passes. But Walker was almost gone before he could really get started. After just four episodes, the show’s production company suffered financial collapse, and the show was rescued at the last minute by CBS Productions, who would continue to run the show for its nearly decade-long run. For nine years Norris brought us the ultimate Texas Ranger in a formula cops-and-robbers show. The show often became a parody of itself, but maintained a solid viewership throughout. Hell, Norris even sings the theme song.

Imagine if in the not too distant future you could have the opportunity to be young again, and for the right price you could possibly never have to worry about ever growing old ever again.  RPG looks into this possibility and the chances people are willing to take for this chance to indulge their youth once again.  But like with anything that seems too good to be true, there is a catch, and in this game there are actually two catches.  First you need to have the millions of dollars in your bank account to even play the game, and the second catch is that you have to be the lone survivor of the game to receive the award of lasting youth. 

Why are you so hateful, Olive?”

Olive Kitteridge — Elizabeth Strout's Pulitzer Prize-winning novel —has been adapted into a four-hour HBO miniseries. It's probably the best possible outcome for Strout's story, which deals with the legacy of depression, along with several other box office-unfriendly themes that would almost certainly prevent any proper Kitteridge adaptation from sniffing a multiplex. The miniseries is well-made, and the acting is top-notch. The problem for me was that, even with that four-hour running time, we don't get a ton of insight into why the title character is so hateful.

The days of Lon Chaney and Boris Karloff are long gone, but Hollywood refuses to give up on the classic monsters these men and others once brought to live on the big screen.  Despite how many years have passed since these monsters of the night first terrified audiences, filmgoers continue to fork over their cash to see these stories rehashed again and again. In the new release of Frankenstein vs The Mumny, we see the revival of two classic monsters and the opportunity to see them battle head to head.  Without the big budget to support this monster smackdown, is it still worth watching, or is this a battle that should have remained dead?