Drama

Kenny Rogers…chances are that is a name you have heard throughout your life regardless of whether you are a fan or not; regardless whether you have ever heard any of his music, which happens to be the case when it comes to me. His name just has a way of sticking with you, and that can be doubly said of his song “The Gambler.” See, even now I bet the mere mention of the song’s name has the chorus of “You got to know when to hold ‘em, know when to fold ‘em,” playing in your head. Well, here is the film version for Rogers’ most infamous song; however, I doubt that the movie will have the same effect on you as the song.

The first in a series of five television movies (so far; there is talk of a sixth addition being in the works), in The Gambler, Kenny Rogers plays Brady Hawkes, a veteran card player with a magnificent beard and a stellar reputation as one of greatest gamblers ever to live. Despite making his living in the cutthroat world of gambling, Brady possesses a strong sense of morals evident in his constant intervention in affairs that have nothing to do with him, which is essentially what begins our story: while playing a high-stakes game on the other side of the country, Brady receives a letter from a son he never knew he had, alerting him that the boy as well as his mother are in a bad way with a local crime boss.

On November 22, 1963, John Fitzgerald Kennedy, the 35th president of the United States, made a political trip to Dallas, Texas with his wife, Jacqueline, and Vice President Lyndon B. Johnson.”

Of course, you don't have to be an American History buff to know what happened next. The circumstances surrounding President Kennedy's assassination instantly seared themselves into the country's collective consciousness. This month marks the 50th anniversary of President Kennedy's death, which has brought along the expected number of tributes, TV specials and movies breaking down the crime and its corresponding conspiracy theories. Parkland, however, serves as a microcosm of how Kennedy's assassination affected an entire nation.

On paper, the premise of Prince Avalanche sounds about as exciting as watching paint dry. The film follows a pair of squabbling workers whose job it is to paint yellow lines in the middle of a country road in the aftermath of a devastating wildfire. They're basically the only two characters in the movie, and the story never moves away from their desolate surroundings. Although his film is occasionally self-indulgent (by design, I suspect), director David Gordon Green finds the strange beauty in that desolate landscape. He's also armed with stars who bring this meandering character study to life.

Paul Rudd and Emile Hirsch star as Alvin and Lance. Alvin (Rudd) revels in the isolation of his work and appreciates the benefits of outdoor physical labor. Meanwhile, Lance (Hirsch) is the lazy, immature, inexplicably charming brother of Alvin's girlfriend. Alvin hired Lance to work with him on the road project as a favor to Lance's sister (who we never see) and as a way to whip some masculinity into the younger man. The pair experience some emotional ups and downs, and it turns out they both have plenty they can learn from one another.

The most surprising thing about Ambushed is that it's not quite as generic as its completely uninspired title might suggest. (Off the top of my head, I can think of at least 15 movies that could credibly be re-titled Ambushed; I'm sure you can too.) This particular straight-to-DVD action thriller is being sold as The Expendables-lite, with tough guy supporting players (and Ambushed producers) Dolph Lundgren and Randy Couture — along with Vinnie Jones, who really should've been in an Expendables movie by now — glowering from the Blu-ray cover. But this stylish L.A. drama — which liberally borrows from superior crime flicks — has a few tricks of its own.

Despite the presence of Lundgren, Couture and Jones, Ambushed is technically the story of Frank (Daniel Bonjour), who narrates the film. Frank is a strip club owner in downtown Los Angeles who is also involved in the cocaine business along with best friend/brash Scotsman Eddie (Gianni Capaldi). Frank also has a sweet, staggeringly gullible girlfriend named Ashley (Cinthya Bornacelli), who is the only pure thing in his life. Since Frank eventually wants to leave the drug business and make a life with Ashley, he makes a bold, violent play to move up the cocaine food chain.

Ike Evans (Morgan) owns the most swank hotel in Miami. It's the Miramar Playa. He bought the land at a song from his deceased wife's family, and he's turned it into a luxury city where the likes of Frank Sinatra call home. He's determined to make it without caving to the influence of his minority partner, who happens to go by the name of The Butcher. He's Ben Diamond (Huston), and he wants the hotel to become a kingdom of gambling and other profitable vices. Sure, Ike allows a little prostitution and backroom bookie action, but he wants to keep the hotel pretty much legit. That's hard with a bank nut that runs $65,000 a month.

He has a young wife, Vera (Kurylenko) who was once the sensational Vera Cruz, a Cuban Tropicana dancer. He has two sons. Danny (Cooke) is studying law and doesn't want any part of the hotel business. He's being recruited by the DA's office in order to get a man inside. They don't really want Ike. They want Ben Diamond, and if they have to squeeze Ike to get to him, then that's what you might call collateral damage. Danny's in love with Mercedes (Garcia-Lorido), who is a maid at the hotel and daughter to Ike's hotel manager Victor (Vazquez). Victor's wife was killed in the Castro takeover of Cuba, and Ike's trying to get her ashes out. Stevie (Strait) is Ike's youngest son. Stevie tends bar in the hotel's famous Atlantis Bar (remember that Miami bar in Analyze This)? He does want the life of his father. He's also a bit of a womanizer. But he's fallen in love with Lily Diamond (Marais), who also loves him. They have a rather torrid affair. The only trouble is that Lily is The Butcher's wife, and he is the jealous type.

Although they were brutally gunned down almost 80 years ago, everyone knows the names “Bonnie & Clyde”, even if they're only familiar with the bank-robbing basics. Don't look now, but Arthur Penn's landmark, definitive Bonnie & Clyde film — with Warren Beatty and Faye Dunaway in the title roles — came out 46 years ago, so I imagine there's a large segment of younger movie fans who haven't seen the story of Bonnie Parker and Clyde Barrow play out on screen. The ultra low-budget Bonnie & Clyde: Justified arrives just in time to capitalize coincide with December's star-studded, multi-network miniseries that will surely raise the notorious duo's pop culture profile once again.

Now the tale I'm about to tell you is the truth, the author's side. And if anyone tells you different, then they didn't know Bonnie & Clyde.”

When Vikings Season 1 first arrived, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our Shepherd/Chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over The History Channel's epic new drama series Vikings.

This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.

There are five clans of Vampires that are secretly living amongst humans. Said secret is maintained by a code of conduct called the “Masquerade” which states that vampires can never reveal themselves to a human; nor can they “embrace” (bite and convert) a human without approval from the highest council. Defying this means that your lengthy life is forfeit. A detective discovers the truth about the Masquerade when his girlfriend loses her life after defying these very rules, and he sets out to reveal the entire realm of vampires in San Francisco.

The vampire clans resemble mafia crime syndicates. They operate in secret to both hide their supernatural identities, and hide their financial operations; many of which have spanned centuries. So the story of the detective seeking to uncover the vampire world operates on different levels; revealing the truth behind the murders and other crimes these groups are committing, along with the aforementioned exposure of their supernatural lineage.

Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time.  With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence.  It was the film Drive, though, that most people know him for.  I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits.  I know the film has its viewers who find it dull; it’s a film that doesn’t attempt to please anyone but simply tells a brilliant tale of love and violence for those looking for more than a brainless romp.

I mention all this because from the moment I first saw the trailer for Only God Forgives, it wasn’t just a film I wanted to see; it was a film that I HAD to see.  The trailer teased more of the same that I loved about Drive, and the images in the promotional materials of Ryan Gosling beaten to a pulp struck a nerve.  But then it had its premiere at Cannes, and the reaction surprised me; people actually seemed to be hating this new film. This didn’t make any sense to me, but it caused me to rein in my expectations, and I believe that is what saved my experience with viewing this film.  This film is nothing like Drive, but feels much closer to Valhalla Rising, not just for its lack of dialog but for its tone and its spiritual nature.

In the wake of Captain Phillips being released in theaters, another tale of a ship being held hostage by Somali pirates is released on Blu-Ray and DVD.  This true story comes out of Denmark and has made a successful run through the festival circuit, but how does it fare up against the mighty Tom Hanks and his tense, nail-biting thriller?  Well, to be fair, though the two films deal with the same subject matter, the execution is vastly different, but A Hijacking manages to deliver an equally stunning film filled with great performances and filmed in such a way we feel as though we are one of the hostages on the ship, or in the negotiation room where numbers are crunched to ensure survival of the crew but also preserve the company’s bottom line.

On board cargo ship,The Rozen, the ship and its crew is getting ready to head into Mumbai where the ship’s cook Mikkel (Pilou Asbaek) is excited about returning home to his wife and daughter.  Unfortunately those plans are indefinitely delayed once the ship is taken over by a group of pirates.  In Denmark, the CEO of the shipping company, Peter (Soren Malling) is notified about the ship’s capture, and the motions quickly roll into place to return the ship and the crew safely.