Posted in: Disc Reviews by Gino Sassani on January 28th, 2013
Here’s the thing. Fans of the franchise should be pleased with the latest entry. The series has been a solid October tradition for some time now. When you consider the low cost of creating one of these films with the proven box office numbers, this was all really a no-brainer, to say the least. You’re going to get more of what you are expecting, and the film throws in enough new angles and tricks to keep the idea as fresh as possible. However, there is a flip-side to all of this. I don’t think it’s very likely that you can enjoy this film quite so fully if you have not seen any of the previous films. The history is of vital importance if you’re going to appreciate where all of this is going. That isn’t to say newcomers won’t be entertained. There are enough jumps and shocks to have a relatively good time. Still, if you haven’t gotten yourself caught up in the franchise’s mythology, you might want to make that effort before going to see this film. It was my intention to watch the first three again before I saw this one. I couldn’t find the time. I wish I had. I did see the first three films, and I still feel like I needed to refresh myself before the journey into number four. Alas, that was not meant to be, and this review will suffer somewhat because of that. I very strongly encourage you to take in the story so far before venturing to your local multiplex.
You say you don’t have the time either? Here’s a quick history lesson to get you caught up. You should be warned that here there be SPOILERS of the first three films:
Posted in: Disc Reviews by Brent Lorentson on January 23rd, 2013
Anytime a horror film is released with a religious element, I can’t help but be a little interested. The film that first won me over for this sub-genre was, of course, The Exorcist, and ever since seeing that film I keep hoping that one day a film will hold up to it in quality, but it seems I’ll be waiting a while. That’s not to say there haven’t been some good films to come out along the way. The Possession is one of those valiant attempts that brings something fresh to the genre but never quite reaches its full potential. Before going into this film I was familiar with the “true story” surrounding the Dibbuk box, and I’ve always felt if there was ever a story to rival The Exorcist or The Omen, it would revolve around this box. I don’t want to get into the history of the box because most of the story has little to do with the movie, and in my opinion that is part of the reason this film falls short of what could have been.
The film opens as an elderly woman approaches the cursed box to destroy it. Unfortunately for her the box knows what she is up to and punishes her for it. She is violently tossed around her living room as though she were nothing more than a rag doll; outside her son stands unaware of the punishment she is taking. It’s clear this unseen force is powerful, but what is it?
Posted in: Disc Reviews by J C on December 30th, 2012
As The Walking Dead continues to smash ratings records (while compulsively changing showrunners, no less) and Summit Entertainment — the studio behind The Twilight Saga — prepares to throw its considerable marketing muscle behind February’s zombie rom-com Warm Bodies, it’s fair to say the shambling undead are having a major pop culture moment. Yes, zombies are hot right now, but a curious subgenre has already endured for many decades: I’m talking about the zombie Nazi movie.
From Shock Waves and Zombie Lake in the 1970s and 80s to recent examples like Dead Snow and this year's Outpost: Black Sun, filmmakers have delighted in mashing up one of history’s most infamous real-life group of monsters with one of cinema’s most popular terrors for decades. Though they’ve been enjoyable to varying degrees, the subgenre is yet to produce a classic film in the vein of George A. Romero’s work or even something that made a notable pop culture impact like Zombieland or Shaun of the Dead. I’m sorry to say War of the Dead won’t be the first.
Posted in: Disc Reviews by Brent Lorentson on November 16th, 2012
To be a cannibal or not to be? That seems to be the question we will all have to ask ourselves if we ever go on to live in a post-apocalyptic society. Sure it’s in the name of survival, but can things really get so bad that one day I could be huddled up with a group of survivors and everyone wondering whose the next to keel over and if there are any special recipes someone would like to try out? Remember it’s all in the name of survival, and in the words of Andrew Zimmern, “If it looks good, eat it!”
The Day isn’t just a movie about cannibals; in fact they are simply in the background for the story of five survivors trying to make it day to day in a cruel, unforgiving landscape. It’s never made clear what has happened to the world our survivors live in, but it’s understood that a large portion of society is dead, and those that remain can do nothing more than prepare themselves for the inevitable. These survivalist movies need to be bleak and depressing, because let’s face it, when the world has managed to reach the point of creating a near extinction of the human race, having hope is a bit naïve. And that seems to be what the film makers understood when creating The Day.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2012
"Fairlake, West Virginia, established in 1814. The entire population disappeared in 1817. To this day nobody knows what happened to them."
I know what you're thinking. When I look at a direct-to-video horror series and see a number 5 next to the name, it's usually time to roll my eyes and reluctantly place the disc in my Blu-ray player so that I can warn you guys just how bad it really is. But we're not talking about just any horror title. We're talking about the Wrong Turn franchise, which has actually gotten better since it went into sequel-hell. We're also talking about a director in Declan O'Brien who knows that his job isn't to create the next museum piece of art. He doesn't care one bit if he's inspired conversations about form and style. He's a horror film fan himself who has only one goal in mind each time he takes over a project: let me entertain you. And as hard as you might not want to believe it, Wrong Turn 5 does just that. You will be entertained.
Posted in: Disc Reviews by Gino Sassani on October 20th, 2012
"Long story short, I want to reshape my navel, and allowance won't cover it."
Long story short is precisely the words I would use to describe Excision. You see, it started out as a short subject film and writer/director Richard Bates, Jr. decided to make it his first feature film. That was his first mistake. While I have never seen the short film that inspired this feature, I get the strong feeling that this was better served in that format.
Posted in: Disc Reviews by Gino Sassani on October 19th, 2012
"I'm so proud of my boys. They never forget their Momma."
What did you do for your mother the last Mother's Day? Did you buy her some flowers and candy? Perhaps you took her out for a little adventure. You might have even cooked her a special meal. If you're like Ike (Coffin) and his brothers, you treat your mom to a show. You torture, rape, and kill a few women who happen to find themselves in the woods. Good times, right?
Posted in: Disc Reviews by M. W. Phillips on October 17th, 2012
“What cannot be disputed is your imagination is the inspiration of a horrendous crime.”
The Raven may not be a turkey, but it doesn’t really soar either. Director James McTeigue (V for Vendetta) attempts to fashion a historical fiction around the mysterious final five days of Edgar Allen Poe’s life. A notorious drunk and opium addict, Poe (John Cusack) careens through 19th century Baltimore dead broke, bitter from years of writer’s block, and harassed by the locals for being a blustering has-been. Due to a distinct lack of social sympathy, he can’t even borrow money for a single drink, which forces him into an involuntary sobriety. At the same time, a rash of murders inspired from the pages of his darkest fiction terrorize the city, and he is called in by Detective Fields (Luke Evans) to assist in the investigation.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2012
"Sometimes dead is better."
From the rather twisted mind of Stephen King, Pet Sematary is actually one of my favorites of his horror novels. It’s scary to think the story was never meant to be published and only offered up to finish a contract with his earlier publisher. As has been the Stephen King plague at nearly every turn, something ends up lost in the translation. In the novel, the deeper subtexts that King is so adept at take several hundred pages to set up and ultimately pay off. Unfortunately a mere couple of hours of celluloid never …seem to scratch the graveyard surface soil. Pet Sematary is, sadly, a definitive example. While the original work taunts us with its mystic undertones that always seem far more believable than they ought to be, the film lays down a path as overgrown as the one leading to the titular graveyard. At first the two works are not so convergent, and a great deal of hope is to be had. Soon, however, the movie descends into the typical shock horror film so common in recent years. Startles and zombies begin to dominate the experience, while the story’s deeper and far more frightening elements lie as dead as the bones of the neighborhood pets.
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2012
"800,000 children are reported missing each year in the USA. Most are found within a few days. 1000 children disappear without leaving a trace."
After seeing Pascal Laugier’s first film Martyrs, I instantly became a fan. It’s not often I can recall the exact emotions and thoughts I felt as I emerged from a theater years after the experience. He’s a director I also have no problem calling an artist, and I’ve patiently been waiting for him to assault my senses with his follow-up project. There was a time he was attached to do a remake of Hellraiser. Usually the thought of remaking such a classic would send me into an outrage, but if there was ever a director who could handle the material, I believed he’d be the perfect choice. Sadly the production fell apart, and his follow-up became The Tall Man.
