Horror

The 1970s famously produced many of the most daring, diverse and groundbreaking classics in movie history. All-time greats like Scorsese, Spielberg, Polanski, Altman and Lucas either broke out or did some of their most exciting work during the decade. But, even among these titans, Francis Ford Coppola separated himself from the pack. Four films — The Godfather, The Conversation, The Godfather Part II, Apocalypse Now — four undisputed classics. Batting 1.000 during the greatest moviemaking decade of all time earns you a ton of slack. In Coppola’s case, it has gotten him enough slack to make up for the fact that nothing he’s done in subsequent years can touch his ‘70s output.

Some cult classics you have to just wonder how it is they manage to stand the test of time.  For the life of me I’ll never understand the love for The Rocky Horror Picture Show, but yet when someone mentions the cult classic Frankenhooker, I can’t help but light up with geeky delight.  As film geeks most can admit these cult classics are far from great films, but yet there is a charm about them we can’t resist, and not only do we rewatch these guilty pleasures, but we also have the irresistible urge to thrust these films on our friends.

The medical community seems to be split on whether or not dissociative identity disorder — previously known as multiple personality disorder — actually exists. Well, I’m here to offer a definitive answer because I’ve just seen the dreaded disease in action after watching 6 Souls. The film can’t decide whether it wants to be trashy, watchable horror movie that regularly tries to jump-scare you out of your seat or a somewhat serious meditation on the science vs. faith debate.

“Midnight is the most evil part of the night. If someone dies at 23:59 hours, his soul will not rest in peace and will return to the mortal world.”

Every culture has its own set of ghost stories. They’re usually passed around very late at night by a group of very impressionable young people. That’s precisely where 23:59 — an atmospheric and thoroughly effective Malaysian/Singaporean horror flick — picks up, with a group of army recruits on an island training camp sitting around telling spooky tales. The only thing missing was the campfire.

Earlier this year, Warm Bodies become a solid box office hit by giving its zombie hero a heart. The Amazing Adventures of the Living Corpse seeks to carve its own uniquely bloody path by saddling its undead protagonist with a soul. It’s a clever way to go considering there’s not much new territory to cover in zombie fiction 45 years after George A. Romero’s Night of the Living Dead shambled into pop culture immortality. I just wish this provocative promise had yielded a better movie.

“Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.”

It’s easy to see why 26 talented filmmakers from across the world leapt at the chance to show audiences 26 different ways to die. Obviously, you can’t exactly be squeamish when you sit down to watch an anthology called The ABCs of Death. But I still wish fewer directors had interpreted “complete artistic freedom” as “make the most ridiculous and disgusting movie you possibly can.”

“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”

Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.

Forget about all of the sequels, remakes and copycats. At least that's what original Texas Chainsaw Massacre writer/director Tobe Hooper wants you to do. As far as he's concerned, Texas Chainsaw 3D is the official follow-up to the groundbreaking, flesh-tearing 1974 cult classic film. To bring the point home, Hooper has signed on as a producer and brought along the original Leatherface Gunnar Hansen and Marilyn Burns who played Sally, the girl who got away in the original film. Both have cameos here.

“Now it’s mandatory that you do not make make eye contact until we tell you that it’s all clear.”

Typical, one person can’t follow simple instructions and the rest are doomed to die because of it. Or at least that’s how it starts in Escapee, the new suspense horror film starring Dominic Purcell and Christine Evangelista, or what I like to call it: Halloween with a dash of Friday the 13th. Harsh perhaps, but as I watched the film I could not help but the see the comparisons. It fooled me at first

“What’s the matter? Don’t you like role-playing?”

I was on the verge of writing this film off as another zombie flick hoping to capture on the popularity brought about by the AMC series The Walking Dead, but then….BAM! It brought forth a plot twist that veered it away from all other zombie movies and grabbed my attention. It was no longer a zombie film; it was much more interesting.