Posted in: No Huddle Reviews by Gino Sassani on June 24th, 2013
“Midnight is the most evil part of the night. If someone dies at 23:59 hours, his soul will not rest in peace and will return to the mortal world.”
Every culture has its own set of ghost stories. They’re usually passed around very late at night by a group of very impressionable young people. That’s precisely where 23:59 — an atmospheric and thoroughly effective Malaysian/Singaporean horror flick — picks up, with a group of army recruits on an island training camp sitting around telling spooky tales. The only thing missing was the campfire.
Posted in: Disc Reviews by J C on June 17th, 2013
Earlier this year, Warm Bodies become a solid box office hit by giving its zombie hero a heart. The Amazing Adventures of the Living Corpse seeks to carve its own uniquely bloody path by saddling its undead protagonist with a soul. It’s a clever way to go considering there’s not much new territory to cover in zombie fiction 45 years after George A. Romero’s Night of the Living Dead shambled into pop culture immortality. I just wish this provocative promise had yielded a better movie.
Based on the Dynamite Publishing comic series “The Living Corpse: Exhumed”, the film introduces us to John Romero, who rises from his grave and promptly snacks on his own wife and daughter. As a horde of the undead prepares to eat his son Taylor, John realizes what he’s done and saves his only surviving family member. Confused as to why he’s the only zombie with a conscience, he ventures to the underworld, where he is counseled by Asteroth Guide of the Wretched and Worthless Merk (the movie’s source of "comic relief"). Meanwhile, a traumatized Taylor is taken to a sinister boarding school filled with other misfit orphans and inconveniently located next to a cemetery.
Posted in: Disc Reviews by J C on June 5th, 2013
“Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.”
It’s easy to see why 26 talented filmmakers from across the world leapt at the chance to show audiences 26 different ways to die. Obviously, you can’t exactly be squeamish when you sit down to watch an anthology called The ABCs of Death. But I still wish fewer directors had interpreted “complete artistic freedom” as “make the most ridiculous and disgusting movie you possibly can.”
Posted in: Disc Reviews by J C on May 24th, 2013
“Two possibilities exist: either we are alone in the universe or we are not. Both are equally terrifying.”
Just in case the film’s title wasn’t a big enough clue, this opening quote from famed science fiction writer Arthur C. Clarke makes it abundantly clear the domestic disturbance in Dark Skies won’t be caused by grumpy ghosts or a dastardly demon. This effective little sci-fi/horror movie follows the low-budget template established by recent hits like Insidious, Sinister and the Paranormal Activity franchise, but looks to the not-so-friendly skies for its source of terror.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2013
Forget about all of the sequels, remakes and copycats. At least that's what original Texas Chainsaw Massacre writer/director Tobe Hooper wants you to do. As far as he's concerned, Texas Chainsaw 3D is the official follow-up to the groundbreaking, flesh-tearing 1974 cult classic film. To bring the point home, Hooper has signed on as a producer and brought along the original Leatherface Gunnar Hansen and Marilyn Burns who played Sally, the girl who got away in the original film. Both have cameos here.
They say you can't go back home again. In the magic world of movies you can always go back. In fact some argue that Hollywood has spent far too much time looking back than moving forward. Texas Chainsaw 3D takes you back to the highlight moments of the first film and then picks up the action just moments after the end credits began. That means creating the farmhouse and property of the Sawyer clan just as it looked in the 1974 film and matching it quite nicely in 2013. The result is an impressive journey back in time that would find even the most rabid fans at a loss to determine any significant differences between the two locations and houses. This time the film is shot in Louisiana instead of the titular Texas, but you'd swear nothing's changed in 40 years. Of course everything about making a movie has changed, and that is the heart of this trip down memory lane. The place may look the same, but this isn't the same Texas Chainsaw, not by a Texas mile.
Posted in: Disc Reviews by Jeremy Butler on April 24th, 2013
“Now it’s mandatory that you do not make make eye contact until we tell you that it’s all clear.”
Typical, one person can’t follow simple instructions and the rest are doomed to die because of it. Or at least that’s how it starts in Escapee, the new suspense horror film starring Dominic Purcell and Christine Evangelista, or what I like to call it: Halloween with a dash of Friday the 13th. Harsh perhaps, but as I watched the film I could not help but the see the comparisons. It fooled me at first with a fairly interesting opening sequence, but from there, it become painstakingly obvious that the film did nothing but rehash many of the themes that made the previous films famous. It wasn’t until the reveal at the climax of the film that the story felt mildly original.
Posted in: Disc Reviews by Jeremy Butler on February 15th, 2013
“What’s the matter? Don’t you like role-playing?”
I was on the verge of writing this film off as another zombie flick hoping to capture on the popularity brought about by the AMC series The Walking Dead, but then….BAM! It brought forth a plot twist that veered it away from all other zombie movies and grabbed my attention. It was no longer a zombie film; it was much more interesting.
Posted in: Disc Reviews by J C on February 9th, 2013
I didn’t know what to make of this Pig/1334 double bill when I took it on as my latest assignment. All I had to go on were the aggressively grotesque images on the Blu-ray case. I wasn’t yet familiar with the work of Dutch filmmaker Nico B. or former Christian Death frontman Rozz Williams. I did a bit of research, mostly because I wanted to make sure I wasn’t being handed a real-life version of the videotape from The Ring. (Surely, there would be a less drastic way of informing me my services were no longer required on this site.) What I uncovered instead was an intriguing and haunting back story.
Pig is a 23-minute short co-directed by Nico B. and Williams, a pioneer of deathrock. (Unfortunately, I didn’t have access to too many deathrock records when I was growing up in Puerto Rico.) The short was filmed in 1997 and tells the story of a pig-masked serial killer (Williams) who ritualistically murders an unidentified man (James Hollan) in an abandoned house in the middle of Death Valley. Williams never saw the completed product because he hanged himself on April 1, 1998, shortly after finishing work on the soundtrack. (Pig premiered in Los Angeles in January 1999.)
Posted in: Disc Reviews by Gino Sassani on January 28th, 2013
Here’s the thing. Fans of the franchise should be pleased with the latest entry. The series has been a solid October tradition for some time now. When you consider the low cost of creating one of these films with the proven box office numbers, this was all really a no-brainer, to say the least. You’re going to get more of what you are expecting, and the film throws in enough new angles and tricks to keep the idea as fresh as possible. However, there is a flip-side to all of this. I don’t think it’s very likely that you can enjoy this film quite so fully if you have not seen any of the previous films. The history is of vital importance if you’re going to appreciate where all of this is going. That isn’t to say newcomers won’t be entertained. There are enough jumps and shocks to have a relatively good time. Still, if you haven’t gotten yourself caught up in the franchise’s mythology, you might want to make that effort before going to see this film. It was my intention to watch the first three again before I saw this one. I couldn’t find the time. I wish I had. I did see the first three films, and I still feel like I needed to refresh myself before the journey into number four. Alas, that was not meant to be, and this review will suffer somewhat because of that. I very strongly encourage you to take in the story so far before venturing to your local multiplex.
You say you don’t have the time either? Here’s a quick history lesson to get you caught up. You should be warned that here there be SPOILERS of the first three films:
Posted in: Disc Reviews by Brent Lorentson on January 23rd, 2013
Anytime a horror film is released with a religious element, I can’t help but be a little interested. The film that first won me over for this sub-genre was, of course, The Exorcist, and ever since seeing that film I keep hoping that one day a film will hold up to it in quality, but it seems I’ll be waiting a while. That’s not to say there haven’t been some good films to come out along the way. The Possession is one of those valiant attempts that brings something fresh to the genre but never quite reaches its full potential. Before going into this film I was familiar with the “true story” surrounding the Dibbuk box, and I’ve always felt if there was ever a story to rival The Exorcist or The Omen, it would revolve around this box. I don’t want to get into the history of the box because most of the story has little to do with the movie, and in my opinion that is part of the reason this film falls short of what could have been.
The film opens as an elderly woman approaches the cursed box to destroy it. Unfortunately for her the box knows what she is up to and punishes her for it. She is violently tossed around her living room as though she were nothing more than a rag doll; outside her son stands unaware of the punishment she is taking. It’s clear this unseen force is powerful, but what is it?
