Posted in: No Huddle Reviews by J C on June 4th, 2015
“Man, you are everything I’d hoped for…right down to the hat.”
For six stellar seasons, Justified went about its business in a manner similar to that of its slyly laconic, incorruptible hero Raylan Givens. The key word in that last sentence is “hero.” Justified premiered in the midst of the supposed new Golden Age of Television, which was largely defined by antiheroes like Tony Soprano, Dexter Morgan, and Walter White. Another one of those antiheroes — Mad Men’s Don Draper — recently signed off with a lot more fanfare than Justified got for its excellent last hurrah.
Posted in: Disc Reviews by J C on June 2nd, 2015
“That’s what you get when you hire a con man.”
As much fun as it is to watch clever, cagey characters try to outsmart one another on screen, the real appeal of movies about con artists is watching filmmakers try to pull the wool over the audience’s eye. It’s an especially tricky proposition when you consider that — thanks to the Internet — moviegoers might be more sophisticated than ever in terms of knowing how movies are supposed to work. (Or at least *thinking* they know how movies are supposed to work.)
Posted in: Disc Reviews by Archive Authors on June 2nd, 2015
The town of McFarland, California is North of Los Angeles and South of San Jose. More specifically, it is near Bakersfield and not too far south of Fresno. San Diego is practically spitting distance from Tijuana. I say this because much of California is alien to me. The movie McFarland, USA is about delving into the realities of California. Forget that this is a feel-good sports movie for a minute. This is a movie about the Latino experience from a true story about a coach from 1987, but the film updates some of the changes that have taken place since then. Today Latinos make up 39% of the population of California, making them the largest segment of California society. It is no secret that the trends toward America becoming predominantly Latino are still a ways off, but very real. The point is that America is changing, so get used to it. We are all Americans.
This film is very positive and inspiring, but often in ways that are unexpected. It is about how we can find value in the most unexpected places, and the new America is just as proud and strong. It is about hard-working people who are among the poorest in the country who can been seen as a reserve of unexpected strength.
Posted in: Disc Reviews by J C on June 1st, 2015
“One thing one can be sure of is that there wasn't before him an Orson, and there'll never be a second.”
This year (May 6, to be exact) marks what would've been Orson Welles' 100th birthday. To celebrate, filmmaker Chuck Workman has made a charming documentary with a title as grandiose as its subject. Magician: The Astonishing Life & Work of Orson Welles is a thoroughly entertaining — if somewhat superficial — survey of one of the 20th century's greatest showmen.
Posted in: No Huddle Reviews by J C on May 28th, 2015
“There are some rough spots in His plan.”
I’m not the only person who’s reflexively rolled his eyes after an athlete or entertainer has thanked God for helping them win the Super Bowl or a Grammy. I personally don’t mean it as blasphemy; I just don’t believe God has a vested interest in the outcome of a football game. Following that logic, it seems silly to think He also roots *against* certain people. And if anybody has a right to feel like God is “against” them, it’s people like the real-life tornado survivors who appear in this admirable documentary, which illustrates how one can rise above anger and staggering loss.
Posted in: Disc Reviews by J C on May 27th, 2015
“Welcome to Cut Bank, MT. coldest spot in the nation.”
When you make a darkly comic crime thriller that centers around a bunch of bumbling schemers and a single, righteous cop — and then you name that movie after a frigid, real-life city in the northern part of the U.S. — the comparisons to Fargo are simply impossible to ignore. Thankfully, Cut Bank is buoyed by its own dry, lively cast of characters who are brought to life by a nimble set of performers.
Posted in: No Huddle Reviews by J C on May 25th, 2015
“You move to Sweden...you have no friends, you don't speak the language, and you don't have a job.”
If you think that potentially disastrous scenario sounds like the set up for a sitcom...you're mostly right. On one hand, that is indeed the exact logline for Welcome to Sweden, a comedy set and produced in the titular country that eventually found its way to NBC. However, the impulsive move to Sweden also happens to be based on the real-life experiences of creator/star Greg Poehler.
Posted in: Disc Reviews by J C on May 21st, 2015
At this point, it’s pretty difficult to find a play by William Shakespeare that hasn’t been produced for the stage or adapted for the screen many times over. So imagine my surprise when I came across Cymbeline, a Shakespearean play I’d never even heard of. (Though maybe that says more about me than it does about the play’s popularity.) Filmmaker Michael Almereyda transplants the action to the present day, but the tablets, cell phones, and other anachronistic touches aren’t enough to inject life into a languid, lurching film that largely squanders a pretty impressive cast.
“For years, Cymbeline — King of the Briton Motorcycle Club — has maintained an uneasy peace with the Roman Police Force.”
Posted in: Disc Reviews by Gino Sassani on May 19th, 2015
"The thing that haunts me are all the guys that I couldn't save."
I have to admit I was a little skeptical that Clint Eastwood followed up his directing stint on Jersey Boys as quickly as he did to shoot American Sniper. The former was far from one of his better efforts, and he looked increasingly out of his element by the time it was said and done. He jumped into his preparation for American Sniper almost immediately, and the results could have been...underwhelming. Instead Eastwood hit his target with the kind of profound impact I don't think I've seen from him since Unforgiven. Unforgiven won a Best Picture award, and deservedly so. American Sniper was nominated, although Eastwood himself was snubbed in the director category. It didn't win, of course, but this is one that most certainly deserves your attention.
Posted in: Disc Reviews by J C on May 19th, 2015
If nothing else, The Pyramid has an intriguing premise. A father-daughter archaeologist team discovers an unusual, three-sided pyramid buried 600 feet underground that might even predate the ancient Egyptians. Essentially, this is Ancient Aliens as a found-footage horror film. Yes…unfortunately, I said “found footage,” a cinematic device that now feels even more decrepit than your garden variety mummy. So while the film’s opening act probably got people like this guy extremely excited, the movie falls apart the deeper the characters descend into the titular pyramid.
Miles Holden (Denis O’Hare) is a patient, old-school archaeologist, while his daughter Nora (Ashley Hinshaw) is more excitable and has been quicker to embrace new tools like satellite technology in her work. Together, they have made what is potentially the find of the century: an ancient pyramid buried deep beneath the desert in Egypt. A documentary film crew — journalist Sunni (Crista Nicola) and camera guy Fitzie (James Buckley) — arrives to capture the Holdens’ discovery.
