Posted in: Disc Reviews by J C on June 22nd, 2015
What do Elvis Presley, Frank Sinatra, The Beach Boys, Sonny & Cher, The Monkees, and Nat King Cole have in common? (Besides, of course, their undisputed status as musical icons and the adoration of millions of fans.) Well at various points in their illustrious careers, they were each backed by The Wrecking Crew, a tight-knit group of session musicians responsible for cranking out some of the most familiar hits of all time. This documentary is a lively love letter to that incredibly charismatic and cohesive group, whose contributions remained largely anonymous for decades.
Early on in The Wrecking Crew, we are presented with some snippets from the group's work as if we were scanning stations on car radio; it doubles as a tour through the history of pop music in the 20th century. The film is directed by Denny Tedesco and we quickly learn his very personal motivation for making this movie. His father, Tommy Tedesco, was a master session guitarist whose work can be heard on everything from Sinatra's “Strangers in the Night” to the Bonanza and Batman themes. But the general public's lack of awareness regarding Tedesco's contributions was magnified after his 1997 death. (The film points at a few televised obituaries, which misspelled his last name or called him “Tony Tedesco.”)
Posted in: Disc Reviews by J C on June 19th, 2015
“We’re not in the middle of the third act. We just got to the end of the first.”
Aaron Sorkin almost definitely knew The Newsroom had been simultaneously renewed for a third season and canceled when he wrote those words, which come at the end of the season 3 premiere. It’s a winking and bittersweet bit of writing for a show that seemingly infuriated as many more people than it delighted over the course of 25 episodes. (Which apparently amounts to a single season of Pretty Little Liars.) So how else would you expect The Newsroom to go out than with moments of singular brilliance mixed in with a few controversial bangs?
Posted in: Disc Reviews by Jeremy Butler on June 17th, 2015
“Tell everyone to get ready. Jimmy is coming.”
If someone were to tell me while walking out of Schindler’s List that 20 years later Liam Neeson would be an action star, I would have thought they were out of their mind. Between the trio of Taken films and numerous films that seem to be cut from the same ilk, Liam Neeson seems to be walking in the same footsteps as Charles Bronson and Clint Eastwood as being the go-to everyman who just so happens to be a badass with or without a gun. It’s that odd bit of typecasting that in many ways hurts Run All Night; after all, the trailers give us the vibe that this is nothing more than am action film where yet again his family is in peril, when really it has so much more going for it.
Posted in: Disc Reviews by J C on June 17th, 2015
I’m hard pressed to think of a movie star who is better at playing rich a-holes than Michael Douglas. He’s played a Murderous Rich A-Hole, a Rich A-Hole Who Gets Put In His Place, and a Self-Destructive Rich A-Hole, to name just a few. And that’s not even counting his Oscar-winning turn as Gordon “Greed is Good” Gekko, the Definitive Rich A-Hole. It’s tempting to tidily sum up Beyond the Reach as “Gekko’s Got a Gun.” Unfortunately, what starts out as a picturesque two-hander becomes more preposterous as it goes along before completely flying off the rails in the final act.
The larger-than-life corporate shark Douglas plays this time around is named John Madec. He hires a young, talented, brokenhearted guide named Ben (Jeremy Irvine) for a hunting expedition in the Mojave Desert. Director Jean-Baptiste Leonetti and screenwriter Stephen Susco let us know Madec is a jackass before we even lay eyes on him; as Ben walks into the local sheriff’s office to meet Madec, we see his monstrous Mercedes truck taking up three parking spaces outside.
Posted in: No Huddle Reviews by J C on June 15th, 2015
“People you knew — people you forgot you knew — all ready to spend your money. And we got to be careful. We got to be smart.”
We look at professional athletes who've hit the genetic jackpot and make unseemly amounts of money, and we assume that they'll be financially set for the rest of their lives. Survivor's Remorse, a Starz sitcom that follows a young basketball star who's just signed his first big-money deal, gives us a frequently funny, consistently crass glimpse into why that isn't necessarily the case.
Posted in: No Huddle Reviews by J C on June 12th, 2015
I honestly didn’t know what to expect when I sat down to watch The Swirl. I didn’t need urban dictionary or the comically on-the-nose tagline on the DVD cover to tell me the film would be exploring the world of interracial dating, with a strong emphasis on the relationships between African Americans and Caucasians. But I assumed I’d be watching some no-budget melodrama that would (at best) be good for some unintentional laughs. Instead, The Swirl set out to be funny on purpose.
Turns out The Swirl is a “documentary” that curiously blends man-on-the-street interviews, movie clips, polling data, and wisecracks from a handful of comedians. It’s a lot to pack into the movie’s slim 45-minute running time, which is why there’s a fairly extensive amount of bonus material included on this DVD. (In fact, some of the absolute funniest riffs from comics like Rodney Perry and Reggie Jackson are relegated to the special features because there’s no time for them in the feature presentation.)
Posted in: Disc Reviews by J C on June 11th, 2015
“That’s your job as The DUFF…Designated Ugly Fat Friend.”
Let’s just get this out of the way right at the top. The idea that Mae Whitman — or any other actress cast as the lead in a mainstream Hollywood movie — is “Ugly” and “Fat” is absurd. (Not to mention entirely subjective.) So it’s tempting to dismiss The DUFF as the latest bit of evidence that there’s no truth in advertising. But then you’d be missing out on a charming teen comedy that grabs the snarky underdog baton previously held by the likes of Mean Girls and Easy A.
Posted in: Disc Reviews by Gino Sassani on June 9th, 2015
"Some things stay the same. I mean the gamer is the game."
Stop me if you've heard this one before. A newspaper reporter and a cop go into a bar... It sounds like a setup for a pretty lame joke. It's actually the story of how one of the greatest television shows to ever air got started. It was the brainchild of two real-world players who hadn't yet seen their worlds portrayed accurately in television of film. They set out on a mission to change all of that. And, changing all of that is exactly what they did.
Posted in: No Huddle Reviews by J C on June 9th, 2015
“You look at life like it’s a burden. Life is a gift.”
The best thing about Rectify — SundanceTV’s excellent, thoughtful slow-burn of a Southern drama — is that it gives equal weight to each of those viewpoints. Daniel Holden has spent more time as death row inmate than he has as a free man. As an 18 year old, he was convicted of the rape and murder of a teenage girl and spent the next 19 years in prison awaiting his execution. Daniel was suddenly freed after DNA evidence vacated his sentence, and season 1 showed him struggling mightily to adapt to life on the outside. (It also showed the outside world struggling mightily to adapt to him.)
Posted in: Disc Reviews by J C on June 5th, 2015
“To live is to consume.”
Sometimes it feels like we’ve already consumed every conceivable type of Hollywood blockbuster. Besides movies adapted from comic books or, um, older movies, we’ve gotten mega-budget films based on board games and theme park rides. And that’s why I was so excited and intrigued by Jupiter Ascending, especially when The Wachowskis’ nutso space opera was slated to hit theaters during what seemed like a particularly sequel-heavy summer of 2014. The movie, in theory, represented a wholly original vision. Instead, the messy, unnecessarily dense Jupiter Ascending is Star Wars. It’s also The Matrix, The Princess Diaries, Flash Gordon, and even a little Soylent Green.
